I wondered if there was something perhaps in the swap of the wife and boy characters. As the short progresses we learn that the boy is the son to the psycho. We know the psycho evolved into his own dad, and maybe the beatings the boy took (pre-film) matured him and he aged psychologically with that, with the killing of his father, and with the carnage before him. The wife on the other hand was a botox junkie, and as useless as a child, because she had no talent, skill or vocation.
I never settled on this hypothesis, but had considered that the director's mind (which the psycho proved to be oblivious to people, and only see portrayed characters) had become susceptible to the wife's childlike validity and the boy's psychological weathering. The short mirror and doubling montage, i surmised, could therefore be a metaphor for perception within vision (relevant to the director's profession).
I'll be interested to see Byung-Hun Lee in Red 2 soon. Interesting like when Anthony Wong turned up in The Mummy 3 or whatever it was called. Diamond in the rough *beep* right there.
"I first became aware of it Mandrake, during the physical act of love."
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