What? Blaming the actor for something the character does is a bit... odd? Blame the President, the Pope, or God, but not Catherine!
And... she doesn't "sort-of" cheat on "Terry" at all. Watch the first bedroom scene, the phone goes, Doumet says... "It's Nathan, he's arrived, can you get here"
Then Elizabeth says in a perfect five-thirty-after-a-night-of-passion voice... "What's wrong?" and Terry says "Israeli troops in the Bekka"
which is an absolute fib, isn't it? Then comes the restaurant scene where EH is happy at first, then serious, then angry and then outside is absolutely furious. Catherine has to display all these emotions, and does so superbly, it is as if it really happened and there just happened to be a camera to record it. Then Terry comes to the apartment. EH glares at him. He says, contritely "My name is Tom" (This is one of the best Pitt films ever, much better than Inglourious Basterds) After a second or so, EH gives a tiny smile. Perfect. That scene might have continued like this... Tom goes in, sits down, says quietly and slowly,
"I met Nathan in 'Nam, I was a sniper... later, in Berlin he offered me a different sort of job, clandestine stuff, I went East a lot"
EH "Did you kill people?"
TB after a pause... "Not ... directly"
EH "He asked me how I slept!, if I'd known what you've just said, I could have asked him the same".
TB "We... have... parallels..."
No more talking, their hands touch, their eyes meet.
But oddly, the next scene, the morning after, both appear to be having second thoughts?
The description "virtuosity of expression" has been used for other actors. CM too, in Spy Game, Dangerous Beauty, The Land Girls, This Year's Love. But not Magic in the Moonlight, which is missable.
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...it's a whole lot harder to shine.... than undermine.
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