Totally self-contradictory.
This film seems to be arguing that all the public disapproval visited upon "Deep Throat" was totally backwards and unwarranted, a product of outmoded religious values and sexual ignorance and political greed and (!?) sexism.
So why are the filmmakers also so confused and disappointed about the fact that porn has gone totally mainstream, that it's sold in every town in every state in the union, that porn stars are household names and appear regularly in major feature films and TV shows, that every boy over the age of 10 can get extreme hardcore barnyard teenage incest action at any hour of the day, that every girl over the age of 10 knows how to give a 4-star BJ and will do so as an unreciprocated favor, that 11,000+ porn movies are made a year vs. Hollywood's 500 or so, etc. etc.?? Shouldn't they be thrilled that Deep Throat was ultimately utterly victorious in its crusade against censorship? Deep Throat's triumph was total!! Or, to paraphrase Charles Keating's words in the documentary, "We were absolutely right."
The whole bitch about "the state of porn today" is so hypocritical and unanalyzed. Not to mention, (like most of this movie), the issue was already explored in Boogie Nights in a way that was far more interesting. [Also, wouldn't extreme hardcore barnyard teenage incest action probably come a lot closer to great art than anything in "Deep Throat"?]