MovieChat Forums > Hack (2002) Discussion > What happened to this show?

What happened to this show?


David Morse is one of my favorite actors, and the first season of Hack has me tuning in regularly (reruns on C&I).

I'd watch an infomercial with David Morse in it, and so caught the tail end of the last season, and then very nearly missed what started out as a great show. The last episodes were abysmal. I didn't think David Morse capable of phoning it in, but there he was, over-dressed, sullen, and clearly not present. Not that I blame him. The spectacle of The Tall Men's Fashion Show was only occasionally interrupted by guest appearances featuring the back of Andre Braugher's head.

What did they do to this show? Why did it start out so engaging and end up so horrible? Shark jumping is one thing, this is beyond the pale.

The only reason for time is so that everything doesn't happen at once.

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The first season was great. Then George Dzunda left. Plus the ex wife's role was greatly reduced. The show lost it's way during Season 2.

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has George Dzundza stayed on any show for more than a season? :-)

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I wish it was available on DVD, at least the first season :(
It's weird though, how it just disappeared. I can find nothing about it anywhere.

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If you have Direct TV or access to its programming its on UHD. If not I'm sure its out there on the net somewhere. Good luck.

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For me I stopped watching after that young cabbie was arrested for defending himself with a handgun even though his license was in the MAIL on it's way to him! They gave him a diversion program but lost his license to carry, that liberal drivel turned me off to the show but sadly its truellly reflects on how a Philly cop handles a open carry or LTC concealed carrier. They R savages in that city. That tall black cop response is typical for a cop in that city. "U should have waited for the permit. ". U should have mailed it out priority mail, slow azz porky the pig cops & now they ask for two references from PENN, too many NY people moving in that state changing it for the worse.

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yeah i just watched that one and am having a hard time talking myself into watching any more, with the drivel they had come out of morses mouth in that episode, and all the instances they had click together for their anti gun agenda, jamies gun taken away and killing a store guy, and the black thief doing armed robbery for medicine for his ailing mother, because he lost his job due to school cuts, just thrusting all this bullsh at you to hammer home their irrational unrealistic b.s. that was a very hard one to watch. and when i looked at the synopsis for the next few after that i though oh man no thanks.



"Malt does more than Milton can in justifying God's ways to man."

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I could not agree more about the agenda of Hack. I'm a retired Philly cop (1967-89) and I really enjoyed the first season. The portrayals were fairly accurate, including the language we used.

For instance, we never said "perp," but instead referred to the criminal as the "doer," i.e. do-er: the one who 'did' the crime. Washington uses that term quite a bit, so the dialogue rang true to me. But we never said, "bust" for arrest. We used the term "pinch." The attitudes of the main characters were also accurate.

That all changed in the second season, where you could see and feel the show leaning further to the left, advocating liberal philosophy. David Morse admits as much when he bemoans the way the network got involved in the second season, and the show consequently lost its "edginess." (Meaning its ‘truthfulness.’)

A lot of other falsehoods appeared in season two, such as sergeants wearing lieutenant badges. (We wore shields up to the rank of sergeant; from lieutenant onward the badges were round.) Plus, season two language became standard Hollywood drivel. (We did not say “10-4.”)

And in all my 22-plus years as a Philly cop, I never saw a cop eat a damn donut! Donuts are kids’ food; not cop food. Cop food includes cheesesteaks, hoagies, soft pretzels, pizza, hot sausage sandwiches...

Donuts are another Hollywood affectation.

Hack season one and Hack season two were two separate programs.

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I like your post, it's informative and interesting. Thanks. I also like this show and David Morse is really great. The city of Philly is quite attractive for me (I'm living in California) and I enjoy watching the surroundings (old buildings etc). Too bad this show didn't last more than 2 seasons because it was well done, especially season 1. I especially liked Mike's wife (the actress and the character) too bad we don't see her in season 2...

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Thank you for clearing this up.

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A shakeup with the show's hierarchy is what happened...too bad it ruined a great show.




The CBS drama Hack, which stars David Morse as an ex-cop turned taxi-driving vigilante, is getting a behind-the-scenes makeover.

Robert Singer has signed on as executive producer-showrunner of the series, replacing executive producers Thomas Carter and David Shore, who had also served as director and writer, respectively.

Creator David Koepp and production executive Gavin Polone remain executive producers.

Hack, shoots on location in Philadelphia, while the writers are based in Los Angeles. The difficulties associated with a two-city production convinced CBS executives that the show needed the services of a showrunner exclusive to Hack, which Carter was not. Shore apparently quit Hack rather than report to Singer.

A CBS spokesman says "David Koepp's vision is now being executed by a new leader," he said. "The show has great actors, a great concept, and we're behind it 100%."

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This is from the "Personal Quotes" section of the "David Morse" page:

(On Hack) I was disappointed in some ways that the show didn't last longer. I was disappointed for Philadelphia, because we shot the whole thing there, and that had never happened. There were a lot of people in Philadelphia proud and excited to have that show in their city. Literally in every episode, we were in different neighborhoods all over the city, and this is a city that is made up of very distinct neighborhoods. I'm very fond of the people in those neighborhoods and of the city. I truly am. But I did not sleep for two years doing that show, because I didn't feel like we ever got the show I imagined when I agreed to do it, and I never felt satisfied with what we were doing. I think it's a very difficult process, doing a network television series. I think there was a lot that was good about it. Andre Braugher, I thought was tremendous, and I thought we told some pretty good stories, but I never felt like we ever reached the level where I could say, "Okay, now this is the show, and this is the world that I think we should be talking about and representing." You always have to say, "I've been hired to do a job." When you walk on the set, whatever it is, you commit yourself to the job. You're committing yourself to doing the best you can do with it, no matter what you feel about it, and that never changes. The producers and writers on Hack were all in Los Angeles and never in Philadelphia, so everything was back and forth through different time zones, but they all worked hard to make a good show. I think the problem is that David Koepp, who created it, is really a movie guy, he had this fun idea. But David never intended to stay with the show, and that left a big void of who was the creative center. And as soon as there's that void, everybody wants to fill it with their own ideas. Especially the network. So we had all agreed during the pilot that the show would be one sort of thing, but then the reality of having to sell it to advertisers led to a lot of pressure to go with a much safer product. Everybody tried to jump into that void, and we never had a really strong central voice there. I think that was the big problem.

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That is exactly what caused it to run out of gas. George Dzunza left and that ended the element where David Morse was struggling within himself for a spiritual answer for his situation. A lot of people look for spiritual answers in their situations and I appreciated this show visiting that element. When Dzunza left, they did not replace his character so that ended a very important element with the show.

I can't tell how many series have been terminally damaged when the suits start tinkering with it after it already works. Also, when a key person left, the interaction dynamics of the show are often damaged beyond repair. Unless a key person leaves, if it ain't broke, don't fix it!

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Well, that explains it. Wonder how they feel knowing they screwed up the show? Season 2 has a new theme song, a hot latina neighbor and new leather coat for Olshansky. They gutted something innovative and authentic. Even the caliber of guest actors went down the tubes. Idiots.

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Great info, everyone. And just what I was looking for: i.e. I wanted to find out WHY oh WHY!  was this great programme cancelled?! 

I had heard of the US show only after I had come across it on previous UK TV broadcasts, when I caught only 1 or 2 episodes. And I always wanted to watch it from the start, to get the full effect, plus an introduction to the lead character & a background to the tale. So when it recently arrived on the Freeview TV schedule over here in the UK I gladly started recording it. I am currently on ep 10 (series 1). And yes I was not let down: it is great.

So I was disappointed  to find out here at IMDB that the programme only went on for 2 series (or "seasons" as the Americans say! ). After all, we have seen loads of shows produced that are centred on cops, forensic teams, hospital staff, etc., but have never - to my knowledge! - had a show like this, centred upon an ex-cop taxi driver. It was a original & good premise for a long-running show, & could have run & run.

David Morse is delightful as the quietly cool lead: the taxi driver with a heart of gold. Nothing new there re the Hero To The Rescue: after all, how many guys have we seen "save the day" in TV dramas?! And this one is the ubiquitous "damaged" ex-cop, to boot!  . . . But the programme is so well put together as a character & story, and the taxi driver concept - the cabbie who sees all sides of the world pass through his cab - is so fresh an idea, that it works a treat.

I haven't seen any of series 2 yet, so I don't know if it worsens  but I shall enjoy it in the meantime . . . 

And as for the show being cancelled , I agree with what another poster said: if it ain't broke don't mend it. I am getting tired of seeing too many US programmes go down the pan after a change of horses mid-programme . It ruins the characterisation & continuity. It's like changing a playwright mid-play, so that the theatregoer returns after the interval only to find that he is watching a completely different style of play! 

Right: onto episode 11 . . . 


from SceneByScene (UK) . . . I  films and Freeview TV! 

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