Ponderance on OK Computer
I bought OK Computer, my first Radiohead album, after seeing that on a Channel 4 (UK) poll it was the best album ever, so obviously i had to have it. When i got it it took a while to get into and all that, and then i realised that it could well be the best album ever. I later got The Bends, and then all of the other 4 main studio albums (not being a 'singles' person!). Loving a good percentage of the music i became a big music fan and started to really widen my taste in music, filling up my Led Zeppelin collection and even trying out some Beatles work.
After contemplating music in general for a long time I took OK Computer into consideration. I had realised that with songs and albums, it wasn't really a matter of being good or bad, but more of the particular effect that a piece of music creates, and i don't mean 'Oh yeah, I heard that song and burst out into tears', i mean the colours and texture of the music and the general aura that the music gives out. In case you were wondering, I see OK COMPUTER as being light blue, The Bends and Pablo Honey as a sort of 'corn-field' yellow, Kid A is a myriad of colours, Amnesiac is predominantly shadowy and HTTT i can't decide on. Obviously i realised that the image of the band and the album artwork help to cement colours that you relate to the band into your mind when you listen to the music.
After this, I began to formulate three possible theories for OK Computer. The first is that it is simply the greatest album that ever was, full stop.
The second is that it isn't the greatest album ever, but instead (and get this) it cons the listener into believeing that it is. The effect/aura/feeling that it gives out is: 'This music is good', though whether it is actually good music is a moot point as we are being told that it is by the music itself. And so, in this way with music, the title of Greatest Ever, has become more of a category than a single piece of work. Imagine is the greatest song ever. So is Bohemian Rhapsody. And so is Stairway to Heaven. Are they conning us as well with their sound, tricking us with their sheer difference from the rest of music? Giving out a signal that says: 'Greatest Song Ever'? I had a little laugh to myself about this when I realised that the songs that we rate as being the best are often not the songs that we listen to the most...
The third concerns Airbag and Paranoid Android. When Airbag opens the album it creates a great 'satisfaction' inside me that the simpleness of it doesn't seem to warrant. It creates a feeling/aura that completely matches the album cover. Paranoid Android then goes on to continue this feeling nicely and the two of them make my favourite musical pairing of songs. The rest of the songs on the album, however, differ and evolve from the formula, though Lucky does stay fairly true to it. So, my third theory is that it is Paranoid Android and Airbag that are almost solely responsible for making the album so deserving of all the accolade it has recieved. In short, what has been labeled as 'The Greatest Album Ever' is in fact Airbag and Paranoid Android and the other songs are just bonuses to the great two-tracked album that come free with it.
NB: I LOVE OK Computer, don't get me wrong, I have no gripe with it, it still is my favourite album ever (though I try not to listen to it too much). I was just trying - probably unsuccesfully and confusingly - to share something I have observed about it, which is likely to be wrong, though I would absolutely be amazed and thrilled if someone said that they thought the same thing for theories 2 or 3!