6 of one, half dozen of another...
In the original opera, Carmen is a gypsy...she causes trouble wherever she goes, not because she sets out to, but because she doesn't live by the dull standards of everyday life...she is beautiful, rebellious and determined to live life free on her own terms, a very seductive and potent combination. Yes, she is manipulative ( she convinces Don Jose " Hill" into releasing her from prison, an impulsive act that makes him lose his stability as an officer and run away with her) but not maliciously so. She just leaves a lot of collateral damage in her wake.
But she's not a "heroine" either. Don Jose/Hill is still portrayed as the innocent victim of her charms, powerless to resist her, he leaves his post, his fiancee, all forms of respectibility to fall in with her band of gypsies and , never to return to normal life. He tires of her flirting, feels she owes him for his sacrifice. She quickly becomes bored with him and his complaining. When she catches the eye of a rising young matador, she leaves Don Jose in the dust. In a jealous rage, Don Jose catches her outside the arena, insisting that she ruined his life and must return to him. When she coldly rejects him, he stabs her. The moral of the story: wicked women are the ruination of noble men and will come to no good end.
This of course has dated with time...a woman who openly drinks, smokes, dances on tables and cavorts with men isn't a vixen, she's Tara Reid. And any guy who falls for that is played, not pitied. My guess is, they tried to make her more of a hootchie/golddigger to keep Jose/Hill as the object of pity...but in doing so killed any sense of what made her extraordinary in the first place (thereby defeating the purpose of the alterations)
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