should be shown in film school

This has to be one of the most kinetic, visually creative, hyper-stylized comedies ever made. The staging and camerawork is some of the best I've ever seen. Yet, in no way does it ever intrude on the comedy of the film (as I feel Edgar Wright's style does). It only enhances it.

For me, this is the kind that should be shown in film school to encourage young filmmakers to experiment more with film form and the grammar of visual storytelling. Who's with me?

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