MovieChat Forums > Lulu on the Bridge (1998) Discussion > dreamlike confusion (SPOILER)

dreamlike confusion (SPOILER)


I must admit I didn't understand the film on first viewing and went to bed after the first blue stone scene, dismissing the film as slow and "weird". Whatever you might have thought about the directing or acting, and yes it's all a little weird, there are so many details in this film that are repititions or circular references, that they give the storyline a kind of literary depth youd expect from Paul Auster. The storyline confusion also hints that the sequence is a product of the unconscious mind (Izzy's). I wonder how many of you noticed the following details, starting with the more obvious:
(1) He finds the body of a man who has been shot and is appalled at the wound. He himself is a gunshot victim.
(2) He meets an ex-actress who has relaunched her career as a director. This mirrors his own situation in which he laments not being able to return to his career.
(3) He then meets an aspiring actress and puts her in touch with the ex-actress, another circular reference.
(4) He finds a stone inside a kind of Pandora's Box (thanks to discussion in other thread for pointing this out!). The actress goes on the shoot a remake of the 1920s film with Louise Brooks, Pandora's Box.
(5) The stone glows in the dark. Willem Defoe's character reminds him how much fireflies meant to him as a child. There is an unconscious link between the two.
(6) His friend (Many Patinkin) tells him an anecdote about an airplane toilet he finds has been soiled by a beautiful woman who used it just before him. Willem Defoe later quotes Montaigne about "kings and even ladies sometimes need to defecate".
(7) This leads him to ask himself whetehr he has ever done anything "so generous". A similar soul searching becomes more intense later on with the Defoe interview.
(8) Besides these dreamlike repititions, there is a clue that the whole thing is in his imagination when you realise that he saw photos of both Lulu (Louise Brooks) and Cecilia on the bathroom wall before going out to perform.

Realising these things afterwards adds to the pleasure of this film. I'd recommend another film based on a Paul Auster story, also starring Mandy Patinkin incidentally, it's the Music of Chance (1993). Although I found Lulu more enjoyable.

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While I agree with you, the shot of Celia at the end when she has watched the ambulance go by hints, I believe, that she knows who's in it and what the story could have been. This runs counter to reality, of course, but I think that hint is there, nevertheless.

Regarding the shot man and Izzy, remember that the dead man is Stanley Mar, and our hero is Izzy Maurer. Is he Mar?

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One other tidbit about Celia. Celia means heaven; the character's name is Celia Burns.

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Celia also means "blind."

Interesting.

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I noticed Dafoe writes on his textbook "Celia Burns" and then writes something in French "s'il y a" that is pronounced like Celia. But I don't understand what it could mean as "s'il y a" means literally "If there is" so that doesn't make much sense. I did a google search on this but could only find a useless comment about that.

Anyway, if anyone has a hint, let me know ;)

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My interpretation is that when Dafoe's character writes that, it's a way of showing that he's not that sure as he appears to be that Izzy is lying to him to protect Celia. Whereas in the interrogations, Van Horne is always telling Izzy that he doesn't believe him, on the inside he's having a bit of a doubt, at least for that moment, that there is an actual Celia.

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