Im with you, delicreep.
I love Asian horror films, including many with shocking gore, but this film struck me as entirely without merit. Nothing worked. I think the main problem is that the brutal gore and creepy atmosphere are copped from Italian horror films (particularly, as mentioned, Argento), but the editing is completely derivative of American film and television. The result was, for me, a wholly unsatisfying experience.
I wanted to like this movie, but everything about it screams "trashy exploitation" (and not the fun kind). The acting is horrid, the shaky camerawork is nausea inducing (much like Irreversible, but THAT film had a purpose beyond exploitation) and the gore is depicted in a queesy manner that arouses neither shock nor fear, it merely disgusts and repels. Its also an incredibly ugly and unpleasant film to look at. Too bad its mimickry of Argento's style doesn't include his knack for colorful, baroque visuals. Just compare the depiction of the "maggots" in both films and you'll see the difference. Argento has style and verve while the director of this film merely "shows" the maggots in a bland, uninspired manner. This banal approach charecterizes the entire misbeggoten affair...even its TITLE arouses thoughts of superior films.
Put simply this film is a truly torturous experience consisting mostly of people "walking around" an abandoned warehouse, punctuated by a few gory but unimaginative setpieces that fail to live up to the "trap" concept sufficiently. And WHY are we subjected to all this unpleasantness? Yep, a half-hearted, holier-than-thou condmenation of voyeurism that the film (like Oliver Stone's equally hypocritical but entertaining Natural Born Killers) gleefully puts aside whenever the next "shock killing" occurs. No wonder he's quoted on the box.
Almost anything by Takashi Miike or Kiyoshi Kurosawa is better than this.
This movie is the pitts!!
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