Response to Ghost Dog Emcee's comments
This is the comment that I read on this film:
No doubt alot of new info is being exposed in this documentary...
However the movie it'self is pretty much a sloppy mess and it seems that the boys in the editing-booth forgot to erase plenty of bad stuff in the movie ,for example: They interview a women who had a thing with one of the corrupt police's about they're sexual preference, Nick gets a listen of unreleased Pac-songs while a helicopter (chopper) is flying right above theire heads so u don't actually hear anything, u get to see Nick trying to get interviews from different people but when he doesn't get them AND STUFF LIKE THAT
In the movie NICK BROOMFIELD tries to be the new MIKE MOORE appearing in front of the camera and giving comments, He's not anything close to MIKE MOORE... he even looks scared at times while doing an interview with Tupac's cousin MOPREME and walking in BIGGIE's hood.
The best moments is when something is actually said and they are not running around trying to get interviews or while having an interview-section asking about sex.
Suge Knight is in the movie, but he only talks about staying positive for the children and how much he dislikes drug-dealers...
6/10 stars
AND This is my response:
In response to Ghost-Dog-Emcee's comments on Nick Broomfield's "Biggie and Tupac":
Michael Moore was not the first filmmaker to use the participatory mode of documentary. Broomfield is not trying to copy Moore just because he is engaged with the subjects in the film. This style of documentary goes back much further than Moore's "Roger and Me" and has been utilized by countless filmmakers in countless variations. As well, Broomfield first made a documentary in this style named "Driving Me Crazy" in 1988. Broomfield and his producer where participants in the film to try and make sense of a senseless situation. Moore's "Roger and Me" was released in 1989.
Moore's last two films have been quite popular. Because of this many people seem to think that he is a pioneer in documentary filmmaking. I personally enjoy his films but because he is, as you put it, "in front of the camera" he is able to ask leading questions, probe people into saying things that can be taken out of context and edited later and encourage insincere comments.
All documentary films should be taken with a grain of salt, as should all forms of media. You cannot believe something because you saw it in a film or on television. Making a documentary is much like writing an essay. In both mediums it is the author's job to provide a thesis statement and back it up. It is the role of the viewer to make up their own mind.
Please don't misunderstand me; I am a big fan of Michael Moore's films. However I read your comments and feel your logic is flawed. You make the comment, "Nick Broomfield tries to be the new Michael Moore" when Broomfield's filmmaking skills parallel Moore's. Both filmmakers are unique in their styles; they each present information in their own way.