If it were remade in America

No great American actors? What? Well I guess that depends on your relative definition of what exactly "great" means, but there are some damned good ones out there.

Harvey Keitel is from a previous generation, but he continues to take on varying and risky roles; I've yet to see him hand down anything less than high quality acting. Don Cheadle has continued to deliver great perfomances. Johnny Depp - he's thrown-off America, but he's still American, and he's been consistently great.

"There are no great actors in America". OK, well considering that this comes from someone who can't even be bothered to a) put together a proper paragraph and b) doesn't seem to understand how to make a coherent sentence "the glorious times of hollywood are gone since a long time" or even c) understand the most basic facets of grammar and/or punctuation ".let´s hope for a rebirth or something,and more chances for precious independent movies.", does isa's opinion even matter at all?
I would hazard a idea that isa-a55h0le is not even from America (what a broad statement fu*ktard "America" constitutes Canada, the U.S. and even Mexico, hell if you want to really get technical it includes all of central and south America too since you decided to just say "America" *beep* of course isa-tit feels this way, b/c he is just a little bitch who can't take that no other country will ever surpass Hollywood in terms of film, b/c w/o Hollywood, films wouldn't be where they are now. But that's OK, as isa's last words were "erm yeah.so long" it shows even he realized what a utter twatter his idiotic posting made him out to be


"I'm going to be eaten by zombie woodsmen. That's not how a philosopher should die"

The title of this movie reminds me of Ingmar Bergman's "Hour Of The Wolf." Isn't there a French saying for dusk where there there is a transformation from dogs to wolves. We go from domesticated friends to wild animals.

I didn't mean it as a joke. It's a horrible thing, what happened - is happening - in New Orleans, and also the way a few of those people behaved. I mean, there is one thing to loot a store for food, clothes, and water, and another to go out and shoot at rescue helicopters and rape girls.


Do The Mussolini! Headkick!

I believe the long, still shots which convey stability and steadiness were used as a stark counterpoint to the chaotic and unstable world we were viewing. Plus the story and the performances were so rooted the cinematography was obligated to stay out of the way. But the boring day to day argument does have it's merits. However in a film like this bad things are possible at any moment so even in the long takes the anxiety should have staved off the boredom.

By the way American's are capable of making long boring movies too. And who exactly were the great American actors of yesteryear if there are none today?