how superficial is the fluidity of time in this film?
I was a bit disappointed how Klapisch depicted a trip. The only representation of Chloe's vacantion is a short shot showing her swimming. Before we can even get an idea of what's going on, she's already on her way back from the station. Have you noticed other sequences similiar to this one? How come she spends more time doing her laundry than enjoying her time off?
share