Secrets of this film


There is so much more to this movie than most people seem to realize (judging from what I have read online, and from critics). This is because the movie mimics in form its very subject, all too well: It is indeed a film about the art of keeping up appearances. And the film itself keeps up appearances so adeptly that it is nearly impossible to see through them.

However, those with a little knowledge and patience will begin to see the hints of secrets contained within. Once this happens, the art of the film is so much better understood. It is not in fact as shallow and meaningless as some perceive it to be; it is actually quite clever.

To give away these hints is to 'bruise the fruit'-- spoil it, in a way. So I will only say a few things here: read some of the Vietnamese text which appears here and there in inconspicuous places in the film (get a dictionary); learn a couple things about Viet culture (for one, the Uber-importance of using correct hierarchal pronouns); listen to the lyrics of the English-language songs; pay close attention to the dialogue, and contradictions contained therein; and pay attention to the juxtaposition of sound and image; and pay attention to some of the parts of the film that seem the most 'low-profile.' Here the film tricks us into looking casually, even carelessly, when we ought to look hardest of all.

In interviews, the director Tran Anh Hung, maddeningly, never gives away any of the hints that he placed so cleverly throughout the film, thereby sabotaging the critical reception of his own film, but preserving the artistic aim and integrity of it. There are a couple grossly obvious hints on the official website which in a way I wish were not. Once a viewer observes that these secrets really are there, it cannot be denied that it was intentional, and artful.

reply

A few days ago I put this video in my VCR and quickly turned it off. I knew it was just the mood I was in. The next night I tried again and was enchanted by it! The choice of music (by Lou Reed) was intriguing, the sounds and sights of the mornings delightful and the stories of each character simple and complex. Undeniably a slow moving movie. But that suits me once I am drawn in to the characters. "The Road Home" ("Wo de fu qin mu qin") also started quite slowly and I think it one of the most beautiful, if not the most beautiful, love story I have ever seen.

reply

another asian love story not to be left unmentioned is "in the mood for love." it's quickly becoming my all-time favorite film...

reply

There may, or may not, be clever secrets hidden in the film. But considering the film is about romance and domestic issues, I just don't care about what those secrets would have to offer me.

reply