I read the book 20 years ago. I'm surprised it took over a decade to get it on film, and that in the end the film was pretty disappointing (from a cinematic standpoint). I think the problems for the film stem from the fact that, for whatever reason, Warner Bros. didn't option the book (which was published by Warner Books) once it became a best-seller. In the DVD extras, James Redfield said he was courted by many big name studios, but he didn't feel any of them was "right" and turned the name studios down. And thus, a decade passed before production on a low budget, independent film began. The budget wasn't TOO low, as there was room in it to hire more well-known Hollywood names like Hector Elizondo and Jurgen Prochnow. But it wasn't big enough to make the story a sufficient length to do the book or the characters justice. And so the story feels rushed.
The acting isn't great, but again I put the reason for that on the low budget and a lackluster director. The script left a lot to be desired, and that is probably because the book's author, James Redfield, wrote the screenplay. Book authors don't always make good screen writers. Take Ayn Rand and her dreadfully choppy screenplay of her book "The Fountainhead." In the case of "The Fountainhead" and "The Celestine Prophecy" the authors attempted to condense their books into a script and the end result was that each ended up looking like a Cliffs Notes adaptation. Character nuances are omitted to move the story along, and so we are not led to understand who these people are and what motivates them. Story is crucial to film, as any professor of film studies will tell you. But story is not exclusive of character, and the reason books get made into movies is, in part, to give the characters dimension that doesn't always read from the printed page.
I'd put this film on the same par as "The Shift" with Dr. Wayne Dyer and Michael DeLuise. These are low budget, independently produced "message movies" not Hollywood blockbusters. Yes, the acting, filming, CGI effects, and action sequences could have been more professionally done. But what would have happened to the message? Would "The Celestine Prophecy" have been turned into another Indiana Jones-type film, or worse yet, something akin to the Brendan Frasier take on "The Mummy"? Watch "TCP" for the message and don't get too mired in its obvious budgetary and production shortcomings and it will be somewhat enjoyable. Better yet, just read the book.
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