This movie isn't the best I've ever seen but you're painting with such a broad brush you're bound to look like a fool in this instance. Along that line, I could just as easily say, hey, "European" indie movies are all about people's narcissistic navel-gazing at their own sexual neuroses and a lot of heavy breathing. It's bad news when every foreign film has the word "erotic" in the tag line. Their self-indulgent filmmakers apparently can't get past their own hang-ups. Oh no, a woman in a sparkless marriage is sexually repressed and has a steamy affair with some seedy guy, those cutting edge Europe types, America is clearly behind them if cutting edge means flogging the same dead horse for 30 years. Catherine Brelliat and other movies like Maitresse in the 1970s, fast forward 30 years, it's the same old, same old.
Wow, that broad brush is easy to wield. But what's with using this movie to crap on an entire culture? Hey, look at the "Horseman on the Roof" man, those French sure do suck ass. How about those sorry-ass Asia Argento vehicles, man, those Italians don't know ****. Look at that confectionary sack of crap "Everybody's Famous!" I don't know if it's from Belgium, but that movie obviously proves Belgium is a wasteland.
I think I've made it obvious the problem with using one movie to bag on an entire country's work.
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