LadyJaneGrey points out a n umber of things that viewers seem to miuss. Thanks for that post!
yes, the film is non-linear and moves back and forth through time from the early 1960s to 1980. if you olook at each scene, the fashions and cars are appropriate for the time frame. However, Jean Harris is shown as being stuck a few years behind the times in fashion and that's consistant with her appaearance in real life. She was the head Mistress of an old fashioned privates girls only school. In fact, when the murder happened, I was a teen who babysat for some people who moved in the same social circle as her. People were sympathetic towards her but the general opinions seemed to be she was lost in the Eisenhower era mentally. While she herself was not wealthy, she was often invited to stay with wealthy firends and acquaintences. As a paid teen nanny, I stayed at a rented "cottage" in the adirondacks that someone from her immediate circle used to rent and it was a freakin' mansion. It too was stuck back in the late 50s and early 60s.
As I recall that part of my life and the scuttle about the murder, I can remember how remarkably stagnated that scene was. The parents were often practising alcoholics (the dads) and the mothers were all on methamphetamine diet pills. The kids I cared for were shuttled from private school to private music lessons to ballet and back to the manses they lived in. Childcare was farmed out to workingclass kids such as myself and/or foreign au pairs or even housekeepers. The folks with money often socialized with artsy types, theater folk, the literati, prominent doctors (but not Jewish doctors mind you) and school teachers from the best schools.
What I remember most was how nasty the comments were about Dr. Tarnower (sp?) and how people clucked over her having an affair with "a Jew". It was OK in that circle to go to a Jewish doctor and OK to see them socially at events, but these people didn't invite "jews" to their homes. Goodness no. I remember being on duty as a nanny on the weekend after the murder. A limo was sent for me and my little charges so we could be driven to have lunch with an out of town great-aunt or somesuch. The eldery lady told me to "feel free to order anything on the menu, dear" which was a reference to my workingclass background, and then she proceeded to cackle about the "delicious" gossip about Jean Harris "killing that.. Man!" I only vaguely knew who she was and the lady filled me on the nastier details.
Incidentally, a Psychiatrist IS an MD (Medical Doctor). It is only a Psychologist who is not a doctor but rather a PhD . Dr. Tarnower was neither as has been pointed out; he was a cardiologist. His book was on every wealthy lady's nightstand or in her bathroom at the time of the murder.
As for the film not portraying the muder properly, it is shown from two different points of view! If you watch carefully, the two different points of view roughly correspond with varying versions of the story Jean told. We are never told which if any of those versions are true and in fact, the dialog and later trial testimony seems to indicate that we shouldn't believe EITHER version as true. The film shows Jean Harris's POV - not what really happened. The jumping back and forth through time works well because it shows how she was not accepting of the reality of her present realtionship with him. She was forever looking backward to that day on the lake when he gave her a ring. The film portrays her not as a victim, but as a sad, deluded and self-deceived woman who chose to remain in an abusive relathionship for almost 20 years because she was simply most comfortable being under this man's thumb and couldn't conceive of life any other way. When that relationship is threatened, she could do one of three things: Kill herself, Kill him, or Kill him and then kill herself. At various times she claims she wanted to do each of those things.
That the film is sparking such a debate shows thow far women have come since 1980. Jean Harris wouldn't get much sympathy today.
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