>>>My confusion is that if Roth did not show any series of events as you mention, and he does not know what causes the situation, and the movie looks like a normal family ... just what could he have had to say
I don't follow your problem with this. In the last ten years I've known somewhere between 20 and 30 women and girls who've been raped, assaulted, the victim of incest or incestuous advances or in some other way sexually abused. I met none of these people in a professional context.
In a couple of cases I met fathers or uncles responsible for abusing daughters or neices, and you can be quite sure that they were apparently normal from the outside. That's how they get away with it. One guy had been having an affair with his neice, who was the age of his youngest daughter, while she was exactly Jess's age, slightly younger. And I even found myself liking him, despite knowing of this at-the-very-least-highly-questionable behaviour, and the impact it had on his daughter, who knew about it. These people don't have labels on them, and that is EMPHATICALLY the point being made by the 'normality' of the family in The War Zone.
The father character in particular is all about dichotomy - the film is not saying that a normal person is capable of these terrible acts, it is more complicated and challenging than this. It is suggesting that a man may be a vile abuser of his own children and yet ALSO be a loving father. It is precisely this confusion that is the epicentre of Tom's emotional devastation, and it is his inability to accept that his father could be both these things that is the source of his feelings of betrayal, and makes him hate the man enough to stab that knife home.
>>>why is that somehow theraputic for someone to see if it does not make anything more clear?
The film is not therapy, it is discussion. The idea that the film has to explain what it depicts also strikes me as missing the point enormously. Good films don't tell the viewers what to think, they encourage the audience to ask questions and enquire about what they are seeing. This is not a film about the causes of child abuse anymore than Schindler's List is a film about the causes of racial hatred. Maybe Schindler would be better if it were, but that's not the intent.
>>>If it is not distorted emotional relationships that cause something like this, or if they are the result of something like this ... in fact you say Roth does not want to say anything like that, because no one knows.
Indeed. But if the causes are nebulous, the effects are not, and this film is about effects. It is not attempting to find the unanswer to an unanswered question.
>>>I just think this movie probably attracted a lot more of that than anyone looking to get something out of it based on anything it could intelligently say about child abuse
Well, I definitely agree that there are people interested in this film because they wish to find pornography in it, but that does not make it pornography. Famously, one serial killer used the Emperor's attack on Luke Skywalker in Return Of The Jedi as pornography because of the older-man/young-boy sadism thing going on in those scenes. Clearly, however, that was because the person watching the film was willing to find pornography in otherwise innocuous material. There are certainly people who watch rape for entertainment, but I do not think they constitute the majority of people posting here by any means, and I don't think they constitute very many people in the mainstream either.
>>>And by the way it is a really cheap shot to accuse me of being titillating
Yes, I'm sorry about that, it wasn't delicately put but I'm sure you got the point behind it clearly enough. Porn is meant to excite, that's its purpose. And I have no doubt that you find The War Zone no more carnally exciting than I do - so I find the pornography accusation difficult to buy. Equally, porn is ABOUT sex, and never emotion. This film is ALL about emotions, with a single, long-shot static-camera, deeply ugly, sex scene. How is it pornography? I mean, what definition can we use to call this pornography that we would not then be obliged to apply to films that we would not normally be inclined to describe in this way?
>>>In fact I think it is abnormal for the son to kill the father over
something like that ... but I don't know. I would bet that statistically
it just does not happen very often
Yes, I think it's self-evident that you're quite right about this (not least because so much abuse goes undiscovered, and the victim has nobody standing in front of her challenging the abuser with a knife). However, statistically most sexual abuse doesn't happen in a war-time bunker either. Certainly, having the film end on that act is possibly rather melodramatic, but it's not true to say that this doesn't happen either. If it happens in this film, it happens for dramatic reasons, and I don't see that it damages what has gone before. The grim reality is that these things aren't discovered and don't result in confrontation, but making a film that just consists of a girl being secretly abused by her father without any dramatic development except her suicide really WOULD be nihilistic and valueless in the extreme. To use Schindler's List again, you could accuse it of being unrealistic since the grim reality of the holocaust is that most of the victims were horribly murdered, and Schindler instead tells us the unrepresentative story of people who survived. But we know Schindler's List is based on a real story, so it cannot be called unrealistic, only unrepresentative of the whole - and that is only a problem if it overtly claims to represent the whole. Transferring this back to the The War Zone, this film does not attempt this either. What it does attempt to do, it does well.
>>>So to me this movie does not accurately portray much about people simple or complicated.
But surely if it is tackling a complicated subject you would not expect it to be universally accurate? It seems very accurate to me in the more general sense. Jess in particular is painfully familiar to me in a number of ways, the main reason that I find this film so emotionally charged.
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