Opinions, opinions and opinions, like you said.
There have been many comparisons of David Rabe to David Mamet.
Indeed. Mamet is comparable to Rabe. Their plays focus on
a stream of themes that tend to rush through their plays
like a river-current. And, based on personal experience,
audience reaction to the pieces have been just as heated
as the debates proposed in the plays.
Imagine David Mamet writing "Oleanna," stating in every
magazine interview that would listen and print that "Oleanna" was not
a political play, and then sitting back, lounging out,
puffing on an over-sized cigar, up in the marquee of the
theatre and laughing at the up-roar he had stirred.
Because, as a playwrite he had succeeded. An audience is
viewing his piece and responding.
I tend to believe that David Rabe follows suit. Explore the
history of his plays: controversial topics, war, the effects/
affects of war on the individual and the war with self.
Consider the symbolism of the play. Phil/Eddie/Mickey, forget
male-chauvinism, these men dabble in misogyny and debauchery
daily. But, essentially the piece is about the battle of the
self vs. self, vs. social influences and media influences.
Consider their professions. Tangible, believable and poetic.
Hollywood. Satirical and biting. Anyway, I think that the biggest
uproar against the film was a double standard, in a sense.
Eddie is struggling with balance and decency and morality.
He wants to be loved. And, to discover these answers, Eddie
must search his soul, into the deep, unpenetratable arenas
that all individuals generally are to afraid too probe.
Eddie is searching for answers. David Rabe is proposing
questions and generally, I believe, the audience is to terrified
to search through the piece because they are afraid to acknowledge
the answers they might find as well.
"hurlyburly" is a sad, brilliant piece. Scratch through the facade
of the lives of Eddie-Micky-Phil-Artie-Darlene-Donna. You might
find a hint of individual reflection staring at you.
I thought the film was wonderful, the play is spectacular.
David Rabe once said (and I am paraphrasing) that when he
construced the piece he simply wrote it. In my opinion that is
one hell of a intuitive observationalist. I commend Mr. Rabe
in spite of society. And in traditional David Rabe fashion,
"blah-blah-blah" & "rat-ah-tat-tat."
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