It's a typical example of Hollywood adapting a story and destroying it.
The first act had so much important set-up. The movie threw most of it out in favor of a best friend who who was made up out of thin air, and a girlfriend who really wasn't important to the plot and could have been written out.
Obviously they did this for the teens (horror's biggest target demo) who want to see more young people. The filmmakers were afraid they'd be turned off by a movie that was 90% a boy and an old man. And if you don't get the teens buzzing after the opening weekend, it could make a difference of 20 or 50 million. Purely a monetary decision and indicitive of typical Hollywood garbage.
And yes it was pussified.
Dussander has no dreams, and therefore no motivation to silence them. He likes goose-stepping, torturing and killing simply because he thinks it's a hoot. Even Freddy Kreuger and Michael Myers had a reason. The book didn't even humanize him, it made him into more of a monster because remembering the sadistic superiority he once felt made him sleep like a baby. But they obviously felt the audience wouldn't be perceptive enough to grasp that.
Todd does have dreams, but they don't really motivate him to do anything. The only person he kills is an angry half-murdered guy he was trapped in a cellar with, suggesting he had no choice. In the beginning he was little more than curious, rarely showing any cruelty or disdain towards Dussander, or anyone else for that matter. He was essentially made a victim of the big bad nazi robot. Wouldn't want those teenage girls to be turned off I guess.
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