Why see it?


Violent sex, self-mutilation, suidical depression... Not family-friendly fare, but not everything has to be. Or does it?

Most reviews of this film are dismissive and snide. Variety even went as far as to say, "Commercial prospects, at least Stateside, are below zero."

Why are people condemning this work to the trash bin before the US public even has a chance to see it?

Nothing was graphic or gratuitous. Well, unless you count Maria Bello's bare breasts. And compared to shows like CSI, Downloading Nancy has a mild dramatic tone. I would liken it to Secrets and Lies.

Maybe it's the stark realism people don't like. Or maybe they don't want to admit lives like these happen. Maybe, as my father used to say, they "just want to be entertained."

Is there a place in American cinema for films that challenge us to take a hard look at our own shadows?

What do you think?

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I think the dismissive tone of mainstream critics is very telling. I see their dismissive tone as a sign of denial. The socially repressed coming home to reap, so to speak, is a frightening experience. The abject image in the magic mirror. The pundits know its real, too real, and the best way to avoid confrontation with the subject matter is to say that it has "no commercial prospects." How many films that would later become canon were a commercial and/or critical success?!

There is definitely an audience for this film - and if there wasn't, would that make a difference - but it's likely only going to be within the art house, indie circuit. This film will get its due, and maybe not now, but it will make itself heard via the voice of the voiceless.

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Nicely put. I saw this over the weekend and thought it was a really good film. Sure, it's not a crowd pleaser at all, but I like films like this. It was depressing, dark, but also a wonderful character study. Plus the acting was wonderfully done, imo.

I would never have guessed that true romance and Detroit would ever go together.

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SPOILER WARNING:

I thought this was a phenomenal film. Maria Bello gave a courageous and raw performance.

I agree it's a great character study of a woman so tormented by her past that she cannot get through the day without self-harming. Finally she has enough and wants it all to end.

Why she doesn't kill herself is a mystery, but she gets so involved communicating with anonymous men over the internet that maybe the thrill of finding someone else who is into extreme S&M keeps her going. We get the feeling that she has been searching for the right man who will go all the way and kill her at the end of their S&M games, but so far she's only found men who just want to engage in the S&M part.

Until she meets Louis; he promises her he will end it for her. He is just as screwed up as Nancy, but he is the sadist whereas she is the masochist (she'd have to be, staying in a 15-year marriage to the non-responsive Albert).

The three main characters are all dysfunctional in their own ways--Nancy's past is so traumatic that she self-harms; Louis' wife has left with their two children (it's not clear if he's been engaging in S&M since they left or has always been); and Albert, while successful at work, is repressed and barely emotional at home.

The film was definitely disturbing and heart-wrenching. Nancy's story of abuse at the hands of her uncle and her subsequent suffering was difficult to watch. But the honesty with which this character was written and acted was breath-taking. The scenes with Nancy and her therapist were raw and believable.

When films like this don't get a wide audience it's a real shame because there are so many people who suffer with traumatic abuse, and their stories are just as valid as anyone else's.

It seems suicide is still a taboo issue. If this story would have been sensationalized (like Black Swan), maybe it would have done better. It's okay to have Natalie Portman's character in Black Swan slowly losing her mind, as long as it's couched within the art world, and no one ever discusses what's happening to her.

But show a character like Nancy discussing death with her therapist or begging someone to kill her and straight to video it goes.








"Fasten your seat belts. It's going to be a bumpy night."

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Honestly, it sounded really sexy. Along with secretary, these types of stories are rare in film (even in europe) but i do think if this was a european film it would have been recieved differently.

Why see it? Because a film should challenge you, even if its difficult, frustrating or inspires you to hate it.

Ron Howard is the the best example of the opposite, his films just don't challenge or teach you anything interesting. Well whats the bloody point of watching something if you don't get anything from it?

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How about entertainment?

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