MovieChat Forums > The Turn of the Screw (2000) Discussion > I didn't understand this movie. (Spoiler...

I didn't understand this movie. (Spoilers)


The movie wasn't bad, it had some pretty creepy moments. But I just don't fully understand what happened. So the two dead people were trying to corrupt the kids, and then at the end Miss accidentally suffocated Miles. Why does it end there? Is that the end of it all? Has she freed them from the dead ones? I hope someone can fill in all these blanks, because the movie was good but it just left me hanging at the end.

"I think you'll find one gets more respect as a humble civil servant than a homicidal maniac."

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I'm guessing they ended the movie there because that's where the book ended. I'd like to tell you to read the book to clear things up, but that's just not true. James's novel, although classic, made me every bit as confused as you seem to be. Therefore, I can only advise you to take the same course of action that I had to take in 11th grade English: read the sparknotes.

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I saw this a long time ago, it's much better than the IMDb rating says.
I don't remember much of it, but I remember being confused as well. I'm not really a big help.

... Charlie did it!

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The former governess, Miss Jessell, and the former valet, Peter Quint, were having a consensual sexual relationship with each other. Their relationship was improper because it was immoral to have sex without being married. They never hid their relationship from the children.

Quint then raped Miss Jessell, and began molesting Miles. Miss Jessell's solution was to keep Flora away from Quint, and allow Quint to molest Miles. Miss Jessell then realized she was pregnant, and committed suicide. Quint later fell and died from a mysterious blow to the head.

Miles tormented Flora by telling her everything that Quint did to him. Flora really didn't understand everything that had happened, and out of confusion and fear, she obeyed Miles' every whim.

Under his guidance, Flora began to torment the new Governess. I feel they didn't mean to torment her - they were trying to show her they needed help, but didn't know how to express their pain and confusion. Miles was even telling his friends at school about his sexual abuse, and the school decided to expel him instead of help him.

The new Governess was oppressed herself. She was forced to take a job instead of marrying, lusted after the Master who ignored her, and desired to be a mother to children who unintentionally rejected her. Her own sexual hysteria made her susceptible to their torment.

She ultimately realized that Miles had extreme pain within him, and that he was manipulating Flora. When Flora accused the Governess of molesting her, Mrs. Grose also realized that Miles and possibly Flora had severe emotional problems, and decided to take Flora way for a few days. Mrs. Grose knew that without Flora, Miles would fall apart.

The Governess coereced Miles into revealing part of the abuse he endured, but she smothered him when she was comforting him. She literally wrenched the pain from him, which ended his life.

With Miles dead, Flora is free. She won't be exposed to any more sexual corruption.

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You got all of that from Henry James novel? Interesting.

Most of the critiques I have read fall into two camps:

1. This is a classic 19th century ghost story.

2. The repression (sexual or otherwise) of 'Miss' the governess, her age, inexperience, isolation, huge responsibility and the untenable demands of her employer contribute to her slowly unravelling grip on reality. (a complex topic today and especially 107 years ago)

I believe it really started out as no.1, but many authors of that period (late 19th century) liked to write about the stifling oppression of society, especially on women.

Look at Thomas Hardy - The Mayor Of Casterbridge, The Woodlanders;
Edith Wharton's - House Of Mirth

These are also available on DVD.

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You have to put together what happens in the story.

It is written as a "ghost story" (hence the multi-layered title), but if you read carefully, you'll see the sexual oppressiveness which drives her and the children mad. As you said, many authors of James' period "liked to write about the stifling oppression of society, especially on women."

All of James' novels are about sexually oppressed, stifled women.

The Turn Of The Screw is a novella that many people can't grasp, and the same applies to the film adaptations.

Thomas Hardy's Tess of The D'Urbervilles is another example of a woman who's suffocating both sexually and socially (she's poor).

You also mentioned Edith Wharton. Her novel Ethan Frome is a brilliant example of suffocation: three characters are trapped in a three-way love triangle, in the middle of winter, and they're all living under the same roof. To complicate matters, two are related.

I have seen The Mayor Of Casterbridge, with Ciarán Hinds.

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Yes, Thomas Hardy was a genius at showing the ills of repressing members of society, women in particular. I love the movies The Mayor of Castebridge (with Ciarán Hinds and Jodhi May) and Tess. Brilliant pieces of work! Both books are incredible, but my favorite of his is Jude the Obscure. It is a difficult read, but it tells such a wonderfully tragic story of desire and oppression. It was a daring piece in its day that Hardy had to 'butcher' to even get published.

But...I didn't quite 'get' The Turn of the Screw. I did enjoy watching it, but the ending made me say, "What?" (I haven't read the novella.) I liked figuring it out as it went along and how it was all told from Miss's point of view. But some of the subtleties referenced above were lost on me. I did guess that Miles knew of Quint and Miss Jessel's relationship. Right away, I figured out that Miss Jessel was pregnant when she killed herself (although at first, I presumed it was the Master's child, because it is shown at the beginning of the film before we know he is absent). Near the end, I guessed that the two spirits were channeling themselves through Miles and Flora, which would explain their bouts of 'naughtiness'. But that Quint had been abusing him - that makes a lot more sense and could explain the boy's mysterious expulsion from school. I just thought the ending could have been less sudden; maybe she could have said, "There, now you are free," or something to explain that she meant to do it. (At first, I thought it was an accident, rather than her 'duty'.)

P.S. I will have to read something by Edith Wharton. :-) Thanks!

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Right away, I figured out that Miss Jessel was pregnant when she killed herself (although at first, I presumed it was the Master's child, because it is shown at the beginning of the film before we know he is absent).

Yes, I figured that too, just from having read the book long ago, and having seen earlier versions. However, this was the first time it occurred to me that it might have been the Master's child. It's possible, though I don't know if any very clear timeline is given in the story for what happens. I just noticed this time that Quint wears the Master's hand-me-down clothes; why not a hand-me-down mistress? Mrs. Grose even said that that Master "likes 'em young", and she and Flora laughed knowingly. Even in the brief glimpse of him we saw at the beginning, he appears to be a man who can get his way with women - he certainly charmed Miss into the job, and it sounds later that she was almost a carbon-copy of the earlier governess.

Whatever the apparitions actually were that Miss was seeing, it could be argued that Miss Jessel might have been a projection of herself - weeping with misery in the schoolroom because of unrequited love for the Master, who is a man who uses women and then abandons them. Once he got Miss to agree to take the job, he was very clear that he didn't want anything more to do with her, she was just to leave him alone.

I think Victorians might have been more sensitive to the master-servant dynamic than we are today. If you read Mrs. Beeton's book on household management, she clearly indicates that the servants take their cue and their tone from the master and mistress. So a vicious servant (who is indulged rather than dismissed) is a reflection of the master - there must be something wrong with HIM, or he wouldn't have such a character in the house. I always wondered why Quint stayed behind at the house when the Master left - wouldn't a valet go with his master? But if he was left there to "take care of" one of the master's messes, it would make sense.

Flat, drab passion meanders across the screen!

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"All of James' novels are about sexually oppressed, stifled women. "


What about Daisy Miller or What Maisie Knew? Not "ALL" of his novels, I don't even think the majority of them are about "sexually oppressed women". But it might just be that we have a different understanding of his work.

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Isn't that the point of the story?
How I understood it in AP Comp was that James wanted to reader to make their own decision about what really happened, whether the governess really saw ghosts, made it up for attention from the master, or pictured the physical embodiments of her sexual frustration, and in making that decision the reader turns the screw. There is proof for either side. There is enough innuendo to make an extremely credible argument for sexual oppression. However, the narrator never blatently says anything sexual, so it can all be viewed as innocent.
That's just how I see it.

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Wow. That's amazing. And I think it says more about you than about the actual story.

I can't speak for the artistic liberties they may have taken with this particular version of the story, but in the original manuscript, there's nothing to suggest that either of the children was molested. Corrupted, yes, but to a Victorian this may have been something much more tame. For instance, kissing the hired hands while the children were watching.

Really, James constructed this story to be deliberately ambiguous. Not only do we never know if the ghosts are real or not, but the exact nature of the corruption is left to our imagination. As a result, people tend to project their own darkest fears onto the characters. You could just as easily say that Miss Jessel and Peter Quint are Satanists trying to recruit the children into their coven. You can't prove that's wrong any more than you can prove that another reading is right. He wanted to leave the terror undefined so that everyone could imagine the thing that horrifies them most. However, if you insist on choosing only one interpretation, the concensus among people who have studied this story seems to be that they were so open with their affair that the children witnessed sexual acts.

So really, if you are left wondering what the hell happened as the credits begin to roll, then the production was a success. You SHOULD be left ruminating on what you've seen for days, wondering what it mean, what actually happened. It should stay with you. In that respect, I'd say this was a success - it made you care enough to come online and ask about it, right?

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Really, James constructed this story to be deliberately ambiguous. Not only do we never know if the ghosts are real or not, but the exact nature of the corruption is left to our imagination.

He wanted to leave the terror undefined so that everyone could imagine the thing that horrifies them most.

Agreed completely. It reminds me of the infamous Buzzing Black Box in the film Belle De Jour. The viewer fantasizes upon the unknown horror or delight that lies hidden in the box.

All of James' novels are ambiguous, you have to decide what is really happening between the lines.

Literary scholars definitely agree that the children were at least exposed to sexual corruption.

In this 1999 version of the novella, the director/screenwriter also implied that Miles murdered Quint, but I don't share that view.

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As I remember, James was mostly a psychologist, so I am guessing the whole or most of the things in the story were coming from the twisted mind of the new Governess's psyche.

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I've read this story many times over the years and have only become more convinced each time that child abuse is what James is being most ambiguous about. Well, let's say James wanted to write a story about child abuse per se, do you think he would have been allowed to at that time? Was the practice even named, let alone discussed in Victorian times? And if this "evil" was about anything else, say witchcraft, don't you think there would be more hints---as there are in regards to the clandestine relationship between Quint and Miss Jennings, or the attraction between the governess and the children's father? Just the way the novel keeps skirting around the central issue is proof enough that what we have going on here is the ultimate unspeakable evil. The ambiguity was a necessity as well as a brilliantly effective storywriting ingredient.

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I always thought that the ghosts caused Miles' death by stealing his soul as it didn't look like the governess could have suffocated him that easily.

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im in 9th grade honors english, and we just watched this movie and class and i have started reading the book. apparently, in the book, the boy dies because he sees the ghost, this is not said in the movie. My english teacher also said that spark notes is wrong for this book, so i would not suggest reading them.

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The reply to TemporaryOne-1 theories:

Illogical: Quint and Jessel had a lon lasting sexual relationship, it was consensual (as told by Mrs Grose and revealed from letters). How, when and why did he rape her?

Wrong timing/order: as much as I remember, it was said (by Mrs Grose) that Quint died first, and Jessel later (she stayed for a while, then quit her job and left, and died a month after that); it was even mentioned as a possibility that she killed Quint because of jealousy.

Modern: child molesting is a top subject today, and there is almost no serious American movie that doesn't put it in the middle of the plot (usually as final top secret of family). That makes us expect and see it when there is no reason. As some of posters said, corruption was something completely different in 19th century. Touching someone's arm or revealing a knee would be morally more shocking than playing in hardcore movie would be today. Mrs. Grose's moral education didn't let her describe what was happening, even saying a word like "leg" wasn't allowed in decent conversation - so how could she explain?

Molestation: the very understanding that people can have sex without being married to each other was extremely improper for children in the eyes of 19th century English people. There was no need to see anything. And as for real molesting, though I find it not so probable (as I wrote above), I would never agree with your speculation that Jessel would preserve Flora and leave Miles to Quint. If there was any molesting, I don't think Jessel would object it. And even if so, remember that homosexuality was leading people to jail or madhouse (sometimes even punished by death penalty) while child molesting wasn't considered that important. So I couldn't imagine a 19th century person wilingly allowing someone (her lover!) homosexual relationship. She would probably rather save Miles instead of Flora.

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I have to agree with other comments that your(temporaryone) take on the plot says more about you and modern plot lines than about the story itself. I haven't seen the movie but I just read then book (today)and there was no (none, zilch) allusion to child abuse or rape. Jessel and Quint were having an illicit relationship that they did not hide from the children. That is bad enough. Your suppositions about rape and abuse are unfounded and surprising.

The point of the book is to leave readers wondering about the sanity of the governess. An unreliable narrator (or two unreliable narrators in this case, b/c we're effectually hearing the tale from a man who loved the governess) is a well established plot device. The beauty of the tale is the duplicity the governess reads into all of the children's actions and her conviction that wickedness was happening around her. The fact that she was driven throughout her care of the children by her love of the master and her desire to please him is brilliant. While reading the story you can fully convince yourself of her sanity or insanity in every instance.

But all of this is beside the point of my reply. You have read much into the plot (which I'm sure James intended) but have somewhere gone astray. We don't know what Miles said to the boys at school, he could have been describing his dealings with ghosts or he could merely have been saying curse words. But nowhere in the story is there any foundation for your theories of rape and child abuse. Perhaps next time someone is asking for plot clarification, you should leave it to someone who's actually read the story.

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i havent seen this movie started. nor have i read the book. all i was able to catch was from the part where peter quint started showing up to miss up to the end. and yes, this movie was a success for it had left me pondering what will happen next... and up to now i still am. kudos for this movie! so.. quint sexually harrassed miles... how is that so.. ? i went like... eeeew. and why is the tite... the turn of the screw.. ?


I kept kissing frogs looking for a prince.

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Please read the book and then see either The Innocents or this version. I think you'll have some of the answers to your question. The book explains the title in at least a couple of sections.

Rachel

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I take it back. His brother William was a psychologist.

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I think the whole point of the story being so indecisive with a meaning is to let us choose out own explanation.

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Hi AliceGelhausInWonderland,

Yes I'm still around. I hardly ever post but I'm on here a lot.

Thanks for your reply, I can hardly believe it was 5 years ago I asked this question. To be honest I don't really remember a lot about the movie so I hope you didn't spend too much time on your answer.

I didn't watch it for a class, I just saw that it was going to be on TV and decided to watch it as I thought I'd heard the title before and it sounded interesting.

Maybe I'll catch it again sometime.

Thanks again.

"I think you'll find one gets more respect as a humble civil servant than a homicidal maniac."

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The ending ruined it. She didn't kill him, Quint did. And it would be all so great otherwsie - finally a red-haired Quint, a YOUNG Governess, a PRETTY Miles and a Flora who doesn't have a stupid hairdo ALL in one version...

But no, they had to ruin the ending...

Still the best is the Czechish opera film. Even if Flora has the aforementioned hairdo and Quint looks like some Latino macho... but it had a perfect Governess, enough subtext to make me happy and of course, Britten's beautiful and creepy music.



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I completely disagree. My view is that there were no ghosts at all. That they are purely in Miss's mind and that she is actually mentally ill with a definite religious element, the fact that she is a pastor's daughter probably supporting her feelings about the children being corrupted. There is no corroborating evidence that she saw Quint at all. All she said was that she saw a man with red hair who wore fine clothes without a hat and then the servant provided a name which Miss then expanded upon. Miss Jessell was only described as a woman in black which again the servant agreed with the delusion. Before the letter from the school Miss had no issue with children being corrupted but was watching Miles with suspicion from the time he entered the house. She then saw behaviour that she thought fitted her theory of there being ghosts that the children could also see. She then decided that the children were mocking her etc as she continued on with her sleep deprivation and a continued paranoid mental illness (possibly schizophrenia as she is having auditory and visual hallucinations). She then confronted Flora which made the servant doubt her which is why she agreed with taking Flora away and was actually scared of Miss which is why she said she believed her right at the end. Miss then killed Miles possibly by accident or as a 'saving' him action which is common in cases of infanticide by the mother figure. The lack of support from the uncle meant that she was free to fall further into her delusion as the servants wouldn't feel that they could confront her as she was running the household, "running a tight ship".
I think it's worth watching again with the mindset that the suicide at the beginning and the deaths of Miss Jessell and Quint are actually red herrings. Then if you look at all the ghost stuff as hallucinations the children just seem like children, who are sometimes naughty and would wind their governess up. I think that Miles did see inappropriate behaviour between Miss Jessell and Quint and possibly quite graphic inappropriateness or he heard inappropriate details from Quint which he then told to his friends at school which would lead to expulsion from school if it was deemed corrupting to the other boys ie because of their age, maybe in older boys it would have been excused. So yeah I reckon paranoid schizophrenia which gives the film a really good depth. I don't know if the book would support this though, it's probably just this adaption!

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