I don't believe that it really matters who is the production behind the subject; it doesn't matter who produced it really. I found 17 to be rubbish as well, but primarily due to the lesser intrigue in terms of soundtrack. And that commercial moment you speak of is so brief, it plays close to no role whatsoever in terms of the episodic structuring. My favorite episode is, as I've said prior, Episode 3 due to the musical construct matching the synchronization and movement. Overall, it's the stand-alone best one in terms of soundtrack and infusion of plot. The selection goes from the extremely awesome "Kalinka" verse in the ending, perfectly matching every strike and movement of the crusher roller at the construction site, with Volk barely running to evade his own destructive idiocy. This was by far my favorite musical soundtrack, and worked best to me overall. Episode 7 is likely my second-favorite due to the story, characters, and overall ending as well. Of the original 16 episodes produced, I've found 16 to be the worst as it falls out of the overall atmosphere driven by the rest and relies on a folklore environment. However, after I witnessed 17, I ended up not hating 16... as I found 17 to be a horrid excuse of an episode as well. But that isn't to say that 18 was the same as it's musical BGM selection was extremely wonderful, featuring "Hafanana" and "Taganka", two of my favorite overall soundtrack selections I've ever heard since Episode 3. Episodes 19 and 20 haven't had any effect on me whatsoever... this is likely due to the poor selection of BGM overall. And yes, soundtrack and BGM plays a HUGE role in terms of the movement of this type of show. Otherwise, it would not have been a few thousand times better than garbage like Tom and Jerry and Looney Tunes tripe. It exceeds it due to the wonderful synchronization. That's just my take on this matter mate.
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