MovieChat Forums > My Best Friend's Birthday (1987) Discussion > I wonder if Tarantino + CO would use min...

I wonder if Tarantino + CO would use mini-dv if they made this now


The video archives crew had to use b&w 16mm (Clerks style) on an old battered camera. The sound was out of synch, and they had to run their lighting on a car battery. Eventually a reel was destroyed in projection, leaving only 34 minutes of footage.

I just wondered if QT and co were making My Best Friends Birthday now (before their fame and money etc), would they use mini-dv camcorders instead? What are Tarantino's feelings about DV anyway? He seems to be a traditionalist in cinema, what with the non existence of CGI in his flicks, and his widescreen 35mm cinematography, as well as his roots in 70s cinema. Do you think he'd make the leap to digital if faced with shooting this film on the same budget, if the technology was available then?

I only ask because I myself am trying to decide if i should use a GL2 Canon for my feature or splash out on 16mm.

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Yeah I considered the connections with linklater and RR, it's a fair assumption that QT is probably down with the format now.

I'm not a filmmaker myself, but I've written four screenplays and made a few shorts. I get what you mean about the relation to the screenplays obviously, especially since I've written a few; for instance my western just has to be 35mm, whereas my low key comedy entirely set on a nightbus would fit the DV bracket nicely. My original question was kind of an obscure mixture of QT fan question and aspiring filmmaker question, so yeah, I'm not planning on deciding my format based on QT's opinions. I was just wondering.

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Concerning Tarantino's participation with the creation of all DV film 'Sin City':

"Tarantino, a vocal proponent of film-over-digital, has said that he was curious to get hands-on experience with the HD cameras which Rodriguez lauds. When asked about his experience, Tarantino merely replied, "Mission Accomplished.""

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Well DV is a blanket term... digital video, so it encompasses mini digital video AND high definition digital video... but yeah the actual footage is far superior on HD clearly.

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If you have the old video tape of pulp fiction when it first came out, After the feature he shows some extra scenes. One of them is an extended version of Uma interviewing John Travolta with the video camera. And he comments in his commentary of the scene on how good the footage came out especially when blown up to 35mm for being shot on 8mm video. He says in there that if you have access to a camera like that (And the quality in even a low end MiniDV is far superior than a high end 8mm back back in 1994) you should just get out there and shoot on whatever you got.

There ya go, I definitely think he would have.

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no he would not have. when it comes to creating a real project, something to be screened to professionals and shown at festivals- video doesnt come close to film. its not the quality- that new hd is pretty incredible- its the feel. Video just doesnt pick up light the same way as film. i have seen a few hd projects done by professional groups that have very well trained professionals working on them with extensive use of peost production touching up that come close- but not equal to film. video is great hwever for experimenting- playing around- planning shots for future film projects. but it is not to be used as a final medium with the one exception that the desired effect is to have a video like look(case in point blair witch project) or you can use the specific look of video to enhance the film in some other way. look into super 16mm. it has a wider aspect ratio (1:1.66 i believe) than regular sixteen, as well as a larger total exposure area(which means higher resolution) than regular 16mm, but is still about the same price as 16mm, making it much more affordable than 35, as well as the equipment being more accessable and cheaper.

good luck

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Hmmmm... whats the best resource for getting cheap 16mm cameras etc anyhow?

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cheap 16mm cameras can be had via ebay. An old spring wound Bolex takes nice images but its spring lasts only 40 seconds or so per wind AND its very loud. Its not very good for live sound filming but hey many great directors started with these things. Today, your best bet is to just rent a good quiet 16mm camera (Arri sr2) when you do your shooting. However it does not hurt to own a cheap camera for getting pick up shots, example: hey that sunset is awesome it would be perfect for my movie!

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"Video just doesnt pick up light the same way as film. i have seen a few hd projects done by professional groups that have very well trained professionals working on them with extensive use of peost production touching up that come close- but not equal to film"

I think that's bullplop. Recently several motion pictures have been made on HD DV (Sin City for example), and they look glorious. What you use the format for and how you use it has much more impact than the format itself.

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this is my opinion personally, but i prefer the look of 16mm because it adds more character to the film...then again, i like it when films look trashy...

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I've had mixed results with 16 mm film... I've used some outstanding top-end cameras, but unless you're an expert with light meters and lighting, it ends up looking like SH... DV is a lot more forgiving, and I've actually shot some DV footage that beats 16mm (I've conducted my own pepsi challenge, and people THOUGHT it was 16mm, when in fact, it was mere digital) ... personally, I can't stand DV on the new STAR WARS (it looks atrocious) --- but it works for SIN CITY... and especially up-and-coming filmmakers deserve some sympathy --- film cameras are hard to run and the results aren't always perfect...



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This is how it works. Luckily I am drunk enough to be wasting time from work to get mixed into this cluster *beep* – 16mm is GREAT if you are amateur and on a budget. ANY REAL FILM will have a budget and 16mm is great for starting out. No matter how you cut it – you better expect to pay money. That said. super 16 was mentioned and its affordable. HD is GREAT if you have a LARGER budget as an independent ; that is to say, HD cams go really far once you pass about $4,000 in camera price. And even then, its still VIDEO and not FILM, as mentioned by many people. If you are an independent filmmaker and wanting to make a short film, HD is great if you can get access to a top of the line true HD camera (not some HVX crapola or minidv). If you can do this, it pays for itself by allowing you to edit directly to the footage digitally. (this goes back to the question would QT use minidv – probably not, its just not logical)

As mentioned however, if you are ANYWHERE near serious, VERY few films are allowed into festival brackets without a 35mm or 16mm PRINT made. That is to say, if you shoot digital, you better have hi-res 1080 or more footage or that *beep* is gonna get blown out on your SUPEREXPENSIVE film reel print and look like garbage. It is a rule in many festivals to have reels. Add to it, as mentioned, unless you HIGHLY color correct and post your digital video and know EXACTLY what you are doing with the camera (35mm adapater, 35mm lenses, filters, lighting, makeup) then your digital footage will be a LOT weaker than film. So its give and take with both mediums at this point in technology, however film tends to lend itself to lower budgets and less experience in the end imo.

Personally, I shoot with a cameraman who KNOWS his camera. We shoot digital with 35mm adapter/lens and it comes out remarkably close to 35mm film. The only noticeable difference at the point that we reach is motion quality and texture of the print (which can be corrected to a point).

In summary, digital is great, but only if you have the means and the knowledge to take it to the next level. Film , while expensive and a hassle, is a lot easier to navigate and handle in the end.

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I don't see how you could say film is easier or cheaper.. lighting for film has to be a lot more precise than DV, hell with DV you can just set up the shot and check the lighting thru the viewfinder. With film you're gonna be screwed without at least a light meter, and the setups are gonna take a lot longer.

Then there's the actual cost of the filmstock itself. With DV the only real investment is the camera - digital tapes are so cheap it's not really even a factor. With film on a low budget project the majority of your budget will probably going to filmstock, and good film camera itself isn't exactly cheap either.

For an inexperienced filmmaker I can't imagine suggesting anything than DV.. you can shoot all the footage you want with no concerns of eating up film, lighting is easier to set up, etc.. and a lot of festivals are now allowing digital footage anyway

but then again, i'm not so sure, lol - http://www.youtube.com/watch?v=3PSVP9LuRhU

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yeah i agree with the above poster. film is miles more expensive and tougher to use than video. i've filmed on 16mm before, but only ever bought super 8 film and even that is $20 per cassette (i.e like 3 minutes of film), so i assume 16mm film costs much more. whereas i use an hvx-200 or dvx-100 and it can look perfectly fine... in my opinion anyways. video is getting more expensive now though for sure, what with the cameras growing in price and new formats (those damn p2 cards that the hvx-200 uses are pretty expensive), but most of the cameras still have miniDV as an option. i dunno in my eyes, yes film looks better, but its much more of a headache skill-wise and price-wise than video is and video now you can pretty much get the same look.

OH and by the way to the person who said film festivals dont usually accept video, that's complete b/s. from festivals i've browsed i think nearly all of them accept tapes and dvd's etc.

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