MovieChat Forums > Festen (1998) Discussion > Sorry for the Father?

Sorry for the Father?


Did anyone else feel sorry for the father at the end? I hated him the whole movie, then when Micheal calls his little girl away from her grandfather, and tells him to "leave so that we can eat our breakfast". He just looked so sad, and walked out saying "yes of course, of course" and his wife wouldnt go with him. I actually felt bad for him. Then hated myself for feeling sorry for the monster. I thought that Vinterberg was a genius for playing with my emotions like that. Anyone else have any thoughts on this?

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I didn't feel sorry for him at all. However, I thought that his wife went with him. Of course I saw it a long time ago but I was under the distinct impression that his wife left with him and I thought it very significant because she had it coming, too. She knew all along, so she pays, too. I can imagine their lives being miserable from then on. But really, I saw this about a year ago. His wife stayed on and the children accepted her? That wouldn't make sense, she was as guilty as him or even more for not trying to stop him. I thought that was really monstrous. We can suppose the father is sick and can't help himself, but for her there is no excuse.

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she left. which makes a lot of sense after her speech about the fantastic 30 years.. might as well drop the act altogether and put all the blame on him.

Interesting thought: was the youngest sent away (boarding school etc) so the father wouldn't get to him, too? Punish the victim kind of way?

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She didn't leave with him. He asked her if she wanted to join, and she said she'd decided to stay. So he leaves the breakfast by himself. After that the camera focuses on her for a bit sitting there alone (we never see any of the children talking to her after that, which could mean anything. They don't necissarily accept her). What I gather from it is her finally standing up towards her husband who's dominated her for 30 years. Even though he might not have physically bullied her, he must have dominated her throughout the marrige, and she might not have dared to take a stand against him. This was her personal paybacktime - I don't think it matters whether the children forgave her in the end, at least they found peace as siblings. The mother just needed to remove herself from the mental repression she'd lived in for so long. I think this was the first decission she'd made all by herself for a very long time.

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she shouldn't have been allowed to sit at breakfast either.

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I saw it as her just siding with power again, very snide and calculated.

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[deleted]

I felt like the point was you can become so irrevokably wronged by someone that there is no possible way to forgive them. I had no sympathy for him, but I definitely identified what you're talking about. I think that the life experience of the viewer dictates whether or not sympathy was possible.

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My DVD crapped out right when the father was giving his little speech at breakfast. He said something like, "I know when you all leave here I will never see you again. I also know that...???????????" Can anyone tell me the last thing he said? I was SO disappointed that I couldn't get my the disc to behave.

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He also said "Christian my boy, you fought a good fight".
Which I assume means he recognizes it is hard for him to live with this pain.

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same here.. a quick "aw" thought at least.. the "nothing left but suicide for this one"..
but also the thought that almost all of the family and friends had looked away, had to be forced to acknowledge, and would now look away again

in a way, isn't he (also) the scapegoat for everyone's own guilt? the wife's especially - so that the beauty of this ending is the bitter thought that they shove it all on him and get on with their lives, and never once look at themselves and start anew.

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1st: His wife did NOT leave the breakfast table with him. She remained at the scene.

2nd: If you don't feel sorry about the father, you did, in my opinion, not get the quintescene of the movie. It's not about penalization. In my eyes, in the last scene it's about guilt and forgiveness. You can recognize that in the way Christian looks, when his father walks away lonely. You also discern that beside all the gruesome things the father did to his childs, he really loves them. It's not just a slogan of him. It's his true feeling. And in this moment he regrets - before, he just repressed. And in contrast to the scene earlier, where the group arround Christian and Helene dances at the piano and celebrates their "victory" there is something pardoning in Christian's eyes. He now begins to be sorry for his father, because he as well has some ancestral love in him despite the things his father said and did to him and her sister. This does not apply to Michael, who calls his little doughter away from her grandfather, because he is emotionally damaged, which is shown in various scenes before. He has a primitive character and is not able to emotionally grasp the complex psychological things going on in his father's mind. Christian does.


Thats my view of the ending. Does not have to be the right one. But thats what I felt and what I think it was about.

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Would he molest them if he loved them? And the looks that people give each other, as Hitchcock so well demonstrated, acquire meaning only in the eyes of the beholder. You may interpret them anyway you like.
If he loved them, he should get help or shoot himself, not give in to this perversion. Very Christian of you, of course, but completely unrealistic. Or now that I think about it, Christian is called Christian because he has christian feelings. Although I think that putting people on the cross and THEN forgiving them is not exactly Christian. Unless again you want them to realize their sins first. Complex psychology is no excuse for any crime. I wouldn't say that Michael calls his daughter away because his father is emotionally damaged, but because he now knows -at last- that he is a pervert.
Also, I don't know whether you are aware that this was originally a play.
I don't think you could count on the audience to catch the looks of the actors and so come to a conclusion about the feelings of everyone involved. It would depend on how close to the stage they are sitting and how good the actors are in order to convey this or anything else. I would say definitely that there is nothing forgiving. At most, Christian might feel sorry for his father, but forgive him? we are stretching the point, I think.

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Recat59:
Festen was NOT originally a play. It was a movie, and later adapted to the stage.

Also, I must say that I don't think that the name Christian, refers to him being "Christlike" or having christian feelings. First of all, we're not all that religious here. Second: It's a very common name in Denmark, and if Vinterberg really wanted this to be the case, he'd have named him Kristian (also very common) 'cause it's closer to the danish word for Christ: Kristus.

I must say, I agree with the original poster. I felt bad for the father, as he walked away. For me, it was one of the things that made this movie great. It forced me to feel bad for a person, who had done something so horrible. Yeah, he was a pervert, a bad father and did some horrible things. And the worst actions of his life, came to define him in the end. I wouldn't wish that on anybody.

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The remark about "christian" feelings was meant as an attempt to explain the "forgiveness theory" of LTX-HiOb. I certainly didn't think Christian had christian feelings or that he forgave his father.
I didn't know the movie was adapted for the stage later. However, I still maintain that if you saw it as play you wouldn't detect any "forgiving" looks.
Therefore I don't think that Christian forgave his father. But if you feel sorry for a man who got his just desserts, and high time it was, maybe you feel sorry for every criminal who gets what's coming to him. That's what I call christian. I, for one, don't. I think he should go to prison for molesting minors and for incest, even so late in the day. And "the worst actions of his life came to define him in the end"? Not in the end. What he did defined him from the very first moment and ruined his children. He raped them and he was responsible for his daughter's suicide, for God's sake! He was a weak character giving in to his perversions and not giving a damn about what this did to his children, and being certain that, since his wife was in on it and didn't protest, it would never come out in the open. So, if nobody had found out, you would still feel sorry for him as he went about his life, content with himself, well-liked and well-respected, the perfect pater familiae? Of course not. So maybe you just feel sorry for every criminal that gets caught! And when you say you wouldn't wish it on anybody, what do you mean? You wouldn't wish any criminal to get caught or to realize what he has done? Just try and imagine a little four or five-year old boy being raped and a little four or five-year old girl being raped, imagine their pain and their terror, and then tell me you feel sorry for their beast of a father.

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i think there is only one person getting overly emotional over a FILM and that's you, mate. chill out, the others were giving their opinions in a calm and well-reflected manner, if you don't agree with them, that's fine, but don't start infering opinions.

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And what exactly is your problem?

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Welp, I get overtly emotional over "just a film" - this one more than any other.

I felt some sort of sympathy for the father in the way that many of the characters, and perhaps even those who were wronged did. It's something that was aptly described by one writing, that I can strongly relate to: domestic stockholm syndrome. I don't think anyone here is delusional, but some things about this film reach beyond the ordinary boundaries of fiction.

Typically, I am not a punitive-minded person. I didn't enjoy watching Micheal physically lash out against Helge. I did not find it too easy to consider the prospects of suicide or pure suffering for the remainder of his life. I didn't wish to see his departure accompanied by police. Helge walking away alone wasn't about a condemnation of his entire soul or expectation of suicide, for me. It was enough that, for once, after all the pain he'd caused, for the first time in the film and perhaps in his (hypothetical) entire adult life, he was being excluded. For just once, the people present did not revolve around HIM or HIS desires. His life wasn't over, only his patriarchal power and control.

As for the complicit characters, namely the mother and Micheal - they were obviously very wounded people, and the resolution of the film brought them redemption. Of course it doesn't mean that Micheal is absolved of his antisocial and bigoted tendencies, but hey, self-awareness is a start. I'm not going to get into how this parallels a lot of my own experiences, but I can assure you that this film evokes some of my most intense feelings and I can understand others having a strong reaction.


EDIT: it just occured to me, after posting that some parallels of this sort of ambiguity might also be seen in The Color Purple. I know, some might consider it more lowbrow than Festen, and Helge only makes an ineffectual speech to try to redeem himself, but wretched abusive human beings remain human beings etc. I think it's worth considering.

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getting emotional in this sense is not what troubles me - quite to the contrary, i agree with a great deal of what you said. however, i do have a problem when people look at a comment on a fictional character to subsequently ask - in a highly suggestive fashion - whether the person making the comment would not also under all circumstances express sympathy with child molesters or something. there is clearly no necessary correlation between the two and to assume otherwise is either short-sighted and naive or plain ignorant and stupid.

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Who is making judgments now? So anyone you don't agree with is short-sighted, naive, plain ignorant and stupid.
Well short-sighted, naive, plain ignorant and stupid is the pompous person (you notice I use the word person on purpose) who does not understand the comment in the first place.
And yes, it's only a film and yes, I do have an issue with child molesters and criminals being pardoned by all and having to deal only with their conscience. That's all.
Really, it's plain boring to exchange comments with people who don't want to see or make an effort to understand your point of view and think their way of thought is so cool and superior and the only right one. After all, all we are doing here is exchanging points of view. There is no need to be offensive or judgmental.

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implying that somebody is far too lenient on child molesters after having previously expressed that they ought to receive some kind of harsh punishment is in itself a judgement on others. explicit or implicit, it undeniably is.

i can see where you are coming from in terms of
a) wanting a strict legal policy on child molesters(i do too, but not for reasons of crime/punishment and all that other hypocritical "morality"-ridden nonsense people often - note: i do not mean to address you personally, but PEOPLE in general often do - love to spout. i simply propagate its pragmatic value, namely, to protect society, (even though no case is clear-cut and everbody ought to get the opportunity to be re-socialised IF POSSIBLE - but that's a different story)).
b) reproaching me for being aloof. however, for the reason i pointed above, it was you who passed judgement on others who disagreed with you initially. people were talking about the film constructively and in an emotionally as well as analytically balanced way but then you took it all to far more (unnecessarily) serious level, by giving fellow debaters the option to either agree with you, or look like heart-bleeding liberals who would rather sympathise with the perpetrator than the victim in a case of child molesting.

in my opinion that does not make for constructive debating and is neither strategically sound, nor very helpful. reminded me of one my history classes. student A said in the course of a discussion that he was a pacifist, to which student B heatedly replied that he (A that is) could only call himself a pacifist if he would refuse to shoot enemy soldiers about to shoot his contrymen, even if in possession of arms. about as shaky and "valid" as your attempt to correlate the two, sorry

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I am not interested in constructive debating, I am not interested in strategy, I am not interested in legal policies. I am not giving anyone options to agree or disagree with me. I am not passing judgment on anyone. I am just making a remark. Really, this is all too tedious. I don't see anyone else taking issue. Maybe you should be the one to chill out. If you want to be able to say that you win every single argument, OK, you have my permission to say that you won this one, too, if it will make you feel better. Maybe we should now go on to another movie?

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now that you've admitted it, i am more than happy to move on to another film ;).

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Whatever.

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Never mind, he's an obvious a-hole.

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Back to the OP's question. Did the father seem pitiful to me in that moment? Yes. But I can't say I felt sorry for him at all. He ruined his childrens' lives with his vile actions, went on his sick impulses without seeking help for them and did everything he could to cover up the truth until his children made literally impossible. Even beyond the obvious effects on Christian and LInda, I got the sense Michael and Helene were aware to some extent of the abuse but had basically lied to themselves and buried it deep inside but were shaped as people by guilt and shame of the thing. I think prison would have been a much more fitting end for the father that the prospect of being ostracized by his family. I don't think with his kind of pathology he was capable of feeling love, guilt or empathy for another person. Just my opinion

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Michael was emotionally damaged.

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The first time I watched the movie, I felt a little bad for the father at the end; but, after watching it multiple times since, I have grown to really despise the father and the mother for being ridiculously evil and hypocritical. I mean, does anyone else HATE the mother??? She let her two children be sexually abused by her husband, and then she makes her son out to be a crazy person. And at the end, when the father leaves, she has this stuck-up face like 'I can stay, but the rapist can't'. I see her with as much guilt as her husband.
Again, back to the father, it is extremely hard to feel sorry for him after we find out what he did to Christian and Linda as well as how he handles the situation and the day. There is one line that has always stuck with me and that is, at dusk, when the father is lying on the ground after Michael beat him up, and Chritian comes and touches his shoulder, and Helge says "You're killing me". That quote annoyed me so much because it showed that he was a selfish man who blamed everyone else for his own disgusting actions. I have no sympathy for him or the mother. They both almost destroyed both the lives of their children.

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Great points LTX-HiOb.

I to be honest did not feel sorry for the father due to what he had done, but you could see the guilt and the break down of his social delusions to a state of acceptance. He had accepted he was a monster, all the justifications he had made, all the blame he had laid on his children had been shattered and he was a broken man.

It made me think what leads a human being to sink to those depths, how much is choice, how much is hardwired genetically. What choice does a human have to decide to be good or evil, to have certain urges to not.
Either way it was abhorrent what he had done, but I thought the film was very brave to take this approach, showing that even the greatest monsters have shades of grey.


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I saw Christian's final 'look' a different way. To me it signified that he was still 'not okay'...the damage was still strong and alive in him. He had finally confronted his dad, it was over, but he's still left feeling empty and damaged. It just a lose-lose situation overall. He's dad's been ousted socially, the truth is out, yet Christian is still miserable and it didn't take away the damage. There was a slight note of positivity with him, finally wanting to connect more with Pia. But it wasn't done or over, and probably never will be for him.

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No, he was a bastard. They could've hung that character upside down from a tree by his testicles, and I still wouldn't feel any sympathy.






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well i feel the same way as Howlin Wolf,maybe the movie made a profound capturing of the walk of shame by the father but in reality or most certainly in my family about half the people in the guest list wod hav shot the father in the head after helene reads the linda's letter :D

ABS

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I found the father (and also the mother), to be despicable individuals. I can feel sorry for those that hurt themselves, or inadvertently hurt others. But deliberate and calculated harm of another human being, especially children? Should I feel in any way sorry for the Columbine shooters?

Young children are highly exploitable in any culture, and even more so when they're you're own children. So do I feel sorry for any parent that uses their own child (any child), for sexual gratification? No, not in the least.








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i am no christian,,,
and i think michael shld have pissed on him..
and they shldnt have allowed their mom to have breakfast with them

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Part of me did. His crimes were unspeakable and unforgivable, but I don't believe they defined every aspect of his character - I believe there was at least a small part of good in him.

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The father was a monster, he should be castrated, and put into the deepest, blackest cell of the worst prison in the world for the rest of his living days.

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