Perhaps because the film isn't about the female characters?
The film focuses on Jan Dite throughout this adult life, and due to the nature of Dite he encounters many women on his travels. I think many people get sidetracked via the use of the women as these "objects" these slaves to perverted drooling men, and that the only one who isn't primed to take her clothes off on queue is as others have put it "the fervid Nazi". This is true but it forgoes the notion that by the end of Dite's stay with the Nazi she herself is practically throwing herself at him, but the reasonings for it are simply completely different to all his copulations before.
Dite's gift is that he is profoundly loyal, his curse is he is deeply naive. For good or for ill he sees through the Nazi and falls in love with her. He doesn't concern himself with the uniform that she wears, and even though she is not a particularly "nice" (for want of a better word) person, he remains true to her, forgoing his job, his work and his friends. He risks everything he has, and loses everything he has purely because of her. So what we ascertain about Dite is that he sees the beauty within the women, regardless of what they may, or may not be wearing, and as for the 'not be wearing' he sees them as beautiful women internally as well as externally. I don't think at one point throughout this film there is a single woman who is forced into undertaking any act. There isn't a single woman that has been held captive and forced to allow men to eat fruit off of her body. These women CHOOSE to put themselves in these specific positions, and I think with our modern day prejudice and views on such activities there are many that look upon these women with immense disdain, when perhaps they should look again at what the director is trying to tell us. Why do you think there are so many female counterpoints to Dite as he progresses? The director doesn't have time to flesh out these female characters, but also because they don't need to be multi-dimensional, they only need to be one dimensional to mirror the different stages of Dite's life and his views on life.
This isn't an attack on those that view the portrayal of women in this film as somewhat scandalous in an old dated fashion, but this is a film about older times. Crab-7 pertains that the director is "narrow-minded" in his directing, I would put it to the viewer that they themselves are "narrow-minded" in the perception of the film and HOW each woman relates to the MAIN protagonist. It's not "A Bunch Of Maids Served The English King" It's Obsluhoval Jsem Anglickeho Krale (I (the singular) Served The King Of England), perhaps more time should be spent focusing on what the women mean, as opposed to what they are not wearing.
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