I want to start an argument
Let me get this clear from the start I really wanted to like this movie...
I've always admired Keith Gordon; I thought Midnight Clear and Mother Night were excellent; the latter is possibly a masterpiece. Also Singing Detective was a brave failure but also had many things to praise about it .From the trailer I thought the photography was beautiful .The themes of ghosts from the past ,idealism vs. cynicism (shown as 70s vs. 80s values) also really struck a chord. I’d been looking forward to the movie...
Why then did I not enjoy the finished product? I don't know
First off I haven't read the novel so maybe some of the questions were answered there
For one thing I found the character of Sarah, really smug and superior. For instance that line "Sometimes all we have is meaningless gestures...” delivered in such a knowing tone. you just want to scream "Yes and sometimes life gives us far more than meaningless gestures!" But then to make it so much worse:when Fielding asks her who said that she just smiles and smugly says “Me" .I frankly wanted to slap her.
Furthermore if she’s such a good catholic (as a priest remarks) what's with all the pre-marital sex??? It never even seems to be a slight issue for her. While this isn't that big an issue for me (all the priests she seems to know may be very very liberal Catholics) it's a clear example of my basic problem with the movie -Sarah can apparently can do no wrong. Throughout the entire movie she is never once in error or incorrect, when Billy Cruddup argues with her she always has the last best word or just looks disappointed -which combined often with her flippancy and smugness I just found incredibly irritating -yet the movie seemed to want me to constantly admire her and see her as some kind of perfect creature to which we can only aspire to. We're supposed to fall in love with her. I guess because I found myself disliking the character of Sarah so much that I really lost the movie .
But there were other problems too -I felt there wasn't enough of Fielding’s cynicism. When reading about the whole film I really loved the idea of the idealist boyscout of the 70s, who believes anything can happen, slowly becoming cold and cynical in the 80s .But for me this was really only signified by the scene where he shouts at his brother ,which I found completely fair ,his brother kept on bugging him to help him rescue this prostitute who from the little we saw didn't seem to be that much the innocent trapped angel his brother described ,but that's really because we see nothing of her so it's difficult to accept either side - but furthermore he's asking him to risk his career during an election ,surely the one time when he really can't risk his career ,afterwards sure ,but surely it can wait .He still seems to be a good person but it's election time -sacrifices have to be made -I mean think of all the good he can do IF he gets elected huh? What I'm trying to say is the fault seems to be more with his brother .Other than that most of his behaviour was determined by his obsession with his dead (?) girlfriend rather than any loss of moral compass or selling out
I was thinking perhaps my problems could be answered if I saw the DVD with all the deleted scenes ,but then I realise if a movie can only work with prior knowledge of it's deleted scenes what's the point?
The reason I'm writing this is not to agitate fans, but because I really to be persuaded. I despearately wanted to love this movie and I still feel that Cruddup’s performance and the romantic/haunting atmosphere are very good. What I guess I want is someone to prove me wrong on these points