I have never known a goth who knew or cared about Stevie Nicks
That was strange.
shareWell how many goths do you know? I would think that there are a good amount of goths who love Stevie because she wears black all the time and is into gypsies and witchcraft and stuff like that.
shareI didnt even know who she was before watching this movie
but I am more into Deathrock than the romantic gothic stuff
I knew I'd create a sensation, gasped the Rocket. Then he went out
Ok, but being Goth is not about wearing black, being "into gypsies, and witchcraft and stuff like that."
Does it really matter if you are a goth or not as to whether you are into Stevie?
shareI say, no. People are multi-dimensional (at least, the interesting ones are). Heck, I'm goth, pagan, and a fan of KISS. There's a connection there...I swear...if you look hard.
Plus, Todd Stevens said in his feature commentary that he sort of got the idea for the film because of a Stevie impersonator he knew who was a "beautiful goth boy." :-)
stevie nicks isn't goth you nut! she's known as "the white witch" not the goth bitch!
shareI just saw the movie (so much of it as they will show) on Logo and found it uneven and frustrating but ultimately touching and thought-provoking. Regarding the goth-Nicks nexus, it sort of amazes me how people who reject the Official Rules and Regulations of [mostly American] Life, so often seem to need to write (and enforce!) a rulebook for their own little worlds. Scroll through the IMBD reviews or message boards for any of the gay-oriented films and you'll find them full of comments excoriating the characters/actors/writers/directors/fans for not being glbtsexually correct. So it looks like goths have the same issue.
I'm not goth and don't know much about the goth scene. Clive was a kid who didn't know how to be gay or goth or anything else - he was trying desperately to put together a livable life with the pieces he'd been given. As one of the IMDB reviewers observed: "They (Clive and Gypsy) share the bond of having lost their mothers as young children, having replaced them in their minds with everyone's favorite fabulous surrogate godmother: Stevie Nicks!" Finding a mother was part of his puzzle. Finding a personna and a group to belong to was another. He starts out a mess of inconsistencies: a gay who cared nothing for Judy Garland or Stonewall (probably generational, but still); social outcast/straight-A student; trying to grow up, but afraid to have sex or get a driver's license. Why not a goth who loves Stevie? In the end, he is starting to get a grasp as he heads back to Sandusky. At least he puts the car in the right gear!
As for the Night of 1,000 Stevies - the movie might have overplayed the goth aspect for plot reasons, but it looks to me like the sort of event that is going to draw people from many alternative worlds, especially drag fans of all sorts - including some goths.
"Regarding the goth-Nicks nexus, it sort of amazes me how people who reject the Official Rules and Regulations of [mostly American} Life, so often seem to need to write (and enforce!) a rulebook for their own little worlds...So it looks like goths have the same issue."
Ain't that the truth. I am not sure why that is...a need for stability? Fear of ridicule if people do not share all your eccentricities?
Fortunately, some of us don't follow them. :-)
I waited a few years until I was able to track down the dvd of Gypsy 83 and it was well worth the wait. When the movie was over, I found myself actually missing the charcters. This, plus Todd Stephens' Edge of 17 (will the next movie in his Ohio trilogy have a Stevie Nicks-inspired title? hmm) make me cringe a little bit cuz I see so much of myself in his characters and it's a weird experience seeing that on the screen. That said, as a KISS-army member myself (hey pigweed, you have the other half of this locket? lol ),a Stevie Nicks fan and a Goth in rural CT in the 80s, Gypsy 83 was like looking in a mirror. Reading this thread, it seems like even "misfits and outcasts" who create their own community can be ruthless to those who dont fit their version of the ideal. Case in point: how many gay movies are about a person who isnt thin or buff or have a great head of hair? That's why it was SO refreshing to see Gypsy put those catty *beep* in their place. Todd writes such well-rounded characters (no pun intended) and I hope he keeps up the good work!
Tiberius: Fate chose me to govern swine, in my old age, I have become a swineherd.
Actual goths-- That is to say people who were goth in 1980s-- did consider Stevie Nicks to be a fashion template, and a lot of us were (and still are) big fans of Ms. Nicks.
The little poser kiddiegoths who came along in the 90s and after may not be into her, and they're also the ones who latched onto the silly vampire culture and the current mall-goth, Hot Topic look. It wasn't always so commercial and lame as it is now. We made our own clothes and weren't as narrow-minded about our heroes and the definition of our subculture in the 80s. We didn't all try to look the same as each other, either. Back then it was about individuality and finding your own personal look. The goth-clones you see now are just emulating their older siblings and parents.
We didn't even choose the name "goth" -- That was foisted on us by the media. We considered ourselves simply "alternative" or "art rock" or something similar. Back then, it was just a collection of alternative music fans who happened to skew toward minor-key music and had an artistic streak.
So please, if you're basing your idea of goth on what you see today-- the manufactured, false, just-for-show mall goths-- then you're completely wrong about where this movie is coming from.
how about Bauhaus, Sisters of Mercy, Alien Sex Fiend, Sex Gang Children?? Not Stevie Nicks Fleetwood Mac!!! What "1980's did you grow up in?? huh, zerocorpse-1
shareA 'Goth' is usually into female singers like Kate Bush, Siouxsie Sioux or Annie Lennox.
share
I think it was sort of a joke. And hey, her clothes rocked.
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I don't know, I could be wrong, I often am.
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Yeah but Gypsy wasn't like a 90s or current goth. She was like one of those New Agey 80s goths. Those are the ones who worship Stevie Nicks.
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These are just my opinions. And opinions are just onions with pi.
I found it to be distinctive. The fact that I don't know goths who like Stevie Nicks made it sort of a defining element. I thought it made sense, though, because obviously her parents liked Stevie Nicks.
They did listen to The Cure, too, you know.
Goth died in 1989. I was around back then, and yes, I was goth, and I was (and am) a Stevie Nicks fan, too.
Anything that refers to itself as "goth" after 1989 isn't goth. It's artificial goth. It's faux goth. It's babygoff. It's vampire or emo. Goth was an era, not a fashion statement. Goths didn't label themselves, and the minute the media conglomerates started using the label on us, the subculture was dead.
You can't have a counter-cultural movement if it doesn't remain COUNTER-cultural, and when goth went mainstream and preppies started dying their hair black and buying pre-torn, pre-painted "goth" clothes from mall stores that was the end. It was over.
Still, I like this movie, and I think this was Sara Rue at her most beautiful. It's a shame the distributor screwed everyone over.
Goth died in 1989. I was around back then, and yes, I was goth, and I was (and am) a Stevie Nicks fan, too.
Anything that refers to itself as "goth" after 1989 isn't goth. It's artificial goth. It's faux goth. It's babygoff. It's vampire or emo. Goth was an era, not a fashion statement. Goths didn't label themselves, and the minute the media conglomerates started using the label on us, the subculture was dead.
You can't have a counter-cultural movement if it doesn't remain COUNTER-cultural, and when goth went mainstream and preppies started dying their hair black and buying pre-torn, pre-painted "goth" clothes from mall stores that was the end. It was over.
Still, I like this movie, and I think this was Sara Rue at her most beautiful. It's a shame the distributor screwed everyone over.
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