The House of . . . What?
Didn't anyone else recognize that 'The House of Yes' is a loose reflection on Edgar Allen Poe's short story 'The Fall of the House of Usher'?
Poe's story 'The Fall of the House of Usher' (from now on: TFOTHOU) was about a brother and sister (Roderick and Madeline) who live in a big mansion and were both insane. Why? Because their family, for generations, was inbred: their parents were siblings, their parents' parents were siblings, and so on. Because they are both mentally and physically ill, they remain in the house at all times and are cut off from society. As the last scions of the Usher lineage, therefore, the only chance they have to continue the family is to reproduce together - to committ incest. This destiny, along with faulty genetics due to inbreeding, is what drives them both insane.
NOW.
MacLeod's play and Waters's movie 'The House of Yes' (from now on THOY) presents a similar (but definitely not the exact same - like I said, it is a loose reflection) situation: two incestuous, insane siblings (Marty and Jackie O.) in a big house cut off from society (at least Jackie O. still is). But this is not all that convinces me of the connection. I only saw the movie for the first time a couple of weeks ago and have since watched it 5 or 6 more times, each time recognizing more that relates to the Poe story. Since I'm at work right now and technically not supposed to be writing this, haha, I will just briefly discuss the first obvious point on which the connection between the two stories was made obvious to me:
THE HOUSE
In TFOTHOU, the house is the strongest symbol. The "house of Usher" is the house itself, but it is also the family line, as well as Roderick's mind. The house is deteriorating, crumbling, just like the family line and Roderick's mind. The windows of the house are likened to vacant eyes - specifically, Roderick's eyes, the windows to his similarly vacant soul. At the end of the story, he dies, and the house finally collapses and crumbles. How poetic (Poetic? Ha.)!
In THOY, the house is also a symbol of the family line, as they all live exclusively in it (except for Marty - even he, for the most part, lives there exclusively). More importantly, the house symbolizes Marty's mind. Notice at the beginning of the hurricane, Jackie O. puts Xs over the windows? These are like cartoon Xs over the dead man's eyes, letting us know from the beginning that Marty (as soon as we recognize him as the central character which the house symbolized) will die at the end. And how appropriate that Jackie O. puts the Xs on the windows, since she is the one who kills him. Also, as there is a lot of debate on whether or not she actually killed him or is just delusional: I use this image of X-ed windows to decide that she does, in fact, shoot him and he does, in fact, die.
Also, interesting to me is that at the very end of the movie, after Jackie O. explains what happened (or did it? No one can be sure, but I believe it did.), we follow Lesley running away, and then where do we turn? The camera zooms directly into the front door of the house, entering darkness. HERE is the first time we really get to look inside Marty's mind! And what do we find? The truth: Marty provoked Jackie O., perhaps even seduced her, and maybe - just maybe! - drove her insane.
SO!
If anyone else is familiar with both of these stories and wants to discuss more similarities between them and references to TFOTHOU in THOY, please reply! I've got a few other ideas and want to know more, because I am sure I am missing some things.