Love or Hate
Reading through a lot of the posts for this film, the reaction seems to be either love or hate. Reactions such as 'it's like watching elevator security footage', alongside some glowing responses.
Personnally, this is one of my favourites of all time. The screenplay is so tight, all the themes are continually cross referenced throughout. For example, in the opening sequence, while Joe and Sally are going through the yoga routine, they receive two phone calls, one from Joe's sister who 'really needs' to speak to him, and another from the medical centre obviously in relation to pregnancy issues. Sally returns from the second call and tells Joe that she isn't pregnant, and he responds that they will have to go back 'to the plan'. It is not until the arguement scene that we discover that Sally in fact was pregnant two weeks before and had an abortion. The whole pregnancy thing was her attempt to keep Joe interested in the marriage. Sally is 'phoning it in' at work, and the thing she needs to be back on track is to get rid of Joe, and back out of the sale of her LA house.
And then we discover that Joe's sister, REALLY DID, need to speak to him.
The subtext to equally powerful. We know that Joe has form, and that he won't be able to keep his hands off Skye. There is a heavy black cloud hanging over this relationship. Enlightening to consider that Michael Pane's score for the tribute scene, which he performs himself on violin, is titled 'Requiem for Sally and Joe'.
Still, when it counts, Sally is there for him at the end, and the attempt by Jennifer Beals character to dominate the female role is soundly rebuffed.
This is cinema at its best. AAAAAAAAA++++++++++