Awesome!


I've just been on this one week Claire Denis trip...I've seen Trouble Every Day, Chocolat, Beau Travail, and Nenette et Boni in like four days.....she is so f***ing badass.....God bless Denis!.....

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i feel bad for your single entry thread, and i wanna post up some love for Denis because i think that she is quite possibly one of the freshest voices in cinema to come along for some time.

on another board people were posting "greatest endings ever" and i wanted to throw Beau Travial into the mix...among the other films listed on the board were Memento, Seven, Fight Club, Sixth Sense, Usual Suspects, and countless other twist endings. however, to go from total homoerotic desolation to disco dancing in a seedy nightclub. outstanding, and far from hackneyed.

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I totally agreee with you about Claire Denis she awesome very original and has a very vivid vision of what she see's. I also like Gaspar Noe, [I Stand Alone, Irreversable] graphic and harsh, but still expressive and dreamlike.

Also I have to give props to CD, for daring to use Corona's song "Rythym of the Night" like nobody else can.

I shall call him Squishy, and he shall be mine, and he shall be my Squishy.

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Beau Travail is a cinematic masterpiece. It's one of my favourite French language films of all time.

It's sensual, fleshy, erotic, primative, hypnotic, voyeuristic, communal. The cinematography is rich in visual imagery, very mesmerizing.


Desire is violence.

Beau Travail also reminds me of Keats' poetic line -

Beauty is truth, truth beauty, —that is all
Ye know on earth, and all ye need to know.

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If you read between the lines of this film, you'll be swimming in gulfs. The genius of this film is how Denis can balance the physical content of the film with the audience's expectations to create a perfect, seething energy throughout. Miraculous!

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Beau Travail is one of the best French films I have ever seen. I think it remains Denis' masterpiece, though the rest of her catalog is very, very impressive. I still have yet to see L'Intrus.

All I gotta say -- the ending, which at first made me laugh hysterically, now seems to me one of the greatest endings in any film I have ever seen. I can't say how many times I've watched it.........

Denis rules.

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irreversible was amazing and had one of the best endings ever in a movie, im looking forward to seeing beau travail

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The ending of Beau Travail is probably my favorite in any movie released in the past 15 years.

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I have just watched this film, for a European cinema university course. It is absolutely visually stunning, and mesmerizing. The lanscapes are beautiful too.
One thing tho, Everyone in the thread above seems to mention how much they loved the ending. I didn't love it, I didn't hate it, I just thought "what the *beep*
Since I now have to write an essay on this (which I'm actually quite looking forward to... how sad...) could anyone help me interpret the end/offer their thoughts?
thanks

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Think 'emotional release.'

Orson Welles never made an all-yellow movie.

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I completely agree with the comments on the ending - it is probably the best film ending I have ever seen (and Rhythm of the Night is one of my favourite songs because I saw it here). The only way I can think of rationalising it is that we love films not because of their subject matter or actors or tension or whatever, we love them because of their effect on us. Personally, the movies which tear my head off are those which surprise me because they are so effective in a way I would never have imagined. Having Denis Lavant dance crazily alone around a nightclub in the middle of nowhere to a song that everyone knows is so novel that it's shocking. Revolutionow is right that it's a form of emotional release after all the watching, repetition, barren, wide landscape shots, and the whole feeling during the movie that the men are there pointlessly and don't know why or what will come next. His intense emotion and the fact that the dancefloor is empty brings together emotion and loneliness - sometimes if you give in to primal urges you end up completely alone (as opposed to civilisation, language etc where you can communicate with others). So that's a slightly crap way of explaining it, the other thing I get when watching the ending is 'wow this is so completely weird and yet so awesomely compelling and I don't know why' - the not knowing why exactly this scene fascinates me so much only adds to its fascination.

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I completely agree about the ending! I was watching it for the first time and when Lavant is dancing I thought, "Wow, it would be great if the film just ended right here." Then when the credits came up I knew I would have to buy this dvd! And then I immediately rented every other film by Claire Denis.
I also have a list on amazon of "Best Movie Endings", so I threw this one on it ASAP. (Right after Kinski on the raft in "Aguirre, Der Zorn Gottes"!)

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In regards to what? That said, I always think in her movies what...the... that's what makes them grand.
In any case, this review has a good take on it.

http://www.avclub.com/articles/beau-travail,24990/

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The way the whole film is so subdued and disciplined and then Lavant just cracks out some insane skills on the floor!!!! brilliant.

And I love the way that he dances really constrained, occasionally jerking a bit, then by the end, has totally broken free of his militaristic disciplining and *beep* *beep* UP.

Fantastic. LOVE IT LOVE IT LOVE IT.

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