Is it too slow-paced?


Don't take me wrong. I have had very nice experiences with the cinema of Hou Hsiao Hsien, I really enjoyed Millennium Mambo and Flowers of Shanghai, specially the former. Both very slow paced movies, and many times not much really happened, yet it had this...well...I dunno, hypnotic feeling about it. However, I cannot say I enjoyed Three Times too much, where I feel the slow pace is so extreme it eclipses all the lyrical images, the direction and all those sorts of things. It was simply boring, and I really didn't enjoy it much at all, even thought it had it's merits, of course.

So well, I'd like to give Cafe Lumiere a try. I don't have much experience with Yasujiro Ozu save from Ohayo and Samma no aji (That's "Autum afternoon"), both movies I thought were very moving and beautiful. However, I fear I may find myself stuck again into the horrible boredom that sometimes occurs in asian arthouse cinema, where they get so unessarily slow and lacking any sort of narrative tension it's just dull. I dunno if my question here makes much sense, I guess it's impossible to tell if I'll like or not considering I did love Flowers of Shanghai despite (or shall I say "thanks to") it's pace, and I really didn't like Three Times. But just tell me how you felt about the pace this time.

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OK, so I watched the movie. No, it wasn't boring at all. I was fearing I'd find another Three Times, but this film really has a spirit. Sure, slow paced, but not unjustified, dull and repetitive slow paced.

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i just watched this film one hour ago. when i watch a film by a director i'm not familiar with, i always try to keep an open mind and respect for the diretor's artistic decision. i did find HHH's films a bit patience-testing, but i believe he must have a good reason for shooting films this way. i'm a big fan of Tadanobu Asano, so i will bear with any film he's in. :)

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Slow movies rock. They force you to really think about what’s going on and make your own decisions. This film is rocket-fast compared to the films of Abbas Kiarostami and Andrei Tarkovsky, who are also both amazing directors, though. Peace.

The everyday happens every day.

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Goodbye South Goodbye is Hou's slowest.

my ymdb site

http://www.ymdb.com/mehsuggeth/l35858_ukuk.html

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I think the pacing on this is fine. Actually HHH's films aren't _really_ as slow as they seem on the surface. An awful lot goes on in them -- but it is very subtle -- and you miss an awful lot if you are not paying VERY close attention. (This happened to me on my first try -- with "Goodbbye South, Goodbye" -- which went right past me the first time through).

I like Three Times more and more each time I see it (so far, three times). ;~}

MEK

Every dream is a prophecy: every jest is an earnest in the womb of Time.

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OMG! Tarkivsky is sooooo freekin slow!!





Im the Alpha and the Omoxus. The Omoxus and the Omega

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I couldn't really find an 'access point' with Millenium Mambo but there was a sweetness to this movie that gripped me despite the meticulous drawn out pace.

~

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