MovieChat Forums > He Got Game (1998) Discussion > The Music in this film

The Music in this film


I like the flow of the music in this film. It just goes with the movie. Anybody feel the same as I do.

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I don't. Aaron Copland's music clashed with the movie, so much so that I have to assume it was done intentionally (for what reason I'm not sure). Showing a playground basketball game with "Hoedown" as the background music just didn't work for me.

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The music sounded like it was meant for a Hitchcock film. Terribly noisy.

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Right, In fact I felt like it straight was the exact opposite of what you should be hearing for certain scenes. I noticed it so much it actually took me out of the movie at times. Aggressive scenes with soft music behind, kinda backwards- like he was making 'Rudy' or something, but forgot to shoot the inspirational stuff.

Where is pancakes house?

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Huh??? The score is perfect!

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Agreed. As for the reason, i would chalk it down to pretension. It's a failed attempt to sophisticate and refine the movie's tone, which as you said ends up totally clashing with the scenes themselves.

I can't help but think it's somehow an attempt to woo white audience and white critics by giving them what he thinks they consider as refinement and sophistication.

I for one think that he should have drawn more on the black musical repertoire, which is obviously just as rich, colorful and subtle as Classical music can be. I mean one would think that between Blues, Jazz and Rock on one side and Gospel, R&B and Hip-Hop on the other, passing by the "Motown sound", Marvin Gaye, Stevie Wonder, Diana Ross, Al Green, James Brown, Aretha Franklin, Sam Cooke, Curtis Mayfield and Ray Charles right up until MJ, Boys II Men, Erykah Badu, Tracy Chapman and many others, there should be plenty of sound that could inspire the same level of finesse and elegance without clashing as much culturally with the images it is supposed to underline and promote.

It's a shame and it might be my major point of contention with the movie. With a similar soundtrack to, say, Ali (2001), this movie could have been close to a classic. But maybe that's just me...

7/10


People who don't like their beliefs being laughed at shouldn't have such funny beliefsī²

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The songs were good like the PE songs, but the original score was terrible and took away from the film.

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You are all CRAZY. The Copland music is what makes this movie.

http://imdb.com/name/nm1265863/

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I agree.

I came to the board thinking that someone might already have commented that the opening music and images really felt like a Reggio/Glass combination - but don't see anything about it anywhere.

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This movie would have been much better with just pure hip-hop songs. Something about basketball and hip-hop go together. Not saying the copland music was bad but it just didn't fit. If the music doesn't fit then the score will suffer.

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I remember the scene where Jake tells his son why he named him Jesus. The final stanzas of "Appalachian Spring" were in the background. In that case, Aaron Copland's music fit in perfectly.

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I think its great. For what it's worth, Spike once said that Copeland music gives off the vibe of "America", and that is what he was going for.

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Never watched this movie, just turned it on, and the music is really distracting in this first scene with Lala and Jesus arguing on the boardwalk. It should be a raw intimate moment but instead the music swells melodramatically, reminding you you're watching a movie.

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I actually agree. I liked the score but my problem was with how often they used it. The scene where Jesus and Jake play one-on-one annoys me there because when the slow motion shots hit, it would've been much more powerful to utilize silence. I also felt the same with the boardwalk scene. However, this is one of my all time favorite movies nonetheless. I can't tell you how many times I watched it as a kid.

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