Gaps, Holes and Leaps of Logic (May be spoilers)
There was such a good idea for a plot here. But the holes and the gaps and the gigantic leaps that the script takes require more suspension of disbelief than a Star Wars film.
The disguised Marlowe/Goethe/Murderer waits outside the house, hoping for Russell to come by. The whole thing depends on Russell stealing the story, no?
How could the professor be certain he'd steal the story? For that matter, how on earth could the professor be certain that what he'd written would be a runaway best seller?
And didn't anybody but me want to hear the story Russell told the telephone company to get the phone records? Didn't anyone want to hear the defense his attorney gave to get him free? Didn't anyone else want to hear what came after Elizabeth Pope said "Here's what we're going to do..."???
ANd was anyone else mad that Jean Marie Baptiste is such a good actress and her talent was basically thrown away here?
Was anyone else tired of having to be told what was happening via the narration?
And that final climax, before the sham of no trial....argh!!!!
In spite of it all, I was interested enough to keep watching, but I was ticked that the difficult obstacles were easily swept aside so the plot could just barrel forward. This could have gone somewhere if the writers had faced the obstacles they created instead of ignoring them. No, I can't come up with any way around some of the obstacles, either, but then, I am not the person who set up the plot.
They don't teach anything at University. I had to recognize ducksh*t for brains by myself.