French woman + repetitiveness
Putting aside whether or not you liked the movie, was anyone else a little weirded out by the French woman who got in the taxi with the vase? She seemed like she had been transported from another (bad) movie, complete with the painful Fronsh accent/odd peppering of French 101 vocabulary. It really took me out of things since she was in such contrast, which I assume was the point, but it just didn't work for me. Plus there was what looked like a man's hand on the vase in a number of shots, unless I was just missing something...
(For people who have seen other Mike Leigh movies:) As others have said, I was also kind of surprised at the - I assume unintentional - throwbacks to others of his movies: the council estate mouth-breather (similar to Tim Roth's character in Meantime), the bratty daughter making awful over-the-top scowling faces (the street-sweeper daughter in Secrets & Lies, Jane Horrocks' character in Life Is Sweet), Timothy Spall worried about his wife not loving him (Secrets & Lies). It's fair for others to say that you can accuse lots of directors of repeating themselves, but even though Mike Leigh focuses on the same broad topics in many of his movies, he doesn't really do this kind of obvious recycling in anything else I've seen. In my opinion this didn't add anything new to what he does well (for the record, I love Naked, really like Secrets & Lies, like Life Is Sweet, am okay with Meantime, didn't really like Vera Drake, and kind of hated Happy-Go-Lucky). Although I did like seeing Sally Hawkins in a totally different part and thought her character deserved more screen time (and I'm not usually bothered by open-endedness).