MovieChat Forums > Brave New Girl (2004) Discussion > Classical vs. Popular music

Classical vs. Popular music


While Brittney Spears and most pop stars are very talented, they're not necessarily all-rounded musicians. Of course you don't need any formal training to be a highly successful musician. Some of the greatest song writers couldn't even read music. Paul McCartney is one example, same with Irving Berlin. While I spent years studying music from the age of six, getting my doctorate, about to start a $25,000/yr teaching position at a university, I know I'll always be poor, like most musicians. Yes, I was surprised that the "Brave New Girl" couldn't distinguish consonant from disonnant intervals; but it also over-stereotyped those snobby conservatory professors, and trivialized the importance of music theory and a solid musical training. Those who want to become pop stars should not go to conservatories; Conservatories conserve the past. (Sure, we listen to Adams, Cage, Bartok, Szymynovsky, Boulez, etc) All my teachers hated rock music, and all I ever listened to growing up was classical music; Thus I, like most classically trained musicians, don't listen to any popular music and look down on most of it. Sure the stereotypes in the movie aren't far from the truth. I wonder if this movie was loosely biographically based on Brittney spears? I certainly can't call my self "all rounded" because I hate rock music. The repetitive chord progressions, the mind numbing drum beat, the primitive harmonies; just gets very old, very quickly. I'd much rather listen to an opera than a musical. There is much more rubato and freedom in opera; much better orchestral writing too. Musicals, while some of them are very nice; are only worth listening once or twice. I'm not a singer so I really shouldn't speak. But I do know that opera requires a totally different training than rock/country singing. Most female singers' voices mature in their early 30s. And the goal is to project their voice, since mics are not used; thus they must use their diaphram.
So unfortunately, I have very little respect/admiration for popular musicians today.

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I have listened to The Phantom Of The Opera original cast recording and the movie soundtrack many times and still have not once, gotten bored!!!!

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I have similar opinions. This movie left me rather indignant. I'm glad that since it was on television, all I wasted was my time. The ending was horrible.

We live in a time when unfortunately most people cannot distinguish between what is art and what is popular music. It is sad when people truly believe, when it comes to music, that beauty is "in the ear of the listener," in the sense that a Britney Spears track can be just as gratifying for one person as a piece by Mozart for another; her voice as thrilling as Birgit Nilsson's, depending on who's listening. Popular music has always had its place, but till the modern era it has been understood and valued for what it is--base level instant gratification; accessible to the unlearned, unthinking masses; something that will be forgotten shortly and with no great loss.

Seeing the author's name (apparently it's a novel; I've never heard of it), it makes a bit more sense. Why an aspiring pop singer would want to be classically trained when obviously, judging by the very fact that she wants to sing pop, she does not truly appreciate or understand classical music, I have no idea. It could very well have biographical elements. But instead of inducing sympathy for the poor darling, whose cause must really be the worthier, since she's nice and so are the other pop singers and the classically trained are bitches, this movie only intensified my contempt for popular music.

However arrogant this may sound, I feel it strongly, and I think many other fans of classical music would feel it too--once you've seen the light, it's hard not to look down on popular music. I don't look down upon but rather pity people who cannot see all they are missing out on by living their lives to a soundtrack of mind-numbing Top 40 songs. But what is so obvious to some is not obvious to most; and some who know just don't care. If they're happy, I guess we have to let them be, and sit by while they produce silly movies like Brave New Girl that cast a bad light on something beautiful, noble and immortal. If the stereotypes of the snobby professors are at all true, I cannot blame them. I can see how having knowledge and being mocked by an ignorant majority could produce intellectual snobbery.

Growing up I was never very enthusiastic about music; I just didn't see what the fuss was about. But as we only ever listened to the radio, I can understand why. Early in high school I began to listen to music a bit more, because everyone else seemed to think it was great and I supposed I would learn to appreciate it. I bought some pop. I rarely listened to it. But thanks to the internet, I found metal, which technically has to be classified as popular music. That's when my real passion for music began. To me, metal, of all pop, stands out as something worth listening to. Most people don't like metal; it isn't mainstream (not really 'popular' then...). They think it's not catchy enough. It has strange vocals. It's too dark. It's too agressive. In the case of some gothic metal, it's too classical (what's that, operatic vocals, choirs and death growls in one song?!). It doesn't have 'cool' lyrics about sk8er bois and bling. Many metalheads, myself included, also love classical music. There is something in good 'pop' that is reminiscent of classical--complexity, originality, atmosphere, layers, skill. When I find most music unlistenable, and only metal, classical and some alternative styles such as "post rock" listenable, I have to admit that not all pop is worthless. Or perhaps musical classifications need to be revised; not everything can be defined as either Classical or Popular.

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Okay, here's my opinion of the whole matter:

Okay, coming from an actor myself, and a theatre kid, this may sound like I'm going to appraise Broadway from the get go, but I assure you that isn't true (to some degrees). I believe that while beautiful, immortal and divine, classical music becomes boring after a while...plain and simple. By no means am I putting it down, but I'm trying to say that after a while opera becomes repetetive, harsh and even annoying, and the reason is, because there's nothing special done with the music. There's no improvisation, no breaking outside of the box. Sure, it is the foundation to all other forms of music, and I honestly respect that (otherwise I wouldn't be classically trained in singing), but in truth, nothing bores me more than to hear the same tunes done by singers who sound exactly alike. Now, despite what you may think from right now, I am in no way shape or form praising pop music, but am simply trying to make you understand where the general public is coming from. Plain and simple, one opera singer is difficult to tell from the next.

As far as pop music, yes, I believe that sooo much of it is garbage and a lot of synthesized nonsense of vocalists who arent true vocalists at all, but I WILL say that there ARE pop singers who can do things with their voices that opera singers cannot, and in general, have more depth and interesting quality to their voices. These people include:

-Mariah Carey (Have you seen any opera singers with a whistle register even close to matching Mariah's?) Listen to: Emotions

-Christina Aguilera (Yes, not the best image wise, but when you can show me an operatic soprano who can belt an F, G or an A without going into head voice, then we'll talk) Listen to: Lady Marmalade

-Kelly Clarkson (Maybe one of the most interesting artists now who like Mairah has a very unique whistle voice, and who, like Christina, has a very high belt register) Listen to: Both her July 23rd performance on American Idol of "Natural Woman" (Can be found on limewire), and also Since You've Been Gone

-Gavin Degraw (Can you show me an operatic tenor who can hit a Db as effortlessly as Mr. Degraw? And no, I'm talking above middle C Db!) Listen to his entire record of Chariot

Again, these are just some of the few pop stars whose vocals are OUTSTANDING.

Now, as far as Broadway musicals go, I find them to be the comfortable mix between the classical music and pop music, and therefore I tend to stick to showtunes. For example, if you want some amazing classically trained artists who sing with a "pop" influence look into the following:

Wicked
Phantom of the Opera (Purely Classical)
Les Miserables
The Wild Party (Lippa)
Godspell 2000 Revival Cast
Beauty and the Beast
Into the Woods
Notre Dame de Paris
The Light in the Piazza (Purely Classical)
25th Annual Putnam County Spelling Bee


Hope this helps!



Beware Greeks Bearing Gifts

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Well, jman, a lot of people can't tell pop singers apart, either. Haha. I sing opera; I can tell opera singers apart. And I wouldn't necessarily say that the (often vocally damaging) ability to belt high notes is a determiner of whether or not one is a good singer. I don't think it's a matter of what opera or pop singers can or cannot do. Maybe I can't belt anything above e above middle c, but I don't think that Miss Aguilera can do what I can above the staff. It's more a decision of what people CHOOSE to do.
I don't know; to each their own, I guess. I'll always be jealous of Mariah Carey's whistle register. ;)

Oh, and I thought this movie sucked.

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My mother is a piano teacher and I have grown up listening to classical music, having gone to my first symphony at the age of three. I play viola, piano, and guitar, and enjoy playing both classical and modern instrumental pieces, Celtic music, and country and rock music. I do not have much respect for people who stereotype classical music; I also, however, do not have much respect for anyone who would denounce all popular music as "base level instant gratification; accessible to the unlearned, unthinking masses; something that will be forgotten shortly and with no great loss". Sure, a lot of the stuff that makes it to pop radio is there simply because it is easy to dance to; even country radio rarely plays the truly powerful songs that tend to make up the majority of most albums (though it does so more than pop radio). But for a fan of classical music to put "Oops, I Did it Again" in the same category as, say, "Broken" - Lindsey Haun's track from the Broken Bridges album - and to dismiss them both is just as egotistical as to assume that every classical piece is the same and to dismiss them in the same manner.

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"I like my plan better. Get up, get out, get drunk, repeat as needed."

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I personally think there is good to all music- and i listen to all of it. Pop, rock, alternative, reggae, classical, opera, emo, grunge, hiphop, rap, top 40, just everything. its about having an open mind and appreciatig what these artists can do. I enjoy listening to the heavy base of pop music but i love the vocal range and orchestra in my opera and classic music.

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<i>I just can't stand a person without training ACTING like they're better than those with training, because lessons sure don't hurt. </i> Interesting comment given that its hardly the 'norm'. I have found it to always be the other way 'round. The disdain is often shown by the trained musician.<p/>Having grown up listening to Saint-Saens, Liszt, Wagner, Bizet's Carmen, and The Barber of Seville, I was also exposed to my siblings' fascination with Led Zepplin, The Doors, Moody Blues, and Joni Mitchell.<p/>Thanks to the whole 'gang' I have an <i>appreciation</i> for ALL music. I believe that classical training definitely helps any musician (piano, at least) but I doubt very many musicians purposely said, "Nah... I'm going to pass on ever taking a music lesson." Don't let environmental/financial/familial influences deceive you. Some people would have killed for a lesson, any lesson. As well, don't pass on voices that are amazing in other ways than technical.

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As a classical geek and violin player of 9 years, movies like this bother me greatly.

A country girl who wants to be a pop star goes to a prestigious classical training school equivalent to Juliard...what the heck?

She goes in and discovers that the music they listen to and sing is not what she's used to, so what does she do? Decides to change it to fit her style.

You do NOT, whatsoever, take a classic opera piece like Hanabera from Carmen and make it a pop song! Is the original just not good enough for her?

I would personally love to go to a music school like that and learn more about classical music and be trained in music that's been around forever. Girls like her piss me off.

I swear I will lose it if someday someone tries to take Tchaikovsky's work and make it techno pop or something...

Pop music is not popular for long. Classical is timeless

Anywhere you go, let me go too...that's all I ask of you

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I like classical and Pop music. I personally think that just because you like one doesnt meant you cant like the other and people who like pop are NOT people who have no taste in music. I think it is interesting when a classical piece is rerecorded with a pop influence. The song at the end of this movie was one of them. I thought it was incredible and is one of my favorite songs of all time. If you are going to praise classical and slam pop then also consider that it can be done the other way around.

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I love some rock. I also love some classical. But sometimes I wish I had the cash to purchase about fifty pop stations all over the US and blast nothing but "Wozzeck" on every single one of them for twenty four hours a day. Commercial free, too.

Oooooo to be able to purchase MTV and VH1 and do the same thing with filmed performances of it... gahhhhhh the ultimate revenge...

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Surely you have to understand that there is good classical music and bad classical music and the came goes for popular music as well.

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I wouldn't have thought that classical training is always helpful to move onto pop music. "Learning the rules to know how to break them" as suggested in the film. Freddie Mercury was obviously influenced by opera. While the Rolling Stones picked up their style from listening to untrained blues musicians. Both found fame through rock music.

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