I agree that it's underrated. It's a consistently visually impressive film, with a beautifully recreated nostalgic sixties look and astonishing film techniques. The light effects are superb: demonic red filters, white slashes across the Gangster's eyes, light diffused by smoke and light shot down the lens until it flares. And what about McGuigan's use of a split screen lens to create scenes in which the center of the screen is out of focus? Or those moments when the screen breaks into shards and flakes? Simply terrific. On the other hand, it's not all about style, as Kill Bill was, but about merging style and content into a coherent reality and coherent moral whole. It's an anti-gangster movie, really, and maybe that's why it isn't more popular: it's deconstructing the gangster movie instead of validating it.
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