I'm gonna limit myself to saying only the following: The art collectors hoarding their copies didn't merely offer him money for the films... they were the backers. No studio was involved in the production of these multimillion dollar films. Did you ever wonder how a film of this nature (and let's not be naive, film is first and foremost a business because it is the most expensive of all the arts) ever got the financial backing it required? So... the logic doesn't rest on elitism, but on a person who commisioned the work wanting to still be able to hold on to his "part" of the production. It's the same thing with studios: the majority of them legally own the films of many great directors not the directors themselves. So yeah...
Also, the films themselves are completely tied in with the various other pieces of art (of varied mediums) in the series, so it makes sense for him to rationalize: This isn't a movie. No disrespect, but first and foremost this is part of an exhibition, meant to be displayed, not owned. This gets tricky after a while, because certainly not one person owns the Mona Lisa, but it IS possible for me to go to the gift shop and get my very own copy. Here lies the problem... I guess this is where your criticisms should be headed.
PS: I understand your pleas, though. Don't get me wrong.
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