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The Paramountcy of Family in Hispanic Culture


This documentary is "riveting," as kent similarly describes in his comment of 12-Oct, because it is a series of very real and very human stories. What should makes it instructive, as well as emotionally compelling, for at least non-Hispanic Americans, is the demonstration of the totally dominating role of the family in Hispanic life and its unspoken comparison with an alternative American model. That model -- an at least partial breaking away from the family to create one's own identity --is a frequently necessary route for achievement and fulfillment in U.S. society.

The economic privation of Cuba today compounds and exagerates the dominance of family in Hispanic culture, as personal definition has few outlets outside of the family, or is subsumed and engulfed by it. As related through their individual stories, the "success" of the eight refugees/immigrants became proportional to their ability to form, reform or keep ties to their old families when they came to the United States.

Who was successful and why? I became most interested in two of the immigrants, who I think emblemize two typical Hispanic experiences. First, the car mechanic. This immigrant formed a nuclear family with his friend Bob; gained a circle of "cowboy" friends (mostly "Americanos") and successfully negotiated the transition from socialist economy to capitalistic economy. He appears to be the most fully integrated of the people followed because he has grafted his family needs onto the American model and developed alternate routes of satisfaction outside of the family (contemplation of nature, fulfillment in work and reaching out to American culture). I was secondly interested in the man whose total focus was on reuniting with his daughter (note, not with his wife/mother of his daughter). This drive led him to steady work (economic integration) and a stable household in the Miami area. Note that he himself did not have to integrate fully into American society, as Miami is primarily Hispanic. His integration is only partial, and in terms of his own limited goal of reunification with daughter. He can continue to speak primarly Spanish and continue to live a Cuban life, though with much more material comfort. His daughter, we suspect, will expand her borders and integrate because of her English proficiency, her early and constant exposure to American culture, and the relative material comfort and doting support from her parents. She will probably retain very strong ties to her family, as this appears to be the strongest value instilled in her by both her parents and her culture.

In both of these immigrant stories, and as with the others, family ties determined relative success and happiness.

I offer these observations because they also reflect my own very close, personal relations with, observations of and interest in Hispanic immigrants from the Caribbean, Central and South American over the past seven years.

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Elly Foote

Balseros is a film about the failure of the American Dream to bring happiness to those of us from the sixties, when young Americans believed that we could make love and not war and young Cubans believed they were creating the New Man.
Balseros, to me, is the story of individuals adrift between the two shattered dreams.
The scene where the young immigrant couple go looking at a red car to buy on the installement plan is so true.
The man wants to sacrfice now for having later.
The woman wants to live life now; in Cuba, she said, we danced and we went to the beach - on a bicycle, but we went anytime.
One of my valued mementos is a postcard of the Cathedral in Havana, given to us by some young crew members on the Manuel Asunce, who we met in Las Palmas October 2, 1968.
The young men were so full of enthusiasm, so proud of their Cuba.
There is an address on the card and, over the years, we have thought of going to Cuba, of looking up the sailor of yeasteryear.
Now it is easy to go to Cuba, but it is too late; I don't want to see the young faces turned old and maybe bitter.
Los Balseros is an important film - it is about life, liberty and the pursuit of happiness.
Nathan listened to Fidel Castro when he and Che came to ask America for help. America turned its back on Cuba then - and is offering shelves full of dolls in box stores to a few Cubans now.
Balseros is a film to make you think what life is all about/

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Elly -

First of all, I've read your posts on the "Hidalgo" board and found them some of the most significant there. I have your book "Riding With the Wind" on my reading list, too.

As to this film, can you comment on any of the other balseros and tell us when you and Nathan came over? I have a strong affinity with the Cuban people and their suffering. Back during the Mariel boatlift I gave half my clothes away for them. I hope you have also seen the heartbreaking film by Jim Jarmusch, "The Buena Vista Social Club." Or perhaps this is still all too fresh in your mind and heart?

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Elly Foote

Cuba was the reason that US business funded Accion en Venezuela in the 60ies; our real job in the barrios was to' prevent another Cuban Revolution';. Our small group of radical students soon realized what was going on. Some left.. We bought a barrio shack, had some goats and chickens and refused to send in any more monthly reports to the organization.

Cuba was always close. No matter where in Latinamerica you were in the sixites and early seventies, you were close to Cuba - if you do read Riding Into The Wind, you will be interested in a chapter called The Red Room. MIR headquarters was an upstairs room, in a building right in the town square of Curanilahue, with walls painted scarlet and photos of Che blown up larger than life.

That was 1969, when everything seemed possible in Chile.
Two years later rooms turned red with blood in Chile

Cuba was guiding the steps of the Sendero Lumioso in the sierra of Peru.
Cuba was proof that if we stick together, we can make it work.

The makers of Balseros capture the immeasurable sadness you feel as you watch individuals turn dreams into material things.
And you wonder whereto now? Where do we look now for a New Man?








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Elly - I thank you for your reply.

I see you are identifying with the spirit of the Cuban revolution, as much as with the people. While I have seen many films and read much about the reasons for radical solutions, can you not now see the unnecessary destruction that some of them have wrought, particularly Castro in Cuba and the Shining Path? Mind you, this does not discount in any way the affects of responses to the regimes or revolutionary parties, or the reasons for wanting and needing change in the first place.

I would not be so foolish as to equate each Latin American country's peculiar political circumstances with every other, or deny that brutal regimes and dictators ruled then and now. However, I know a little something about what some artists have had to say about worshiping the "New Man" and having more faith in doctrines than in people.

Good luck in your struggles to free people everywhere. I am fighting with you, too, for justice and dignity.

Peace.


"Cult of Personality" - Living Color - V. Reid, C. Glover, W. Calhoun, M. Skillings

Look into my eyes, what do you see?
Cult of Personality
I know your anger, I know your dreams
I've been everything you want to be
I'm the Cult of Personality
Like Mussolini and Kennedy
I'm the Cult of Personality
Cult of Personality
Cult of Personality

Neon lights, A Nobel Price
The mirror speaks, the reflection lies
You don't have to follow me
Only you can set me free
I sell the things you need to be
I'm the smiling face on your T.V.
I'm the Cult of Personality
I exploit you still you love me

I tell you one and one makes three
I'm the Cult of Personality
Like Joseph Stalin and Gandhi
I'm the Cult of Personality
Cult of Personality
Cult of Personality

Neon lights a Nobel Prize
A leader speaks, that leader dies
You don't have to follow me
Only you can set you free

You gave me fortune
You gave me fame
You me power in your God's name
I'm every person you need to be
I'm the Cult of Personality


"Revolution" - Lennon/McCartney

You say you want a revolution
Well, you know
We all want to change the world
You tell me that it's evolution
Well, you know
We all want to change the world

But when you talk about destruction
Don't you know that you can count me out
Don't you know it's gonna be all right
Don't you know it's gonna be all right
Don't you know it's gonna be all right

You say you got a real solution
Well, you know
We'd all love to see the plan
You ask me for a contribution
Well, you know
We're doing what we can

But when you want money for people with minds that hate
All I can tell is brother you have to wait
Don't you know it's gonna be all right
Don't you know it's gonna be all right
Don't you know it's gonna be all right

You say you'll change the constitution
Well, you know
We all want to change your head
You tell me it's the institution
Well, you know
You better free you mind instead

But if you go carrying pictures of chairman Mao
You ain't going to make it with anyone anyhow
Don't you know it's gonna be all right
Don't you know it's gonna be all right
Don't you know it's gonna be all right
All right, all right...


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From 1987-1999 I lived and worked on the Naval base in Guantanamo Bay, Cuba. I was not in the military, nor did I work for the military. During that period of time, I was fortunate to know most of the Cubans who, when given the choice, chose to stay on tha Base and live and work, rather than to go on living on the "Communist side". In some cases these people were able to have their families with them but in some cases their families were on the "other side." Others, now referred to as "commuters", chose to live on the "other side" and continue to come to work each day on their jobs, all of whom were employed by the US Government, in some capacity. Amazingly, the commuters were not, legally (for lack of a better word), allowed to even speak to the resident Cubans unless it was a job related matter. In one case, in particular, I knew 2 brothers, one was a commuter and the other a resident. Although I'm sure the brothers talked, from time to time, the commuter was not allowed to go to his brother's home. The point I'm trying to make is this: I could see the importance of "family" to all of the Cubans I knew. I used to wonder what it would be like, how difficult it would be to be in a similar situation and I'm not even close with my family. I also knew a man, who was supporting his wife and children on the other side and who was remarried with a family on the Base.

I was there when the "camps" were set up for all of the Cubans who were "inter dicted" at sea and brought to Cuba. I always found it ironic that these people were referred to as refugees when, in fact, they were in their own country. They didn't become refugees until they reached the US, I would think. I also found some humor in the fact that we were spending about $1,000,000.00 a day to keep the camps open (the US leased two cruise ships and had them docked to provide living quarters for many of the Military and social workers who were there to oversee the camps) when, eventually, most of the Cubans were sent to the US. Why not just let them go to start with?

One final thing, the "boats" that were used to leave Cuba for the US. I saw many of the boats that were confiscated when Cubans actually landed at the Base (as opposed to being picked up by the Coast Guard). One Thanksgiving a group of us were having our traditional dinner at one of the beaches when a boatload of Cubans came ashore. There were about 30 people standing in the boat because it was too small for them all to sit down in. If you wonder how bad they wanted to leave Cuba all you had to see were these boats. I wouldn't get in one of them on a small lake, let alone in the Atlantic Ocean.

As for the movie, I think it gives a realistic look at the choices, expectations and eventual fate of the people who chose to try for a better life. What the moviemakers can't tell us, of course, is how many perished while trying to chase their dreams.

I have so many memories about what I saw and learned and the people I came to know during my time there. But I've already talked too much.

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Emperor: Tell me how he died.
Captain Algren: I will tell you...how he lived.

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Cuba is a complex country. I emigrated to the US in 1980 as a teenager and believe me: It was not pretty. For some reason we are attached to that Island beyond belief. I think the revolution did many great things and also many terrible, horrible things. After being in this country for 25 years I've started to appreciate opinions from people that are not close to the problem. I’ve visited Havana several times since then and I must say that the cultural level is really high (if you choose to be cultured of course) But there are too many basic things that are wrong.

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Bama,

That must have been an EXPERIENCE.
I wished the filmmakers showed more of their life on the BASE

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