Yes, Graham, the performances were incredible, but look at what is really propelling this film: the production design, the cinematography, the director's pacing, the editing, and most importantly, the absolutely brilliant and daring writing of Hanif Kureishi. No one, I repeat, NO ONE, is writing as honestly and completely for film as Kureishi is today. Look at these characters, their complexity. They come at us as real people, not like some made up figment of some lightly imagined mind. Where does May go off to with her suitcase in the end? Who's life will Darren mess up after he screws around with Paula some more? What will come of Helen and Bobby's edgy marriage? Stay tuned for more . . . And so amazingly well done, no need for a soundtrack to push it along.
PS Those scenes of the Tate . . . I'm coming over, folks, just for the art.
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