A Comparison Question?


All other differences aside, I found Abre Los Ojos less poignant than Vanilla Sky based solely on the fact that to me, Cesar and Sofia seemed to have much less of a connection than David and Sofia. David and Sofia seemed much intimate, laying fully together while watching TV, David's exit where he thanks her "for things you don't even know", flirting over her coat upon first meeting. I echo the description by Tech Support (in VS) who describes it as "that one night where true love seemed possible". In ALO, that first night together holds just as much importance to the plot of the movie, and yet I feel like their connection came off much less strong. Even in the bar after the accident, the only other time the two ACTUALLY were together, Sofia doesn't play back to Cesar the way she does to David, repeating back in the "red dress, strappy shoes" scene. Instead, in ALO, she just yells at him to stop and gets up to leave.
I know that there are things lost in translation to me not being a native Spanish speaker, and there are also differences in Spanish cinema compared to the US, but this was the biggest problem for me enjoying Abre Los Ojos. It just didn't mean as much because it didn't leave the possibility as open for Cesar to actually to have learned something and made a real change in that one night with Sofia the way I feel Sofia WAS supposed to be that catalyst for David.
The character of David/Cesar wasn't written to be likable. The importance came from the connection between he and Sofia after their meeting.
All that being said, I still like the movie, it was beautiful and yes, much more subtle.
I hope this made sense. I guess it's a little convoluted. Sorry! This is just my personal opinion, and I just wanted to see what others thought.... anything?

reply

You make a very good point. There does seem to be much less chemistry going on between Eduardo and Penelope than with Tom and Penelope. Also, Jason Lee's character was written and played strongly with him telling off his so-called best friend for being such a self-absorbed jerk.

I like both of them and found both quite deep and faithful to the artistic truth. But, of course, I'm indifferent to the whole Tom Cruise debate and the foreign vs Hollywood arguments as well.

I'm glad Cameron Crowe did VS and consider it laudable that Penelope Cruz reprised her role as Sofia in VS.

And let's face it, often times the subtitle translations leave something to be desired. Try watching an English language film with subtitles and notice how often the subtitles differ from the actual dialog. Usually they're condensed a bit. And the inflections on individual words and other nuances are not reflected in subtitles.

reply

Hi there! While I do respect your opinion, I have to actually disagree with your comment about Abre Los Ojos being less poignant than the American remake. Having seen both versions, the American remake did not have the same emotional impact on me that the Spanish original did, and I actually sympathised more with Cesar than I did with David.

I don't know how relevent the language barrier is in this case, but being fluent in both Spanish and English, it was easier for me to distinguish the feeling of both movies and the emotions portrayed by each of the characters. In my opinion, Cesar's feelings and his interaction with Sofia felt more realistic to me, than the ones between David and Sofia. To me, the "chemistry" between David an Sofia felt forced rather than properly developed, and their interaction with each other felt very cliche to me.

One of the things that bothered me about the remake (and one that may have led American audiences to interpret the concept of the story differently), is the fact that Cameron Crowe strays away from the main point of the Spanish original, by placing more emphasis on the love triangle between the three main characters.

In the Spanish original, the love triangle was a subplot of the movie, not the main one. The whole movie was meant to be centred around Cesar and the way he perceives himself, his relationships, and the world around him. At the beginning of the movie, it is made very clear that this character is very vain. He's rich, he's handsome, and he's a womanizer. Even when he meets Sofia at the party earlier in the movie, he is merely infatuated with her, not really a "love at first sight" type situation. In that sequence as well, it is also very evident that he has very little regard for the feelings of others including Nuria and his best friend Pelayo. It is not until he becomes disfigured that he starts to see himself as he really is, and becomes frustrated with the fact that people will never again perceive him as the handsome guy that he once was.

As a handsome man, Sofia would have most likely been another bed conquest for him. But as a disfigured man, he actually sees past his own vanity and starts to value his friends more. This also allows him to grow as a person.

When he goes after Sofia after the accident, he tries to reestablish some kind of friendship with her in hopes that she would come to accept him and lead to a relationship. But the Sofia in the real world is instead intimidated by him, not for his disfigurement, but rather because she was afraid of his intentions with her. It was for this reason as well -in my opinion- that she goes back to Pelayo, Cesar's best friend in the movie. Naturally this makes Cesar believe, that unless he is handsome again, she will not accept him as he is, and this further adds fuel to his obsession with his appearance.

All of these things get reflected in the dream sequences of the movie, even after he gets his face repaired in his dream. Even though he actually changes and comes to love Sofia, the movie continues to reinforce the fact that Cesar is still very much a vain person. Even after he "regains his looks", gets the girl, and lives a successful life, his biggest fear remains losing his looks. His hatred for Nuria is also stemmed from the fact that it was her fault he lost his good looks in the first place.

In a way this makes him more human, because he believes that his looks are the only thing people like about him. Unless he's handsome, none of his other virtues will matter to others. It is also this mentality that compromises his relationships with Pelayo and Sofia, and the source of all his nightmares.

In the American remake, I felt that most of these themes were watered down significantly to the point that the characters reactions lacked the depth that was present in the Spanish original. Everything from the dialogue to the flirting felt very superficial to me. As for the actual relationship between Sofia and the main character, I don't think it was ever Amenabar's intention to establish a love story between these two characters, which is why they may feel "disconnected" to the audience. Cesar's getting together with Sofia was meant to be the fantasy, but not the reality. It's also for this reason that the relationship feels like it lacks substance. It was never there to begin with. The first time they met and flirted, to Sofia this was a casual encounter, and nothing to be taken seriously.

Having said all that, I do agree with you that the chemistry between Cesar and Sofia is not strong. But the truth is it was never meant to be strong in the first place. As I mentioned earlier, the story is about Cesar and how he perceives himself, his relationships, and the world around him. Abre Los Ojos was never meant to be a love story, and Vanilla Sky should have never been written as such. With all this being said, the relationship between David and Sofia should have never come off as strong either since the story should have been about David's perception of life, including his fantasies.

To be fair though, I did like how Cameron Crowe did attempt to keep it very close to the original. He even successfully replicated alot of the major sequences, while adding in a little bit of his own touch to the story. However I didn't feel like he successfully translated the main idea of the original movie in his remake.

reply

Thank you sorrowful tomoe, very well explained. One question about Nuria though. So you think Cesar starts to see her, because he hates her so much? That probably makes more sense. I always thought it was some sort of guilt, something his subconsciousness couldn't let go of. I thought that perhaps the director wanted to show us that no life can be perfect, we'll never be able to control it and our own subconsciousness will make sure of that. I would love to hear your ideas on that.

reply

Hi Stratego, that is a very good question. In Cesar's case, I would have to say that it was indeed his unresolved anger towards Nuria that caused him to see her in his dreams. If you also take into account that he survived the crash while she died, it only deepens his anger towards her because he can't confront her for what she did to him. He kind of saw it as "she got away with it, I was left with the burden of surviving with a terrible disfigurement."

This anger is especially made evident in the scene where he ties up Sofia/Nuria to the bed and interrogates her for what he believes to be the disappearance of the "original" Sofia.

I don't know how the subtitles translated this excerpt of dialogue, but here's the original Spanish dialogue that emphasises that point:

Cesar: I see you survived the accident.
Nuria: What accident?
Cesar: Who's body did they find [in the car]?
Nuria: I've never had an accident.
Cesar: No, of course it wasn't an accident. It was attempted murder. Too bad you didn't see the face that I was left with you son of a bitch.
Nuria: Cesar, why do you do this to me? What have I changed to?
Cesar: Nothing. You are the same crazy bitch who crashed my party to ruin my life.

Since all of this happened within the dream sequence itself, it is safe to assume that all of this anger is deep-seeded in Cesar's subconscious mind, which is very consistent with what you said about the subconscious not being something that can be easily controlled. This is especially a major theme in Abre Los Ojos, since Cesar's virtual reality is in fact whatever he's dreaming in his REM sleep. Most of us know that we have very little control of the things we choose to dream about, and despite what L.E. says about the Lucid Dream project being "a signing for paradise," Cesar's mind proves that no such thing is possible since the mind is a very complex mechanism beyond anyone's control.

With all of this into consideration, I do believe you're on the right track about the message that's being given about the subconscious and life itself. The director does force you to question as well if paying a ridiculous amount of money for something that is impossible to achieve (such as eternal youth and a perfect life), is really worth it. :)

reply

Ah thanks for your answer! It's been a while since I saw the movie and sometimes you forget or overlook details like that. But yes, now I do remember his anger towards Nuria and that has to be the reason he starts to see her in his lucid dream. I do wonder if this was the only reason things went so horribly wrong. I understand why he killed her, but did he punish himself by getting arrested or was that just the consequence of his action in the world L.E. created for him? I assume Cesar had no power to really REGULATE the computer program of L.E. and that his world and all the people in it had to follow a certain set of rules. And why did he start to see his disfigured face again, was it because he couldn't let go of the horrible accident that was the cause of all his pain? I love this movie, it's so philosophical, something I couldn't find in Vanilla Sky. I absolutely agree with your explanation of Cesar's en Sofia's relationship and find it to be more realistic than the one in VS.

reply

You bring up a very good point. I think it was a little bit of both as supported by the fact that Duvernois does tell Cesar that everything depended on his mind, and that he himself created his own personal hell. But at the same time, he also admitted to having created images of his real friends and the psychiatrist as important characters to him, in order for the world around him to make sense. After all, Cesar couldn't know that he was in fact dreaming all along as it would have defeated the whole purpose of the virtual reality programme. I think Cesar had control over the things he wanted to see happen in his dream, but it was L.E. that actually moderated the chain of events.

As for him choosing to see himself disfigured, I tend to interpret this as a symbolic representation of the fact that Cesar does believe himself to be a "monster" in a figurative sense, but I do agree that it can also mean that he never fully got over that horrible accident as well. What I did notice however, is that the monstrosity of his face especially manifested itself right after he killed Nuria/Sofia. Even when the psychiatrist told him to remove his mask, and even after he knew that he was dreaming all along, he still told himself that he was a monster. So I think this supports your theory of punishing himself for the crime. In his fit of rage, he intended to "rekill" Nuria, but afterwards I think he realised that he may have ended up killing Sofia instead, which made him feel guilty.

I really love this movie too and it's one that definitely forces you to think. It's also one of those movies that you have to see several times before you begin to understand what's going on.

My main complaint about Vanilla Sky, is that it was way too superficial and the development was rushed. While I did notice that Crowe attempted to aesthetically replicate the main events of the movie, he fell terribly short in proper handling of the story itself. The fact that Crowe created a cheerful, sunny adaptation of a psychological thriller with a sense of humour, he really took alot of the emotional impact away from the story, so much that the unfolding of events made no sense whatsoever. Even the ending was pointless since Crowe failed establish any form of suspence in the first place. He choice of music to use in the movie especially didn't help.

When we get down to the writing and acting, those two things were just as equally bad. The dialogue sounded like something off of a sitcom, and even the reactions of the characters made no sense. For example, the relationship between David and Julie made absolutely no sense. Together they acted like they have always been best buddies, so it really makes you wonder why such good friends wouldn't invite each other to each other's parties. When Julie especially confronts him after he leaves Sofia's apartment, he didn't seem at all bothered by the fact that his "stalker" had followed him there. Instead he played it cool and acted like they were always on good terms. Quite frankly, I don't know many people who are in good terms with their stalkers.

Another thing that didn't make sense, was Brian Shelby's supposed feelings for Sofia. At the party scene, he never once appeared to be interested in Sofia, even when he was drunk. When he spoke he sounded very cheerful for a drunk man and he sounded like he meant every word that he said. He didn't seem at all bothered that David had ran off with Sofia into another room, and even in the discotheque scene, he didn't seem to really display any real feelings for Sofia. So it really makes you wonder why he was even angry that David took her from him, other than the fact that Crowe wanted to keep it "true" to the original.

reply

It's so great you know so much about this movie and thank you for answering my questions. What you say makes a lot of sense and I'll keep it in mind next time I watch this movie. Every time I see it I discover something new that changes my perspective on this movie. I wish I could ask the director some questions.

I agree with your criticism of Vanilla Sky, I felt the same way when watching it. It's almost like they purposely tried to turn David into a more sympathetic character, perhaps because they thought that otherwise it would hurt Cruise's image or the American audience wouldn't accept it. It also seems that that movie is more a collage of references to popular culture, centered around a love story, than a complex psychological thriller, which really hurts the story. And the combination of dialogue, acting, cinematography and music made the glazing on my teeth crack.;)
To each his own I guess, because there are people who really love VS, but it's not for me. I generally do prefer the orginal versions over the remakes.
And talking about Spanish movies that challenge the mind, Los amantes del círculo polar is still VERY confusing to me (but that's a entirely different story ofcourse! ;) )

reply

Believe me, it took me a tenth viewing to finally get the whole thing. I did exactly what you did and discovered something new each time that I watched it. But even after having figured out the movie, I can never get tired of watching this movie. XD

As for Tom Cruise's character, he actually came off to me as a narcissistic jackass with the maturity level of a twelve-year-old. I actually had a hard time taking his character seriously like most of the other characters in the movie. I'm actually still surprised Penelope Cruz agreed to reprise her role in the remake considering her character was watered down significantly to a superficial version of her original depiction of the character. But I guess some actors will do what it takes to advance their career.

For me VS felt more like a parody movie of the original rather than a faithful English adaptation of it. In my opinion Cameron Crowe was just a bad choice to direct, which is a shame considering he did Almost Famous, which was actually a good movie. Should this movie had been done by Chris Nolan who did Memento, or even Stanley Kubrick before he died, I'm pretty sure VS would have come out better than it did under Cameron Crowe's direction. Atleast with Nolan or Kubrick we wouldn't have ended up with a rubbish script, and most importantly they would have brought the best in their actors.

It really makes me wish though that Hollywood wouldn't underestimate the intelligence of its American audience. I've often found that most American viewers that have seen the original versions of a film tend to favour the originals rather than the remakes, while it's usually opposite with viewers who have never heard of the originals prior to seeing the remake. I think if given the chance, I'm pretty sure American viewers are quite capable of appreciating a less "Hollywoodised" remake of any movie, even if it is to only introduce them to the original.

I think the last Spanish movie that I saw was El Laberinto Del Fauno, which was also very good. I should probably check out the one you mentioned sometime. :)

Lately I've been enjoying Japanese cinema, even though Hollywood seems to be remaking alot of those lately as well.

reply

I hated the David character too, but I thought that had more to do with my personal feelings about Tom Cruise. XD

I think the American audience is underestimated as well. I think it would even accept the orginal movies if they'd just show them, some Asian movies WITH subtitles have become hits in the US.

These days it's really difficult for me to enjoy Hollywood movies, it all seems to be about bad remakes. The last movie I really enjoyed was a Bollywood movie, you know, the typical sing-and-dance rom-com drama. XD

I haven't seen El Laberinto Del Fauno yet, Spanish cinema seems to be really into horror and special effects nowadays. Try and watch Los amantes del círculo polar if you can, but you'll need a warning. It's more of an arthouse-film, a VERY symbolic romantic drama and one of the more confusing films I've seen. It also stars Najwa Nimri and Fele Martínez (you know, Nuria and Pelayo :) )

Hey, it was nice talking to you and hearing your point of view. ;)

reply

I have a hard time enjoying most Hollywood movies these days too since they're rife with cliches and recycled formulas. :(

Occasionally, there will actually be something new and original, but for the most part they're just trying to bank off of the success of others. Or as I'd like to think of it: they're taking original concepts of others and try to make it "better" than the original. Though "better" to those who like the originals usually means rubbish, lol.

El Laberinto del Fauno is a very good movie. It uses quite a bit of CGI, but the story is still good! It stars Maribel Verdu, Sergi Lopez, and Ivana Baquero. Ironically it was shown here in the US as Pans Laberynth and people actually liked it. :)

It was nice talking to you too and I enjoyed hearing your thoughts! :D

reply

I felt that VS was the weaker movie. David and Sofia may have more chemistry but overall I felt Tom's performance was weaker than Eduardo's. To me, César's anguish was deeply affecting and I felt a lot more sympathy when things start to unravel for him, whereas with David (the way it was acted) everything just felt skin deep. David Aames just seems like callous child-man fully equipped with Cruise's reliance on his manic energy and grinning to make David "movie star likable" (so I may have brought already developed hesistance to like Cruise to the movie). César has a lot of similar character flaws but I found him to be relatable human being.

My other problem with VS is that I felt it over-explained the goings on at the end. The ambiguity at the end of Open Your Eyes gives it a lot of power that just seemed missing from VS. If I recall correctly, Antonio never stops pleading for the reality of his existence and for César to believe him that give you as the viewer a queasy disorientation about what's really truth. McCabe just gives and grins, as if to say "Yep, David, Mr. Ventura's right"...

reply

sorrowful tomoe,

I like your summary. However, I have to say that your statement where you say "Everything from the dialogue to the flirting felt very superficial to me" is only your opinion. Others, like myself, don't agree with that assessment. IMO the scenes when David and Sofia first meet are some of the best in the movie. There's nothing superficial about it to me as it's just a case of two people meeting and having an instant connection. How is that superficial?

I also don't quite understand how you can sympathise more with Cesar than David. After the accident Cesar is more concerned with his looks while David's main concern is "functioning in the world". Crowe and Cruise gave David more substance than Cesar and made his first meeting with Sofia a life-changing event. They also introduced the possibility of a future relationship between the two. IMO this makes David's predicament more heartbreaking than Cesar's, because he lost the chance of being with a lady who could have been the love of his life. Exactly what did Cesar lose?

I don't understand why people criticise this change to the story and then in the same breath say that Crowe just copied OYE??? I don't understand why both movies can't be enjoyed for what they are instead of saying you have to like either like one or the other.

reply

I've seen Vanilla Sky several times and tonight I FINALLY watched Abre Los Ojos for the FIRST time.

I agree, there seemed to be sooooo much more chemistry and connection between Tom Cruise and Penelope Cruz. While I agree a lot is lost during translation, I have to also say I much preferred Cameron Diaz as the woman who was obsessed with David/Cesar.

What I liked in Abre Los Ojos more than Vanilla Sky are the subtle differences, such as Cesar's best friend, after Cesar had beat up Sophia, who really (for us and Cesar) wasn't Sophia, saw the picture of her beaten up and it was the other girl. As a matter of fact, Cesar was the only one who could see the picture and know it was the other girl. That was written much better.

Also, the ending was much better and mind-boggling in Abre Los Ojos. I had a dream not too long ago that I died while swimming. I had gone out into the deep a bit further than I should have gone. Then I couldn't hold my head up above the water any longer and went under and water began to fill my lungs but at the very instant that I began to panic...at the very split second I became afraid...I woke up. Here. In my home. It was all so strange. So, to see Cesar realize he is dreaming but not know how to wake up, and then the gentleman asks, "How do you wake up from a nightmare?" WOW, that was creepy for me.

I also had a dream where someone I knew morphed into someone I didn't know so all of that dream talk the psychiatrist did really hit home, too.

You know, they could've created the movie without even using the part about being frozen. Just the dreaming issue alone is a great enough topic to write a script.

They were both terrific movies and, to me, it was a pleasure watching both. They both entertained me and they both made me think.

Bravo!

reply

Thanks, Pj'
I'm writing to respond to all these articulate reviews, and thanks to each of the writers. I've seen just parts of Each of the 2 films, VS within the past 3 years & ALO just last night. My viewings of them being incomplete, I wont write a critique; but then again, seeing them in pieces, and not in the context of all the "missed" scenes places me almost in a position similar to Cesar, himself!
I saw only about the last half of ALO, and am only slightly concerned about not being sure what were the "dreams" and what were the "realities" (I'd like to think this vagueness is intended to linger after the end). When Cesar finally saw that he could choose to be happy and whole, he jumped(!) at the chance. The "critiques" here, are very intelligent and apt, but I think it worthwhile to address the messages or questions ALO offers to us viewers about our concept of Life & our lives. I will agree that VS told me a story about a love triangle - its passion and consequences, but my own dream-like sampling of scenes from ALO caused me to begin considering the battle in my own mind/life between who I think myself to be or want to be, and the actual incidents -moments, or days, or years- that seem to be telling me things about myself in a different language than does my mind. It is a struggle between "dreams" and "reality"; but much of the anxiety and exhaustion it causes might be self inflicted. What is the "jump" that we might be able to make into a better life - a world that may not be unreal, merely just out of view. As it was for Cesar, coming to that moment on the ledge is not quick or easy.

reply

I recently saw both movies back to back. I've previously seen bits from VS, but never sat through the whole movie and ALO was completely new to me. I watched ALO first and then VS for comparison. ALO is more of a story about a person, his growth (or lack of it), about the choices we make and their consequences that come sooner or later, while VS was a typical Hollywood love story. Its remarkable really, given the fact that the two movies had almost identical scripts.

I did feel quite sorry for Caesar in ALO, even though he was a completely unlikeable character, he felt more realistic and human. I really liked the fact that his supposed connection with Sofia was notably missing. It was supposed to be only in his imagination. He tried everything to start a relationship with her after the accident, because she was representing his previous life, being literally the last good thing to happen to him. Had he never had the accident, she would have probably been just a quick fling. And I liked that Sofia was acting like a real human and not overly romanticized heroine. She flirted with the guy, she probably liked him ,and she tried to be friend with him at the club, but there was simply not enough connection there.
Another very interesting difference to me was the way the after club scene was handled. Sofia and Pelayo are talking to each other, smiling, flirting, obviously reconnecting. Later , after he leaves Caesar alone, its quite obvious that he indeed goes after Sofia (as Caesar imagined), and that they do start a relationship with each other.
The same scene in VS had entirely different dynamic. Brian only went after Sofia in David's imagination. And they had to include the absolutely unnecessary twist that Brian might have told Julie about the f. buddy comment.
I have to say that I loved Penelope's performance both times,though I liked the role of Sofia better in ALO. I don't find Eduardo Noriega particularly attractive (a matter of taste), but he just oozed confidence and charm, and that really worked for him at the beginning of the movie. I don't mind Tom Cruise, but everything in David was too Hollywoodazed, even his face didn't seem that disfigured after the incident. But this is actually a matter of script and acting.
I have always had a soft spot for Jason Lee, and I like him in his non-comedy roles. But I didn't like how his character was written. He came off as bitter and vengeful. This is not Pelayo from ALO, good, honest and decent. And I have to say that I'm having a bit of a crush on Fele Martinez ever since I saw him in ALO.

ALl in all, ALO is a great, thought provoking and original movie. VS is a beautifully shot, love story based on a very original movie.

reply