He was the first one who was not only a financially successful erotic writer, but one who, because of personal scandals was exposed as the author of his own writings (he published his works under a pseduonym), was therefore identified with them and also raised into public consciousness the fact that there has always been a market of erotic literature.
You're forgetting John Cleland, author of "Fanny Hill", who wrote his work (also prison) in the mid 1700s, while de Sade wrote in the late 1700s.
I read "The 120 Days of Sodom", by the way, all the way through. It was a slog, a real slog. At times it is as disgusting as to be truly unbelievable, but at other times it becomes so much that you'll find yourself numb to it all. By the end I just wanted to finish the dang thing! So I got some candy and ate my way through the last five days of the first month and the outline of the last three months.
"Salo, or the 120 Days of Sodom", directed by Pier Peter Pasolini, is in my opinion far superior to the novel off which it was based. It is a more focused work, it is more effective, and it doesn't lose itself in its own perversion. Some of you might say that's the whole point of de Sade's work, and I think I'd have to agree with you. I still like the movie better, though. But just the thought that Pasolini could have even
considered making de Sade's novel into a film is unfathomable. That he actually succeeded, and that the film was actually very good, only adds to the miracle.
After "Salo" and 120DOS, I've watched "Quills" for the first time tonight. I am very impressed indeed! I was afraid it'd be a tame, mass-consumption version of the Marquis, and, well... it confines itself to its R-rating, but just barely! The spirit of the piece I appreciated immensely, and it was a fantastic movie! To anybody afraid that the movie won't live up to the de Sade infamy, fear not! "Quills" is a 10/10 film.
Alfonso-lover
We have got to live, no matter how many skies have fallen.
reply
share