Hints of Godard?
Not much action on this board, but I figured I'd give it a shot. I couldn't help but notice some very Godard-esque tricks in this film. Wondering what it might mean.
One scene that comes to mind is the scene where Sabine & Cally are sitting at the table; Sabine is opening up & telling her story for the first time. The camera does this very jarring thing where, while Sabine is talking, it abruptly switches viewpoints several times. This is a lot like the beginning of Godard's "Contempt" where the camera focuses on Bardot and abruptly switches lens filters several times.
Godard used these sorts of 'interruptions' to make a symbolic statement. I was wondering if the director of Wildflowers was doing the same thing, and if so, what's the statement?