MovieChat Forums > Dancer in the Dark (2000) Discussion > Not convinced by Bjorks acting abilities

Not convinced by Bjorks acting abilities


I watched the film for the first time last night. I have previously seen 3 of Lars Von Triers films, Breaking the Waves, Dogville and The Idiots. I loved all of these films. I found them very moving and profound. I did not think the same of Dancer in the Dark however.

I thought that the character of Selma was similar in nature to Bess in Breaking the Waves i.e. an innocent in a world of corruption and hypocrisy sacrificing everything for a loved one. The only difference being Emily Watson was believable in that role and Bjork was not.

I found Bjork unconvincing in the extreme. Her acting of "innocence" seemed contrived and twee. The musical numbers were too Bjork-ified which meant that for me it just seem like one long Bjork promo. I also found her actions which drive the tragedy of the plot stupefying. As her innocence had not been convincingly conveyed to me her actions in the court room were absurd. Keeping "mum" to the end because she'd promised too. Oh dear. How unutterably, tragically, pathetic.

She was also verging on cruelty in relation to her child. Not seeing him, not sending any message to him once she was in prison. Never buying him a birthday present because she wasn't "that sort of mum". You are supposed to sympathise as she is saving to pay for the operation but she doesn't set any money aside for the therapy that kid would undoubtedly need after such an upbringing.

I think about how that film could have been with an actor of Emily Watson's abilities playing the role of Selma and I can imagine it as being intensely moving and believable. But for me the film was irretrievably ruined by the over weaning presence of Bjork's personality.

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[deleted]

I think you have some interesting points, but I can't agree with them all.

You critics towards Bjork don't really seem to relate to acting capabilities, more towards the script and the person she represents. I thought she really did well. There were a few scenes that are very hard to act, and she did it very well.

That the songs were too much Bjorks style is something you could have predicted. When you let an artist with such a unique and own style compose the music, then it will inevitably be very full of that style. You either like it or not.

As for the actions in the court room. I too thought that they were pretty unthinkable. But that's doesn't degrade Bjorks acting capabilities again, because it's just what she was supposed to play. And I thought she did it very convincing, even though I do not understand why her character would react in such a manner.

What I think the reason is why she did that is because the women is a very simple person. She obviously is not very intelligent, a bit weak minded, more geared towards her emotions, very naive and has not a realistic view of the world. When she is gets caught and has to explain herself in the court she is just overwhelmed by everything that happened. Maybe she even wants to hide the truth because of her son, but I think that is not the case. She just doesn't know what to do and makes the wrong decisions.

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well said michali. von-trier himself said (in an interview) that he wanted to make a very female character - that acted almost completely on emotion and instinct instead of on logic. not that he's a sexist, he did say that he acts exactly like a female in that respect.

besdies, if you guys didn't like bjork, why'd you watch a bjork musical?

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Speaking as a fan of most of Bjork's music;

I cried over and over again.
First, I cried when I realized the poor cameraman has bot Parkinson's and ADD. The poor soul!
Next, I cried when I realized what an annoying actress Bjork is.
Next, I cied when I realized how bad the "song & dance" was. Oh, the humanity.
Next, I cried when she shot him and he said "You shot me." Such emotion!
Next, I cried when I realized that this "tragedy" would rely on every person in the tragedy acting like they have an IQ in the teens to create the tragic events. How tragic!
Next, I cried when the prosecutor called walking into someone's house, saying Hi to his wife, & then going upstaris & shooting the husband "the most well-planned murder in memory". Such genius!
Finally, I cried tears of joy when it ended. I still get misty when I think of that divine moment.

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Badtothebono,

Don't you get bored cutting and pasting this into just about every thread?

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Yeah, I guess he's just proud he wrote that. I think he even printed it and hung it above his bed. And probably sent it as a Christmas postcard to his mother.

What are you trying to prove? So you didn't like the film. You're allowed to have that opinion, but don't just push your opinion on everyone in such a way.

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Do you mean this?

I cried over and over again.
First, I cried when I realized the poor cameraman has bot Parkinson's and ADD. The poor soul!
Next, I cried when I realized what an annoying actress Bjork is.
Next, I cied when I realized how bad the "song & dance" was. Oh, the humanity.
Next, I cried when she shot himand he said "You shot me." Such emotion!
Next, I cried when I realized that this "tragedy" would rely on every person in the tragedy acting like they have an IQ in the teens to create the tragic events. How tragic!
Next, I cried when the prosecutor called walking into someone's house, saying Hi to his wife, & then going upstaris & shooting the husband "the most well-planned murder in memory". Such genius!
Finally, I cried tears of joy when it ended. I still get misty when I think of that divine moment.

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"As for the actions in the court room. I too thought that they were pretty unthinkable. But that's doesn't degrade Bjorks acting capabilities again, because it's just what she was supposed to play. And I thought she did it very convincing, even though I do not understand why her character would react in such a manner"


On first viewing I found this two a bit baffling but on the second you realise that she lies in court in orer to prevent the courts from taking back the money given to pay for her son eye operation. In fact all her decions revolve around her attempting to pay for the operation but circumstance and society preventing her. Though his does sound contrived it is (despite the dogme manifesto's reluctence to embrace genre) a tragic melodrama with Selma's musical an attempt to escape this.

again i really like this film with bjorks sesntaional performence and Von triers mainpulation of both emotion and genre creating a truly memorable film.

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i cry, because a moron like you has wasted his time numerous times. once to watch the film when you knew you didn't like bjork, you kept on watching even though you were annoyed by her, and finally, you also decided to post on here about how bad you thought the film was.

you're a fool. sure there's inconsistencies in the film. and i'm sure you're a dumbass.

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Actually, I am a big fan of Bjork's music. The same goes for a lot of other people who think this movie stinks. But, put her in a lousy, annoying movie and she comes off as an annoying, lousy actress. Go figure.

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For about half the film, which I saw for the first time last night, I was really impressed. However the courtroom scene and it's huge implausability sort of dragged the film down for me.

At that point it was just a severe drama to tug your heart-strings, but asking to suspend that much logic was too much. It would have been too easy for any lawyer to see that Bill was close to foreclosing on his house and deduce the money wasn't his.

Besides she knew the amount down to the last dime...

I liked the film and Bjork's performance especially, and although it left an impression, I was too bothered by the bit of illogic behind her actions. Shrug.

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I hope you realize that you're doing the exact thing you're accusing him/her of.
So the only one wasting his/her time is you.

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exactly , i completely agree with you and disagree with OP. everything she does is for her son, even refusing to see him and not buying any birthday presents and ...

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a lot of people have praised Bjork in Dancer in the Dark without having seen Breaking the Waves. To me Emily Watson in Breaking the Waves is 100 times better than Bjork and Nicole Kidman in Dogma put together. Watson was on a whole other supernatural level in that movie!

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I dissagree with the original poster. I think Bjorks performance was one of the best in history, mainly cos she made it real. Especially in the last 30 mins or so. No other movie and actress has made me cry that much. And she didnt sound contrived at all to me.

I think her portrayal in the begining, of innocence and naiivaty was convnicing. I dont really see how people dont think she can act aster they watch this whole movie, but oh well.

I do agree howevrer that emily watson is also amzing, she was one of my fave actresses b4 i even saw breaking the waves, although a completly different actress to Bjork.

hey, yoda needs to give some better advice, or yoda needs to shut the *beep* up

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[deleted]

Your putting too much emphasis on the implausibility of Selma’s actions. It’s simply not that kind of movie. The best way I can describe it is to compare her to Daniel Day Lewis’ character from There Will Be Blood. While Daniel Plainview represents Greed, Selma represents innocence. Neither character is believable, but they’re not meant to be either. It’s simply showing how pure innocence and a golden heart are incapable of surviving in the world we live in.

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I agree with you HumbleFox !
I have never been a fan of Bjork, but I think she did a fantastic job of portraying this character of innocence in the unique style that Lars von Trier would have wanted.

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i think Bjork's performance is one of the best I ever seen beacause she acts, sings anda dances in the film. And her performance was so beliavable that I actually cried at the end of the movie. She deserved an Oscar nomination for this role.

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I have to disagree with the OP. I think Bjork's performance was amazing, she portrayed a vulerable woman who dreams to be in a Hollywood musical perfectly. Obviously the music is going to be Bjork-esque, that's because she wrote most of them.

In the industry we call them cigarette burns.

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Björk isn't even an actor.But I think she's great in this movie. :)

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I cannot believe she was not Oscar nominated. Definitely better than Joan Allen in The Contender and Ellen Burstyn in Requiem for a Dream.

This and Breaking the Waves show what an understated genius Lars von Trier is.

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In response to Original Poster quoted (below): If one is going to criticize an acting performance, you must understand a little about how an actor is required to perform their acting duties. A writer or director gives the actor a script, which is written by someone who is usually not the actor, unless the actor is starring in a role they wrote and directed for themselves. The actor must follow the directions given by the director, and read the lines written in the script, as it is written for a screenplay. Unless the actor is directed to "ad-lib," they must speak the lines exactly as they are written in the script, no matter how ridiculous the actor and the audience thinks the lines in the script are. In most cases, directors and writers do not appreciate actors complaining about the absurdity or lack of logic in their work, unless by chance they share a relationship that allows for that sort of bi-directional critique, which is not unheard of, but definitely uncommon. Typically a script accompanies a screenplay, which may also include details about where the actors should stand, what emotion they represent as they deliver the lines, how they move, and other detailed directions about their performance. A director will correct and criticize an actor's performance, and try to encourage them to perform to the best of their abilities, and praise them when they are pleased with the results.

The point where we as viewers should criticize the performance of the actor, ends where the screenplay stands, and the performance meets the requirements of the screenplay. Because a poorly written story has a bad screenplay is not the fault of the actor. Blame the writers and directors if you think the lines, movement, plot development, characters, and storyline are inplausible and stupid, it's not the actors fault.

Really for many cases, whether a film viewer likes an actor is a matter of taste, a little bit like whether some people prefer water, others soda beverages, some people beer, others wine, and others still a fine cognac. There is no accounting for taste really, although among actors and directors, where they are familiar with the skill and it's delivery, qualified people can criticize from a qualified standpoint. When awarding actors, there are oscars, and there are people's choice, the difference is obvious to some, that's why The Academy doesn't nominate awards based on box-office sales. The rest think they (The Academy) are snobs, those are the same people who would pour steak sauce on a finely prepared pound of flesh, which is why you know you are eating fine dining if there is no sauce on the tables, or no prices and no menu posted.

If you are going to blame an actor because of a story which is full of flaws, it makes you appear rather unintelligent. To me, critiquing Bjork's acting skills is like arguing whether a walnut or a dogwood is more like a tree. The poster keeps referring to the characters bizaare actions, but stating "she" "she" -- as though Bjork were the one actually doing the actions which the character of Selma were doing. If anyone were behaving unconvincingly here it is the character of Selma, not the actor Bjork. Bjork is merely "acting" as Selma is supposed to act, which is what makes her so good, we really believe that Selma is behaving self-destructive and naive to the point of denying herself a fair trial and a possible future, no matter how unsighted, with her son.

I didn't care for the song or dance in this film either, but that doesn't make it bad. It just means I don't like this flavor of song and dance. The movie was long and difficult for me to get through, but I enjoyed what it had to offer in spite of it's obvious flaws, and dreadful musical numbers. I never enjoyed Bjork's music or videos, but that too is just a matter of taste, her music and video is neither good nor bad in my opinion, just "not my cup of tea" so to speak. I am reminded of how the character Jeff comments to Selma that he doesn't understand musicals, one minute he's watching some film, and then people just start singing and dancing, he doesn't understand why.

Based on statements in your post, you sound like a crazy person who is jealous of Bjork. A rational response might just be to find her boring, not make all those judgmental and personal statements. Got pretty deep Bjork hatred there, it's sort of intense beyond simply Bjork boredom. It seems Bjorks performance was good enough to have an emotional impact on you, even if it is of disgust and hatred of the character she portrayed, Selma. You got the two confused, and you blamed Bjork for what seems to some viewers, Selma's somewhat absurd actions.

tallbird50 posted, among other absurdities:

I found Bjork unconvincing in the extreme. Her acting of "innocence" seemed contrived and twee. The musical numbers were too Bjork-ified which meant that for me it just seem like one long Bjork promo. I also found her actions which drive the tragedy of the plot stupefying. As her innocence had not been convincingly conveyed to me her actions in the court room were absurd. Keeping "mum" to the end because she'd promised too. Oh dear. How unutterably, tragically, pathetic.

She was also verging on cruelty in relation to her child. Not seeing him, not sending any message to him once she was in prison. Never buying him a birthday present because she wasn't "that sort of mum". You are supposed to sympathise as she is saving to pay for the operation but she doesn't set any money aside for the therapy that kid would undoubtedly need after such an upbringing.

I think about how that film could have been with an actor of Emily Watson's abilities playing the role of Selma and I can imagine it as being intensely moving and believable. But for me the film was irretrievably ruined by the over weaning presence of Bjork's personality.


Bjork is strangely, uniquely Bjork, and I don't know if I will ever share the fascination for her. Bjork is her own person, and doesn't try to be anyone that everyone else will love. Dancer in the Dark was a film I found on Comcast's onDemand service courtesy of my Starz! Premium subscription. I was able to enjoy something in this film as I browsed the web, IMDb, and some of the posts here. I'm glad I didn't watch it in a theater where I couldn't smoke or go to the bathroom without missing any of it, even if very few minutes of this long film were devoted to plot development. It was all about getting to know the character Selma, and I feel I know her quite well now, like her or not. The person who wrote a review of Dancer in the Dark for IMDb who said Bjork "emoted" Selma, was a little extreme in a way sort of funny to me. Not nearly as funny as someone who follows the adjective contrived, with a word like twee, to describe Bjork's performance as Selma.

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You are mind blowingly long winded and patronizing. Well done.

As you quoted I did say within my post, "As her innocence had not been convincingly conveyed to me her actions in the court room were absurd". This makes it clear that I had issue with the plot because of being unable to suspend disbelief due to her bad acting. As with most works of fiction it is necessary to emotionally invest in the trials and tribulations of the characters to care about the outcome. I could not do this as I found Bjork's acting so questionable. It is extremely obtuse of you to misinterpret my post as you did.

I am also perplexed as to why you found my description of Bjork's acting as "contrived and twee", so funny? I'm not sure what you criticism is as it is not clarified. Either you disagree or you are implying that this was incorrect grammatically which is not the case. Interesting sense of humour you have.

Your assumption that my criticism of this film was motivated by being "a crazy person" suffering from "Bjork hatred" is laughable. How very melodramatic of you. I didn't say anything personal about Bjork and I have no negative feelings towards her. In fact I have enjoyed her music and unique personality since her early days in the Sugar Cubes. My only issue is that I was not convinced by her as an actor and the plot of this film was unbelievable.

May I suggest that you introduce some humility to your posting style. There really is no need to be offensive just because you liked a film that others did not.






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I could have not said it better. I didn't enjoy Bjork's performance at all. I love her music but she should stick to that, which is does and I think it's great that she does. The story was great. If they had a good actor playing Selma then the movie would have been FANTASTIC!!! :)




"animals are serious people and serious people are animals..." -Osho

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Anyone who thinks that Bjork's performance in this was poor is undoubtedly an IDIOT. I'm sorry, but they are. Bjork's crying scenes were so realistic and so well done, it looked as though she were really crying. The emotions that she displayed in this film just seeped out so naturally that I could hardly believe what I was seeing. She is one of the best, if not THE best, musician turned actress ever.

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