Ending question...


Who changed the door code? Ann? Jean? Hope I'm not being completely oblivious... I have some ideas, but I just wanted to see what some other people thought.

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I Think Anne changed it, as she did it first time at the beginning of the movie. That is why Jean cannot enter. She changed it because she had a fight with Georges, and he apologizes in his first letter to her.

alice

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mmhh...
Not so obvious...I don't like trying to explain everything...
Anyway, I think that neither Jean george nor anne changed the code. In paris codes change randomly so that people can't get in, the inhabitants reveice the new code by mail, but they do not change it themselves! How do you want the other inhabitants to get in if anyone could change the code when they want to?

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What letter did George write Anne?

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I think Ann (is that Juliette Binoche's character? That's who I'm talking about) changed the code when she got home, after the young man spit on her in the subway.

I think she was feeling vulnerable after that happened. Then she got in the bathtub, 'cause of the spit. Then her boyfriend called her, but she couldn't hear the phone 'cause she was in the bathtub.

What's up with him buying stuff from the hairdressers?

My guess is that he's either vain or he told her he'd get her some shampoo/hair products from the duty free in the airport but forgot.

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I just finished watching the film so this might be a little vague...but i think that what haneke was trying to show was how different cultures have a code, to keep their members inside, and leave the others outside. People who know the code will always know how to enter, will have a place to belong and remain. George who has remained in a diff. country has either forgotten the code, or it has changed behind his back. He will eventually be initiated into the code (dinner with friends, subway rides, shopping with your girlfriend), but for now he has to stay out into the cold.

another idea on the subway scene at the end : the rage shown by the boy could be due the lack of communication shown by anne and the rest of the people on the train(although anyone would have ignored his behavior). He wants a reaction, and the only way he can is when he turns violent.

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Nice insight. I like it.

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to me it seemed like he went into the perfume store to get a gift for anne. in his letter his apologized for how he acted previously. he goes to the door and the code is changed. i think this is a sign that she changed the code to lock him out. by showing him buying the present he shows us that he assumes he needs to do something to get back on her goodside. the only reason to show us this is to imply that she has locked him out. without him buying the gift we could interpret it differently, but the gift adds context that, to me, shows she has changed the code. hence the title (obviously it runs deeper with a metaphor for interpersonal communication and communicatin between different cultures as well.)
Although I do think there is something to what the previous poster said in regard to her not being able to hear the phone in the bath. he would not have included this line if it was not important. perhaps she did take a bath after getting spit on and thats why she didnt answer the phone. and perhaps in reality she changed the code cuz she felt vulnerable. with her man away, being alone, i can understnd why she would feel vulnerable.

perhaps the bath that may be implied by her not answering the phone could be an attempt to wash away the guilt she has from not doing anything about the letter and allowing the little girl to be killed. im not sure if this scene in the movie happened before or after the note and the girls death. either way even if it happened earlier in time, haneke could still use the bath for this metaphor even if the character herself at the time did not know about the note or the girl. the important thing is the viewer knows this.

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Here is my theory (for now)...

I think Anne changed the code, feeling insecure after being spat on (even though, as someone mentionned, people living in the building are usually not the ones in charge of that). But also, voluntarily to prevent Georges from getting in. They probably had a fight earlier on, which would explain the gift from the hairdresser. It would make sense for her to take a bath or a shower, and therefore couldn't hear the phone. But I'm thinking she might even have changed the phone number (I should observe more carefully Georges' behaviour on the phone. is he getting through, waits and gets her answering machine or has the number he dialled expired ? why not leaving a message then ?). The way he acts in that scene leads me to think she might have broken up with him altogether.

Another guess is that she's actually fallen in love with the actor she's working with. The one in the swimming pool. She seems strangely sincere when she says she "doesn't have that much trouble saying she loves him" (i've seen the movie in French, don't know the exact official translation) while they're trying to dub the scene. Has anyone else thought of that ? They looked pretty close in that scene, laughing and hugging.

The more I read and discuss that movie, the more I love it and want to watch it again.

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yeah I was trying to figure that out as well. they are obviously rather flirty. are they having an affair? im not sure if we know. also there is some discussion of an abortion. was she impregnated with the other acotrs kid. or her boyfriends. there is more to that than what is blatantly shown. there also seems to be some further subtext we can take from the scene of the movie they are maing with the chil almost falling off the building. Ive already seen this movie 3 times, but I might have to watch it again. to me this may be Hanekes best movie. up there with seventh continent and cache.

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I live in Paris not to far from where the film was shot.

My building has a code, and even though I own my appartment, there's no way I could change that code by myself. To change it I would have to ask everyone in the building if they want to change the code, wait for the next landlord meeting and then we would all have to vote for that.

Anne could not change the code. However, she should have told Georges that the code had change, and apparently she didn't bother...

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[deleted]

My theory?

Haneke gets off on putting random and extremely vague stuff in his movies so he can go on message boards laugh at all of the confused people.

Are you listening Haneke? Try making a movie that has an ending for once. I don't need everything tied up in a bow like a Kate Hudson movie, I'd just like to know what the hell happened for once. It's not like I'm the only one that's not deep enough, it seems like everyone else is just as confused as I am.

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[deleted]

My theory?

Haneke gets off on putting random and extremely vague stuff in his movies so he can go on message boards laugh at all of the confused people.

Are you listening Haneke? Try making a movie that has an ending for once. I don't need everything tied up in a bow like a Kate Hudson movie, I'd just like to know what the hell happened for once. It's not like I'm the only one that's not deep enough, it seems like everyone else is just as confused as I am.



You're conditioned by mainstream movies to want the happy or resolved ending with answers. Any frustration on your part feels like a melody unfinished, notes left hanging. Well, if you're interested in truth in cinema, then the truth is most of life is the latter and NOT the happy or neatly resolved ending. Haneke cannot be faulted for presenting an ending more true to life than the thousands of Hollywood endings that present a fabulously perfect one.

At the end, the man is locked out because she failed to communicate to him.
She went through a horrible experience on the subway, withdrew mentally and forgot to tell him the code. The frustration and uncertainty you feel is what he feels.

The man, whose occupation was to photograph people in war, is another example of withdrawal from life. Photography was his attempt to capture truth, but from a distance. He doesn't really talk to his subjects or know them. Like the woman's occupation as an actress, these were ways for them to escape the reality that was their lives, which is less than perfect. Haneke studied psychology and was interested in what people do when they are dissatisfied with life. They find some other form of escape to lessen the pain (work, hobbies, vices, drugs, etc...)

The deaf children are unable to communicate normally. So the power of communication, the need for it, becomes even more precious to them. Haneke shows the irony of how those who can speak mostly sit in dark silence, miserable and tortured (like the father after eating his meal with his son). Meanwhile, the deaf children are full of life; the drum music, deep and pulse-like, is thrillingly hypnotic and vital.

Misery and lack of communication keep circling each other like serpents. They're so entwined and pass through generations. What arises is miscommunication and misunderstanding, which leads to the things we see in the film -- racism, xenophobia, domestic decay, etc...

As long as we continue to miscommunicate and misunderstand, we perpetuate the misery for us and everyone else, shrinking and closing ourselves off even more. Code unknown. Entrance barred.

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Wonderful post!

:: filmschoolthrucommentaries ::

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Anne definitely changed the code. I saw it immediately connecting it to her experience at the subway. Haneke is a fascinating mind in constructing those scenes back to back as a concept of how human beings can let their emotions drive certain actions. This is hands down why I adore this filmmaker. He can see through humanity (at least that's just how I see it)

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