MovieChat Forums > Midsomer Murders (1998) Discussion > "The Black Book" Oddity [possible spoile...

"The Black Book" Oddity [possible spoilers]


NB: This comment is intended for those already familiar with this episode, so I didn't block off "spoiler" information. If you wish to avoid possible spoilers, stop here.
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I just watched "The Black Book" (Season 12, Episode 2) on Netflix.

Matilda Simms, the art school owner, is personable and good-looking.

Fairly early on, we see that Barnaby is charmed by her. They get along famously.

Yet, as the plot reaches its conclusion, Simms forthrightly informs Barnaby that her late father forged several paintings. Furthermore, with the help of co-conspirators, Simms unscrupulously sold the forgeries when she needed money.

Barnaby eventually catches Simms and a wealthy art collector in the act of destroying the black book that contains a detailed description of all the forgeries. They do this to protect the collector's investment; if the catalogue of forgeries were made public, it would wreak havoc on existing collections, prices, etc.

Yet Barnaby doesn't try to stop this destruction of evidence; instead, he winks at all this, and continues to cozy up to Simms. At the end, a smiling Barnaby accepts her invitation to attend a course at the school for free. Barnaby "regifts" this invitation to his wife.

In a nutshell, despite her charms, Simms proves to be a self-serving schemer; during the book-burning scene, she cheerfully brags about her illicit conduct.

I'm not clear on the applicable laws, but knowingly selling forged artworks, and destroying evidence that would expose all of the forgeries, must be crimes. Put another way, I'm sure an "Art Fraud Division" investigator or prosecutor would find several violations of law in her actions.

OK, I know that police/crime shows occasionally present situations where the cop bends the law, and lets someone off the hook. But usually that's because the person is a victim of a greater injustice, and doesn't deserve to be subjected to the strict letter of the law.

But I can't understand why Barnaby (and the writers) treat this woman like a lovable rogue. She may not have been the murderer, but she was hardly an innocent.

I found Barnaby's leniency odd; he's not normally so thoroughly turned by a pretty face. By the end, I found both Simms and Barnaby a little creepy. What am I missing?

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You are not missing anything, in fact you picked up exactly what I did when I saw this episode. I also wrote about it on this forum.

It is not the first time that Barnaby has let someone off the hook (Faithfull unto death). But it is the first and only time he did so because he was turned on/charmed/infatuated by the criminal.

The other times he did it was when he thought he did not have a case, or that it was too much fuss for a minor crime.

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Thanks for this reply. It's always nice to be "validated"!

I'll take the liberty of being slightly "off-topic" on my own thread:

Over the past few weeks, I've been watching MM on Netflix, which has several seasons available.

I first became acquainted with the series because a local Public Broadcasting Service has featured it for years. However, for long time they only had the older seasons available, e.g. the Troy/Scott era. My impression is that they didn't necessarily show their limited catalogue of episodes in order.

I think I started watching the series on Netflix from Season 7 or so. But, curiously, I find that as I've watched the shows more or less nightly, and in order, I notice the darker or more unpleasant sides of Barnaby and Jones's characters.

In a nutshell, during my sporadic viewing Tom Barnaby struck me as not only good-humored, but kind. And Jones came across as a sharp young policeman with an enthusiastic attitude. This "first impression" was probably due to Jones replacing Scott; I always felt that with Scott, both the character and the actor really didn't want to be there.

However, while watching the episodes one after the other, I notice that Barnaby has a bit of a mean streak that comes out in his dealings with Jones.

For instance, in "Talking to the Dead" he has Jones (in street shoes) climb a tree to find a concealed loudspeaker. Well and good. This is par for the course: young Jones is the subordinate expected to do the dirty work, and Barnaby is the stoic superior who isn't inclined to baby him.

But Barnaby turns his back and remains aloof when Jones runs into a bit of trouble-- literally putting himself out on a limb-- and falls hard to the ground. Jones gingerly gets up, haplessly dusts himself off, and limps and staggers after Barnaby. Barnaby seems to deliberately ignore Jones's very real (within the TV reality) distress.

I suppose this is meant to be slapstick comedy, but I've noticed similar moments when Barnaby crosses the line from "stoic" to a bit sadistic.

And with Jones, I also notice that what I used to think of callow naïveté is often ignorance or rudeness.

And sometimes, as in his non-relationship with WDC Stephens, he's just a jerk! I admit that I find Stephens the most personable police officer in Midsomer these days.

Funny, when I watched the show in sporadic bits and pieces, I used to dislike Joyce and Cully. I'm still not enamored of them, but they don't bother me now as much as Barnaby and Jones do.

In short, I seem to have unexpectedly acquired a "familiarity breeds contempt" problem with the two main characters.
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Back to Barnaby's letting that Simms hussy off the hook: I appreciate that well-written, realistic characters should be reasonably complex and have flaws and weaknesses.

But in police stories, I get put off when the protagonists' flaws directly contradict their professional integrity.

For instance, in "Inspector Morse" I was puzzled that Morse had a "thing" for being attracted to female suspects, or at least "persons of interest" in the crime he was investigating. When I posted this criticism on the "Morse" board, several exasperated fans explained superciliously that this was one of the character flaws Morse struggles with.

Well, obviously. But I still couldn't accept that Morse would indulge himself this way. Apart from the personal risk, it was simply bad police work; it didn't ring true that Morse would behave in a way that he'd never tolerate from a subordinate.

Likewise, especially since you confirmed my opinion, I find Barnaby's conduct in "The Black Book" to be a bit sordid.

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Well, I love Barnaby, Jones, Cully, George and Joyce. And I couldn't stand Gail Stephens. So glad they got rid of her.

I never warmed to Morse, he was too grumpy for my taste.
Young Morse is fabolous, though.
And Lewis too.

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Whoops!

Then we must perforce agree to disagree. 😉

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He's let a few criminals off the hook over the years - the vandal who damages high-end cars, the cat burglar who robs mansions, the art forger who rips off collectors with more money than sense.

I think I'm seeing a theme develop!

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