Right away, I figured out that Miss Jessel was pregnant when she killed herself (although at first, I presumed it was the Master's child, because it is shown at the beginning of the film before we know he is absent).
Yes, I figured that too, just from having read the book long ago, and having seen earlier versions. However, this was the first time it occurred to me that it might have been the Master's child. It's possible, though I don't know if any very clear timeline is given in the story for what happens. I just noticed this time that Quint wears the Master's hand-me-down clothes; why not a hand-me-down mistress? Mrs. Grose even said that that Master "likes 'em young", and she and Flora laughed knowingly. Even in the brief glimpse of him we saw at the beginning, he appears to be a man who can get his way with women - he certainly charmed Miss into the job, and it sounds later that she was almost a carbon-copy of the earlier governess.
Whatever the apparitions actually were that Miss was seeing, it could be argued that Miss Jessel might have been a projection of herself - weeping with misery in the schoolroom because of unrequited love for the Master, who is a man who uses women and then abandons them. Once he got Miss to agree to take the job, he was very clear that he didn't want anything more to do with her, she was just to leave him alone.
I think Victorians might have been more sensitive to the master-servant dynamic than we are today. If you read Mrs. Beeton's book on household management, she clearly indicates that the servants take their cue and their tone from the master and mistress. So a vicious servant (who is indulged rather than dismissed) is a reflection of the master - there must be something wrong with HIM, or he wouldn't have such a character in the house. I always wondered why Quint stayed behind at the house when the Master left - wouldn't a valet go with his master? But if he was left there to "take care of" one of the master's messes, it would make sense.
Flat, drab passion meanders across the screen!
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