Project Greenlight and Stolen Summer were in the wrong decade.
Long ago, people who understood the real movie business (i.e. studio bosses) would've had the contest be for an amateur director OR an amateur screen writer, but never both at the same time. Certainly not the same person!
A few decades, from now, enough theaters will have converted to digital thus removing the need to make and ship expensive (old-fashioned) movie prints. So distribution costs would've been very low. And wider (even limited) will be much cheaper than today.
But no matter the decade, PGL success needed the greedy Hollywood types to cut a deal to share "back end" with HBO. Then HBO runs short ads featuring Damon and whats-his-name inviting people in certain cities on certain dates to go to certain theaters to watch the movie. Simple.
But no.... that's just not how "it" works.
Okay. 3 movies that last money for "Hollywood."
Ultimately "Hollywood" didn't want PGL to succeed, and by extension, neither did Damon or his buddy (although I'm sure they didn't believe this in the start). A choice between PGL success ("a whole new way to make movies" ) and a continued career in the Hollywood system. Easy choice for them. Easy.
Next.
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