MovieChat Forums > Rebecca (1997) Discussion > Better than I remembered *possible sp...

Better than I remembered *possible spoiler*


I first saw this version of Rebecca 6 or 7 years ago. I've always passionately loved the 1940 film so--rather like Mrs. Danvers--I found the successor utterly unworthy. Having just watched it again, though, I found I enjoyed it a good deal more than before. The fact that it is nearly three hours (a 2-part miniseries on TV) allows it to incorporate more detail from the novel without the telescoping that the two-hour film necessitates. It can linger a bit more, for example, on the beauties of Monte Carlo. We also see in more detail how the important friendship develops between the new Mrs. de Winter and Frank Crawley. I also hadn't particularly noticed the evocative and beautiful score the first time I watched (strangely enough, since I am a musician) and was quite bewitched by it this time.

As for the cast, I remember having found Charles Dance curiously inert on my first viewing (especially remembering with pleasure his performance in The Jewel in the Crown). This time, however, I read it as typical English aristocratic reserve and was impressed by how his passion begins to show little by little as the story progresses. It made me less bothered by his being about a decade too old for the character. (Of course, Laurence Olivier in 1940 was about a decade too young!) I still slightly prefer Joan Fontaine to Emilia Fox as "The Girl/the new Mrs. de Winter" but I now think it's simply personal preference. Both are very good. The only truly bad casting choice is Faye Dunaway as Mrs. van Hopper. I am a Dunaway fan, to be sure, but she is simply wrong for this role. Mrs. van Hopper is supposed to be fat and generally physically repulsive, thoroughly provincial while she supposes she's worldly, and soon to be beyond middle-aged. In short, an obnoxious, insensitive snob without a single redeeming feature. Dunaway is still too young and glamorous to be convincing as this gorgon, and at times I wonder if she is, consciously or not, trying to make Mrs. van Hopper less obnoxious (in Hollywood talk, "give her more complexity"). The casting of this role in the 1940 film (sorry, can't recall the actress's name) was absolutely pitch-perfect.

But the glory of the 1997 version (besides the breathtaking locations) is the performance of Diana Rigg as Mrs. Danvers. Judith Anderson's 1940 portrayal is simply legendary and Rigg was wise not to imitate it. Each actress in her own fashion establishes a sense of quiet but menacing authority from her first appearance and this grows little by little over the course of the story. Thanks to the 3-hour timespan, Rigg is allowed a little more subtlety in developing the character, and more emphasis is placed on her advancing years and physical unattractiveness. This is helped by some truly creepy, shadowy lighting from time to time (though some might see this as less than subtle). In the 1997 version her would-be suicide--lying on the great bed, embracing Rebecca's lingerie as the bedroom burns around her--is both moving and appalling.

In sum, I still find the 1940 film the more compelling, but I've now come to see the 1997 miniseries as a worthy successor. Now if I can just get hold of the 1979 TV adaptation which some claim to be the best of all. I welcome all comments.


"Tell you what . . . the truth is . . . sometimes I miss you so much I can hardly stand it." --Jack Twist

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I am also a fan of the 40s version, but when I saw the 1997 version, I really loved it because of all the details not shown in the first version.

I saw the 1979 version of Rebecca and I did NOT like it one bit. The actress who played the second Mrs. de Winter looks much too old for the part and the actor who played Max has NO charisma and it bored me. It didn't play well to me and it wasn't captivating.

I love both the 1997 and 1940 version and I watch both often because every time I see each movie, I find something new. Rebecca is my favorite movie of all time, but the 1979 version lacks something. It's boring. I think it has no score and both actors just don't have what it takes to make Rebecca interesting in my opinion.

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Same here - love the book and the film, watched the adaptation for the first time (rented, fortunately) ... Didn't appreciate it! It's not that it's bad, just that there is some quality missing: tension, maybe, or drama. It delievered all the favourite scenes, but there was no impact. For instance, I love when Mrs de Winter answers the house phone in the morning room, and Mrs Danvers asks for her by her married name - feeling haunted by Rebecca's possessions and her presence, she replies, 'Oh, I'm afraid you've made a mistake, Mrs de Winter has been dead for a year.' I cringe when Joan Fontaine delivers that line, because it is so easy to empathise with her confusion and isolation, but when Emilia Fox played it, I was still waiting for that double-take and embarrassed expression. It just didn't happen. Emilia seemed to approach the whole adaptation as if she was reciting Shakespeare in an am. dram. production, in fact - the words are right, the setting, the costumes, but I didn't believe in her as Mrs de Winter. That scene in the bedroom after the ball, where Maxim tries to explain his reaction, was also particularly staged.

As to the rest of the cast: I thought Charles Dance was marginally creepy, but he delivered Maxim's droll lines with a glitter of amusement in his eyes that I thought brought him to life; Diana Rigg was excellent as Mrs Danvers, and far more believable in her grief than the other actress (although it did seem that she was smirking for most of it; Jack Favell, one of my favourite characters, was played with a dash more oil than in the film, although I was disappointed that they cut the line I thought typified him: 'It's not contagious, is it?' But Faye Dunaway was horrific as Mrs Van Hopper, and should never have been cast - can that woman act? I'm not sure. I was very glad when Mrs Van Hopper sailed for New York, and we never had to see her hammy, leering performance again!

Just one last thing - the bed scenes! Gratutitous, and rather jarring - Maxim tells his wife the truth, and they fall into bed before he can explain everything? Was the book that kinky? And did we need to see so much of Emilia? Her character is supposed to be shy and nervous, for heaven's sake, not an exhibitionist! In fact, I think they lost most of the tension by maintaining the Happy Couple on Honeymoon performance throughout - the audience never feels that the second Mrs De Winter has anything to worry about, because it seems that, bar the interference of the housekeeper, her husband does love her! Where's the doubt? That feeling of abandonment, of trying to live up to a memory - the scriptwriter, and Emilia, trampled all over the character of the second Mrs De Winter, in my opinion.

"Tony, if you talk that rubbish, I shall be forced to punch your head" - Lord Tony's Wife, Orczy

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I really like both versions, but I have a very hard time with Charles Dance as Maxim. He's just too old! And it's not just 1 decade, it's two decades! As a result, I found the love scenes very uncomfortable. Pushing aside the ickiness of the age difference, I think his performance was good, but Olivier's was probably closer to the book. In contrast, I think that Fox's performance was less jumpy and more along the lines of the book's character. So if I could have Olivier and Fox, I'd be happy.

One last thing, why did they have to change the ending in the 1997 version? It came out of no where, and I can't understand what they hoped to accomplish. At least the changes in the 1940 version made sense for that time frame (i.e. Rebecca's death). The book's plot was probably too scandalous for mainstream viewers. But why in the 1997 version did they have Maxim go back in the house at the end? I don't think it did anything for the story.

I would like to see a *third* version with the age of Maxim more in line with the book, and the RIGHT ENDING!

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I really like both versions, but I have a very hard time with Charles Dance as Maxim. He's just too old! And it's not just 1 decade, it's two decades!


He was two decades older in the book. he was 42 she was 21.

Say it again, it keeps me awake
I love you

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Agreed on the ending. I thought it was completely unnecessary to have Maxim attempt to rescue Mrs. Danvers. Maybe they added that part to make the audience feel more sympathetic towards Maxim, make him more likeable, perhaps. But I hated that they stuck that onto the ending.

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Not me, it DID make him more likeable. But what could save his vanilla pudding wife?

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