The Last Great Epic?


One of my favourite genres is the epic. Lawrence of Arabia, Doctor Zhivago, Ben-Hur, Zulu - the epic deals with big themes, grand scopes, and huge narratives. Done well, they're magnificent, beautiful, and as powerful as any drama.

Hollywood doesn't make epics often because they're super expensive. I think they're done best when done with minimal CGI, where the battle/crowd scenes are populated with real people.

Lord of the Rings is maybe one of the last great ones.

What other epics (that are GREAT) have come out since then?

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"I think they're done best when done with minimal CGI, where the battle/crowd scenes are populated with real people."

This sentence does not apply to this film.

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They used a lot of practical effects in the Lord of the Rings films, and while Return of the King has the biggest CG baddies, they still used a LOT of real people for the fights.

"Minimal" doesn't mean "none". It just means "what you need to get the job done and no more". So, while I would say that CG was used fairly judiciously here, in the Hobbit films they overused it.

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no, entire armies were CGI

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I watched the documentaries where they showed extras geared up, then duplicated them. That's using CGI, I would say "minimally", and they weren't created wholesale.

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100% CGI armies does not equal "minimal"

nice try, though

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I think they used CGI well here (minimally - ie, the least amount necessary to get the film across) for the most part. I would agree that the CG elephants were too much, but in Fellowship of the Ring they used far less (cave troll, Balrog, etc.)

You can't tell me what I consider to be "minimal", "necessary", "unnecessary", or "over-wrought".

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Yeah, Forky does not seem to know what minimal means.

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Happens a lot on message boards, in my experience. I was having trouble with another user a little while ago trying to get across that "overrated" means my personal opinion vs. popular opinion.

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Personally, I think some of the Marvel films can be called "Epics", particularly the last two Avengers film that wraps up the whole Marvel Extended Universe and all its storylines. So IMHO the "Lord of the Rings" films ushered in a new era of epic filmmaking, and "Avengers: Endgame" ended it.

And I do think that particular era of epic filmmaking is over, the pandemic and the closure of movie theaters all over the world has killed the business model that make movies that cost $200,000,000 to make profitable. We won't see a new era of epic films, until someone figures out how to either make epic movies for much less money, and/or makes them for home streaming.

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Well, as the pandemic calms down, we'll see more big budget flicks fire back up. We'll have to wait awhile.

Arguably, yes, the Marvel films did get to "epic" levels, but I got quite bored of those mid-way through the series. I saw Infinity War and didn't care for it, so I didn't bother with Endgame. I would agree, though, they are epic. I just didn't like them all that much.

Troy was pretty epic, although again, nowhere near the quality of The Lord of the Rings.

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Well, we'll see how the movie theater situation goes. Certainly some theaters are going to close, I'm not going to be the only person who's going to be avoiding crowds for a good long while - even when it's legal for theaters to open. So I think there will be some changes in a movie industry that's been spending $300 mil to make and advertise "tentpole" films, because they can get a billion back if it hits big, but whether the changes are large or small remains to be seen. Certainly I think that film budgets are going to drop for the next few years.

And yeah, I saw all the Marvel films or almost all, and have enjoyed the heck out of most of them. I'll miss them if they're gone.

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You know, I kinda hope they do drop "tentpole" films. I'd love to see more experimentation and I'd love to see more movies that aren't trying to build the next big cinematic universe. I'd love to see an action movie aimed at adults again, or a comedy movie at all for that matter.

You're right: the industry will have to re-think its systems for the next little bit, and I agree, I won't be in a movie theatre for some time.

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I'm hoping that someone will come up with something along the lines of "Game of Thrones", which had epic scope and looked spectacular, but which was made with much lower budgets than similar feature films. I mean the whole show fell apart at the end because the showrunners were a couple of dickheads who stopped giving a shit about it, but before it all went to hell, the show proved that it was possible to make something Epic-with-a-capital-E,on a TV budget and intended for home streaming.

If Hollywood is looking for a new, pandemic-friendly business model, well - there you go.

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Certainly! And we are living in a golden age of television right now, if by "television" we're including streaming. The variety and creativity of shows on right now is staggering.

I'm apprehensive about Amazon's Lord of the Rings series - I'm worried their going to bungle it right up - but that might be the next literal and figurative big thing.

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I'm worried about that show, if anyone is going to make a TV show about Tolkien's worlds, IMHO the adventures of Young Aragorn or the end of the Second Age would be much more interesting. I mean, can you imagine, a "Game of Thrones" style show about the fall of Numenor and the War of the Last Alliance? WHY ARE THEY DOING THE STODGY HISTORY OF NUMENOR INSTEAD OF THAT???

If not that, then maybe the "Wheel of Time" show will be the replacement for "GoT" I'm hoping for. It could be a heck of a show, if they give the books the ruthless editing they need, and that the ASoIaF books got for the good seasons of "GoT".

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But... Game of Thrones was a miserable failure. Why would people want to copy that so-called style?

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I think when people positively reference Game of Thrones, they're referring to everything up to the last season. Most people ate that show up ravenously until the final season where it fizzled out (perhaps because of the insane heights of expectation put upon it by viewers; the creators of the show might have made such a set up that the payoff would have inevitably been a letdown).

So, I think people mean a show that keeps them on their toes, isn't afraid to kill characters, feels real (even though it is fantasy), has high production values, sharp writing, deals with politicking and social machinations in a fantasy setting, and isn't afraid to get bloody and, uh..."dragony".

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"GoT" was a huge success for 7 seasons out of 8, and was probably a ratings success for all 8 seasons even if the last season was a huge disappointment.. and was held largely responsible for HBO keeping its ratings up at a time when the trend was people ditching cable and going to streaming. I ditched cable and went to streaming shortly after the show ended, just like most of the fans.

But in terms of business models: "GoT" showed that it was possible to make a TV show look as spectacular as a CGI-extravaganza movie for a fraction of the cost, and to build and keep a huge and devoted fandom at a time when your service really needs ratings. This is what the entertainment industry needs right now, as it tries to figure out how to cope with absent or declining movie theater audiences, and to adapt its efforts to a world where most entertainment is delivered to large home TVs. The existence of the new Numuenor show and the "Wheel of Time" thing does mean someone's giving it a go, but who knows if they'll do a better or worse job.

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Anything with the potential for human drama can be interesting. I'm mostly worried that they'll betray the spirit of Tolkien and fill the show up with Game of Thrones-style sexual escapades and they'll make it dismal and bungle the philosophical aspects of Tolkien's work.

I'm a *little* worried that they'll woke it up, too. I don't mind if they get a little racial diversity in there, that's fine, but there was some actress calling for a female Gandalf, for instance. Now, nothing has come out of Amazon saying they'll do something like that, but if they did, I'm guessing the whole show would be solidly ignoring Tolkien's viewpoint and the depths of his work, trading it for some kind of social conscience pepto bismal for the creators.

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As for the supposed "female Gandalf", Olorin can take any form so why not a female form, so appearing as an older Wise Woman is fine by me. Taking the form of anyone young and hormonal would be far too messy for a Vala, they mustn't even think of doing that!

I hadn't thought of the possibility of them sexing up a show set in Numenor,that wouldn't do at all! Except, of course, until they come to the end of the second age, when things got weird...

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Well, things might have been "weird" in Numenor, and of course any realm with children has procreation, but I think the spirit of Tolkien's work would be diluted, dulled, and harmed by throwing in the gratuitous T&A that channels like HBO and shows like Game of Thrones have become known for. To be honest, one of the reasons I still haven't seen the show is because I was getting a little weary of heavy erotic elements in shows and I hear that GoT was quite gratuitous and piled it on. I don't need that. I'm not that desperate. It's one thing to show a realistic world where sex happens, brothels exist, etc., and quite another to dwell on it and have it thrown about. There is very little sex and nudity that needs to happen for story, as far as I'm concerned. I've seen it used to further the story of a show (A Very Secret Service on Netflix, for instance), and I've seen it just become the whole raison d'etre of shows and it's distracting.

On a "technical" level, there is nothing wrong with a female Gandalf, but the Maiar and Valar and other spirits of Tolkien's world definitely seem to manifest as one or the other. Pure speculation, but I think Tolkien would be really unhappy with somebody gender-swapping Gandalf. It's contrary to the writing and the world created, as far as I can read it, and I think Tolkien would hate and loathe the very notion of that sort of thing. He wouldn't want them messing around with the genders of the various spirit beings he created. He has male and female spirits, husbands and wives, some without consorts, and so forth. That's deliberate, it's part of the characters. Any deviation on such a fundamental level would, to me, be a clear indicator of propagandizing, virtue signalling, and (most importantly) a lack of respect for the author's work and voice.

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Well IMHO "GoT" did overdo the sex and violence, but it was actually pretty true to the Medieval world it was based on. GRRM did that deliberately, IMHO as a an attack on some of the more sugary clichés of the Fantasy genre - where the good guys are unfailingly noble and going on months-long quests in the wilderness doesn't effect your personal hygiene, and sex without birth control somehow never causes unplanned pregnancies. I respect GRRM and the TV show's attempt to bring the reality of life without technology to the genre, although I understand that a lot of people don't like it - I've told certain friends that they wouldn't like the show and shouldn't watch it, because of this.

Now it was Tolkien who actually started a lot of those clichés, with his unfailingly noble heroes and heroes who looked impressive after months in the wilderness, although it was others who built Tolkien's morality into annoying cliches. I do agree that including crude sex and violence into Tolkein's universe would be violating the author's vision for his world... although in the case of "GoT" crude sex and violence was actually honoring the author's vision. Well, the "LotR" movies made buckets of money although they were fairly true to Tolkien's view of morality, let's hope that Hollywood remembers it's possible to make lots of money without being gross.

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Sex and violence can be judiciously used, hinted at, or implied off-screen to present a real-feeling world without relying on stark nudity or disembowelings, but your point is well-taken. Since I haven't seen the show, I won't comment directly on GoT itself too much; I merely heard that the nudity was largely for shock, titilation, or "because they could".

Yes, I can respect stuff that gets into counterbalancing other works - as you say - perhaps by showing hygiene in a realistic fashion. On that particular point, I've long been amused that Monty Python were some of the first to show truer hygiene and filth in fantasy in Holy Grail.

I enjoy fantasy treated realistically, as you're describing, but I roll my eyes when I see nudity used clearly to bring in the viewers (gratuitous...basically porn, in other words). I'd site much of the nudity in the first few episodes of Rome as example. Some of it works, but a LOT of it seems to be happening to draw in viewers.

If it honours GRR Martin, that's groovy; again, I will refrain from too much commentary on that which I have not witnesed.

I couldn't agree with your final sentiment more. Hollywood often tries to mash everything into whatever "worked last time", and they (the producers, anyway) tend to forget that the "rules" change based on property, and honouring GRRM's vision works for GoT, but making LotR look like a GRRM work will break its essence and ruin the show.

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Well, I don't think you'd like GRRM, so I'm going to recommend that you don't watch it. Like a lot of people I know, I don't think you'd like it.

As for the high level of sex and violence, yes, that was both true to the author's vision (the author's imagination went some very strange places), and it was... a selling point. HBO was absolutely positively trying to get people to pay for their service, by offering things that couldn't be shown on network/basic TV stations, and I don't think that will be an issue for the upcoming Fantasy shows made for streaming.

Streaming is fairly new and is trying to capture the mainstream, so they aren't putting the same emphasis on "adult" programming as HBO has. If they're setting a show in Numenor then they do want to the fandom to tune in and go nuts, as well as the mainstream, and well. The Tolkien fandom does tend to be on the socially conservative side. So worry if you like, but it's too early to push the panic button.

And yeah, "Monty Python and the Holy Grail" showed a much more accurate version of Dark Ages life than any film that had the budget for horses.

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I plan to try the novels at some point. From what I've heard, I think I would enjoy them, and other people I know outside of keyboard-world have said I'd like them. I might even enjoy the show, I just felt a little swamped by that kind of thing at the time (the high-nudity thing), and didn't want another one right then. I love shows like The Last Kingdom and Knightfall. I love fantasy stuff. I just didn't want it at the time. Gratuitous stuff will always make me roll my eyes, but I still enjoyed Rome a LOT. I just chuckled at the obvious nudity-as-bait.

You're dead-on with that assessment of streaming. It's a double-edged sword. I like that there's content geared towards adults, but I also like stuff that I could watch where the writers weren't so reliant on the f-word or decapitations. Some of the best writing of all-time came out of the Hays Office era, and I think it was because guys like Billy Wilder had to come up with cleverer ways to show stuff like that.

I haven't hit the panic button. I did hit the cautious apprehension with a tinge of optimism button, though.

Holy Grail and then Gilliam's demi-Pythonic Jabberwocky. It's all mud and a dearth of dentistry.

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I suspect you wouldn't like the novels that "Game of Thrones" are based on, either. Everyone in the fandom agrees that the first two books are great, and go to hell in a handbasket after that. The author forgot how to advance a plot, and threw in plenty of gratuitous disgusting stuff.

But yeah, I think the economics of streaming support something closer to Tolkien's vision than the gratuitious sex and violence seen on HBO, but there's a world of difference between "closer" and "actually close". We'll see.

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I mean, I have so little time these days, I might not get around to trying them.

My fingers are crossed. If they get the big stuff right (the spiritual philosophies underpinning Tolkien's work, for instance), I'll be mostly happy. If they can nail the whole thing, I'll probably do a little dance.

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I think it will be a while before another epic, successful film is made, to be honest. I mean, the Woke Era really damaged Hollywood's brand and quality, for one thing, and then we have the Pandemic that has nearly ruined them financially. I get the feeling we're not gonna see another epic film made for a long time, maybe the end of the 2020s and or the 2030s.

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They've always been a little sparse on the ground, I suppose. They need something they feel good about funding, and yeah, between COVID and the uphill battle to fund one, anyway...

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The Maze Runner series, Harry Potter and Hunger Games movies certainly gave it a try. Maybe not the same quality or depth, but some of them took on some deep themes I think.

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I only saw the first Hunger Games, and I'm not sure I'd put it into "epic" territory (although I enjoyed the film quite a bit). It felt more like it was somewhere between a thriller and a horror in a lot of ways; really quite interesting.

Maze Runner I haven't seen at all.

Harry Potter did get larger-scale as the series went on. I didn't see the last one, but yeah, I get where those might be in that camp.

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It’s nowhere near the level of any of the previous films you mentioned. This movie was a freaking cartoon and a bad one while I’m at it

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Hollywood has tried and failed to mimic the LOTR trilogy.

The Chronicles of Narnia, The Golden Compass and the Hobbits are all examples.

Only Harry Potter succeeded, but it's still far below LOTR.

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I don't think Harry Potter was trying to be Lord of the Rings, at least at first. I've heard that the finale of the film franchise ends with a lot of wizard war, but I didn't see the last one. But, generally-speaking, HP doesn't follow LOTR's beats at all. The books are a different kind of fantasy story (I've always maintained they have more in common with James Bond than Lord of the Rings - magic = gadgets, they play out more like thrillers). The films had the benefit of coming out, or at least starting out, at the same time, too, so they weren't following in the wake of LOTR. Narnia and Golden Compass were certainly mimickers of the Rings franchise, attempting to lure in audiences with the thirst for similar material.

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