subject of the movie

also found this (a lot more of information) on http://www.joebobbriggs.com:

Psychedelic hippie cinema-verite experiment in technique notable for being the first film of Tobe Hooper, who would make THE TEXAS CHAINSAW MASSACRE two years later. Filmed with a hand-held camera in a communal house on F Street in Austin, it's mostly unconnected scenes in which the counter-culture denizens of the house smoke dope, have sex and discuss feminism and Vietnam. The standout performer is a lanky guy with a handlebar mustache and John Lennon glasses billed as "Boris Schnurr"--actually Kim Henkel, who would go on to write "Chain Saw" as well as "Last Night at the Alamo." In this film he's a dope-smoking sexaholic poet who recites rambling beat poetry while rapping on a typewriter in the toilet. He has a full-frontal nude sequence in which he burns his car and his clothes and frolics through a meadow. Meanwhile, a "hyperelectric cryptoembryonic presence" dwells in the basement of the house, and it's activated whenever the residents put their heads under an antique beauty-salon hair dryer--an excuse for spinning, pulsating images and fast-motion film, what passed for psychedelic effects at the time. The film played college campuses only. Eight breasts. Exploding paper airplane. Swordfight. Encounter group Fu. Lots of fiddles and kazoos on the soundtrack. Hippie wedding al fresco ("Let the winds of the heavens dance between you"). Self-painting walls. Kaleidoscopic aardvarking. Exploding Lovemobile, with fireball. Best hippie line: "I love you for your breasts." With Mahlon Foreman, Ron Barnhart, Amy Lester, Pamela Craig, Jim Schulman, Allen Danziger, Sharon Danziger, David Noll. With poetry by Henkel.