MovieChat Forums > Donnie Darko (2001) Discussion > Directors cut v original

Directors cut v original


Because I'm a fan of the upbeat song used to start the original, "The Killing Moon", I never liked the director cut, as the movie starts with "Never tear us apart".

It's a somber song, which goes against the "world in harmony" opening shots of suburban 1988. Most stories start with a sense of a world in balance, which creates the contrast to the problem that the protagonist will face.

Besides from the music, the directors cut included too much explanation about time travel. Less is more.

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I'm glad both are available. I prefer the theatrical cut but after my initial viewing I was scratching my head, the director's cut filled in the gaps and now I have a decent understanding. I'll never watch the director's cut again.

I do think the relationship between Donnie and Elizabeth is better in the DC though.

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Funny, I concluded that the Director's Cut was far inferior to the theatrical version the second I heard "Never Tears Us Apart" over "The Killing Moon". Not really, but right away it was one the biggest gripes I had with the DC.

In any event, the Director's Cut is an interesting watch, but the theatrical version simply works better in every way.


Looks like I'm walking - JW

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I had the same reaction. TKM was the perfect song for this film. Perfect vibe/tone/atmosphere, which was ultimately the best thing about the movie. The story was pretty nonsensical but it has this feel that just worked.

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I pretty much hated the director's cut. I watched it once, then sold my copy. I love the original because of how much it leaves open to interpretation. The director's cut spoils that by removing a lot of ambiguity with its explanations and exposition.

I don't even remember the music at the start, but I agree, The Killing Moon is a far superior intro song to Love Will Tear Us Apart.

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I think the director's cut was too much of a spoon-feeding of the story. The beauty of the original version is the way that it leaves nothing unanswered or open to interpretation, and instead gives you the absolute minimum amount of information required to understand everything. After watching it, my friend and I spent hours talking about it, and worked through it all and came up with our explanation of the film. When we saw the director's cut a few years later, it spelled out, often literally with text on the screen, everything we'd already gleaned from the original. Nothing new was presented or explained, rather subtle hints and nuanced moments became heavy-handed and in your face. We both felt that the new version was created to take the less observant audience members by the hand and walk them through everything step by step.

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The thing I enjoy the most about Donnie Darko is the mood that film creates. It's nice to have things more fully explained but by the time I had seen the director's cut I had watch the theatrical cut multiple times and basically had it figured out so the director's cut didn't add much other than with all the new scenes the flow and thus the mood was no where near as affective.

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Watching directors cut myself, missed a fave "upbeat song used to start the original, "The Killing Moon." Amiss. Tho, I'd hardly call it upbeat LOL Actually, I'dd cal it appropriately creepy -- tone-setting.

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I don't understand why the change in music would offend a viewer. Its the same kind of crappy 80s mood music either way. I am not judging the music choice because I don't think it matters. I like EATB but does it matter? No. The movie is what it is either way.

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If you consider Joy Division to be crappy 80s mood music, I shudder to think what music you consider great. :)

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Its INXS.

Joy Division did Love Will Tear Us Apart.

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The original post was edited at some point, but at the time I commented I was responding to someone who had mentioned "Love Will Tear Us Apart."

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No Problemo.

I agree that Love Will Tear Us Apart, Joy Division and New Order is not crappy music.

I checked the DC opening and I think both songs are fine, although I didnt watch the directors cut fully only a clip and haven't watch Donnie Darko for years.

I do think that The Killing Moon may be better because Darko is set in the 80's but wasn't totally in your face 80's. INXS Never Tear Us Apart song was a way more famous 80s band & song, so its sets a clearer date for when the movie happened. The date is ambiguous compared to other films that are set in the past, where they play all of the most well known top of the charts songs of the time to give off that nostalgia buzz and it puts a stamp on which year this is happening. It Follows takes the same angle, ambiguous date.

So for me, Killing Moon is the way to go.

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Crappy 80s music?! What shit do you listen to? And music choices absolutely matter in some movies like this one and Fight Club. Imagine the ending of that one without the Pixies.

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I don't understand why the change in music would offend a viewer. Its the same kind of crappy 80s mood music either way. I am not judging the music choice because I don't think it matters. I like EATB but does it matter? No. The movie is what it is either way.


I couldn't disagree more. The Killing Moon, Head over Heels and Mad World are all perfect in this film, because they all have lyrics that apply to the story. Its not simply mood music.

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I just re-watched the Director's cut for the second time last night and I didn't remember that The Killing Moon was moved to the party scene toward the end of the film. It's not the full blown song, in that it's an excerpt of the song that focuses on the instrumental part, but it's there, replacing The Churches "Under The Milky Way."

I absolutely think The Killer Moon is superior to the INXS song as an opener (and this is not saying in any way that the INXS song isn't great). I love Under the Milky Way also, but don't feel it's as necessary, so I'm more flexible there.

But that opening sequence with The Killer Moon is simply haunting.

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Agreed in full with everything stated by the OP.

The directors cut should not exist in this world.

Or any other.

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See below. OP is too old.

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Not sure what you mean . . "too old" . . . as I was agreeing with a statement that was made. Time has no relevance here.

Had I spoken to the OP directly and said "I agree with you," then someone might have pointed out that the OP posted years ago and chances are weren't around any longer to see the response on my part. But I've seen responses on this board that stretch beyond 7 years. Regardless, But for what it's worth, I'm with the sentiment of "FilmBuff" given above.

Oh wait, that was 4 years ago on their part. Is there a time expiration date on our posts here?

As far as people squabbling over which songs work and which don't . . . . Everyone connects with music differently.

And I can't stand Mad World .. no matter how "appropriate" it may be for the film.

Personally, I love Killer Moon at the beginning.

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It’s probably the fact that the original post is an IMDb post, so the user definitely won’t be around. You can tell the difference because those accounts don’t have post counts after them.

With that said, who cares if they are around or not. If you have something to saying on topic post it, that’s the whole reason these topics stay open. I bumped this topic last night by replying to it, and it’s gotten several new responses.

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To be fair, the world really wasn't in balance, and I like Never Tear Us Apart song by INXS better. The Director's Cut contains nothing offensive, just more scenes to help express the narrative. It's clear from many of the futuristic abstract, or even animated, shots during the pivotal moments of the film (either version) that the whole universe is caught in a sort of paradoxical loop or glitch centered on this one town where a plane engine falls from the future. The humans are then repeatedly herded like sheep to compel Donnie (the sole individual most affected) to use gifted powers to restore the balance—essentially, to give a reason for the plane engine to fall. This fits in line with his own knowledge of himself as a hero or savior, and the legacy he wants to leave upon his sacrifice.

The one thing most people often miss about Donnie Darko is that the protagonist in the film, Donnie, is not a narrator. He knows more than we as the audience know, and it's a mystery story for us to work out the details of events. Of course, there are others who just bask in the surreal, and that's great too. To be analytical, though, Donnie communicates with "Frank" more than we're shown or privy to and he's been given info which he just hints at being "the end of the world." He knows that something special is needed from him from Deus Ex Machina. He knows that he, his friends and family, are basically like lower-beings, like the rabbits in Watership Down. If he's the key to restore balance, it's probably not gonna be good for him. I mean the plane engine fell in his room after all. So yeah, he dies in the end and eliminates the glitch. Then, we hear Mad World by Tears For Fears with a corrected universe moving forward. Nice song choice here too. Gretchen Ross, Donnie's girlfriend whose life he saved, doesn't even remember him. Very chill ending. Solid flick. Two great Tears for Fears tracks, as it uses Head Over Heels too, to introduce many of the characters.

The Killing Moon sucks. Absolute trash.

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